Author: Stone Man
"Breakout" is intensively pulling off the anti-corruption drama, allowing the audience to be thrilled as the plot unfolds.
Undoubtedly, this is also Zhou Mason's second anti-corruption masterpiece after "In the Name of the People".
However, this "Breakout" anti-corruption masterpiece, unlike "In the Name of the People", feels a bit far-fetched to use the content of the master and brothers and sisters among senior leaders as the main breakthrough in the selection of the work.
Master and brother and sister are the titles of craftsmen with skills, and they are also the synthesis of workers. It is similar to the comrades-in-arms of the army and the brothers of the peasants.
The title of master was very popular in the 1960s and 1970s, and it was generally adapted among co-workers.
Like "Breakout" is a high-level anti-corruption drama, and it is also a matter after the Eighteenth National Congress, and the master runs through most of the plot, and it is still the main part of the exposition, which seems to be a little out of tune.
"Breakout" almost uses the first three episodes to narrate the relationship between the four people's master and brother and sister.
For Lin Manjiang, chairman of Zhongfu Group, Qi Ben'an, chairman of Jingzhou, and Shi Hongxing, vice chairman and general manager, are his brothers and sisters.
For the old labor model Cheng Duanyang, Lin Manjiang, Qi Ben'an, and Shi Hongxing were all her apprentices.
This kind of feeling and relationship between workers, to the middle and senior leadership positions, still feel that the title is not very realistic.
For the feelings and relationships between the master and the brothers and sisters, it is also appropriate to look at them occasionally, and it is also okay to pay attention to them often.
However, if it is to rise to a certain height, it is also the main line of a high-level anti-corruption drama, and it feels a little too much.
As a deputy ministerial leader, Lin Manjiang, in order to promote and utilize his brothers and sisters, formed a nepotistic Lin family shop in the group.
And his care for his brothers and sisters Qi Ben'an and Shi Hongxing is also obvious to all. In particular, the doting on Shi Hongxing has reached the point of being unable to extricate himself.
After the explosion in the shantytown, Lin Manjiang took Qi Ben'an and Shi Hongxing with him to visit Cheng Duanyang, who was injured by the explosion, instead of other miners.
This kind of relationship between masters is not impossible, but if you start with too much ink, you feel a little redundant.
Qi Ben'an is also a bureau-level leader, and he is the one who most wants to break through this network of brothers and sisters. However, his emotions are still deeply rooted in the network of siblings.
It was when he knew that the half a billion yuan to transform the shantytown was that Shi Hongxing had been drained out, and he was still worried about how to talk to his sister Shi Hongxing, how to tell his master Lin Manjiang, and failed to live up to Master Cheng Duanyang's desire for progress together with them.
Or his lover Fan Jiahui reminded him that when it was, he still had to be emotional.
Although many of Qi Ben'an's views on work are different from Shi Hongxing's, and the relationship between the two is bumpy, the invisible network of brothers and sisters still envelops Qi Ben'an.
Shi Hongxing took advantage of the master's relationship and stepped into the position of general manager step by step.
She even hung Lin Manjiang's portrait at home and worshipped her idol. Even her husband, Zhu Junjie, was furious.
It doesn't become a neurosis. After Lin Manjiang arrived in Jingzhou, the person he was looking for was also Shi Hongxing, and it was also a very casual thing to go to her house for dinner, as if all this was omnipotent in the master's network of relationships.
The exaggerated exaggeration and exaggeration of the relationship between the master and the brothers and sisters is inconsistent with this anti-corruption drama, and it is also a bit far-fetched to lower the grade.
Among senior leading cadres, the relationship between such masters should still be a rare thing.
Even if there is another kind, it is specially rendered and exaggerated this relationship, and it is acting throughout the plot, which is not very realistic.
Such a high-level anti-corruption drama has always run through the main line of the master, which seems to affect the positioning of the entire pattern, and invisibly lowers the grade of "Breakout".