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Deeply familiar with the traditional kung fu of Chinese painting, Fanyang panorama landscape is majestic, and there are hills and ravines in his chest
Photo/Fan Yang Text/Wen Juan
Fanyang Jiangxi Pingxiang is a national first-class artist and a contemporary Chinese landscape painter. When painting landscapes, very typical traditional brushstrokes are used, and the pursuit of art is similar to many people.
▲Fan Yang's work "Spring Clear Rhyme"
Since he began to learn painting for more than 50 years, he is good at a very comprehensive field, with achievements in landscapes, flowers and birds, poetry, calligraphy, and engraving.
▲Fan Yang's work "Xishan Yunfan"
Thanks to the guidance of many people, under the guidance of Liu Boshu, Yao Duoduo, Lou Shibai and others, they have a stable foundation in the field of art.
<h1 class="pgc-h-arrow-right" >, pen and ink freely, unique style</h1>
Out of his love for traditional art, Mr. Fan Yang often uses traditional techniques to depict when painting, so that panoramic landscapes often appear in the paintings.
▲Fan Yang's work "Youjian Mountain Spring"
In addition, the pen and ink are free, which can place many elements such as mountains and stones, grass and trees, pavilions, and characters in the picture scroll to form an integrated structure, and at the same time have a sense of staggering, showing the fun of natural scenery.
Looking at the works, you can feel the charm of the mountains and rivers. In the shaping of the artistic conception, it presents a personal style.
<h1 class= "pgc-h-arrow-right" > second, into life, chest hilly</h1>
The painter's personal experience has a great influence on the creation of landscape painting. And Fan Yang's framing in landscape paintings often comes from the experience of life.
▲Fan Yang's work "Matsutani Feiquan"
Coupled with the continuous play and integration of the ancient landscape, the formed landscape has a natural interest, as well as the ultimate expression of the spirit, casting the ideal landscape painting.
The expressiveness of the panoramic landscape is very strong, and there are many objects and images, which adds a lot of difficulty to artistic creation.
▲Fan Yang's work "Songzhu Caotang"
Mr. Fan Yang's panoramic landscape and stone works are all from the abdominal manuscript, and there are hills and ravines in the chest, which are freely retracted when depicting the scenery, and the form of the picture scroll is vivid and closer to the reality of the scene.
<h1 class= "pgc-h-arrow-right" > three, high and low staggered, virtual and real handover</h1>
The sense of layering in Mr. Fan Yang's paintings comes from his use of blank space, and on the basis of fine brushwork, the exquisite details are depicted vividly, showing the steep form of the mountain stone itself.
With the help of bold blank space, the scenery outside the mountains and rocks becomes more idyllic, and at the same time, it also creates a more distinct spatial meaning for the sense of high and low.
From a distance, it can be seen that its composition can be described as ingenious, and it can present a more detailed sense of beauty visually, which is the embodiment of the technique after years of tempering, and it is also the perfect integration of personal opinions in the picture scroll, so that the experience in life is hidden in it, showing the magnificent charm.
▲Fan Yang's work "Songfeng Spring Sound"
From the experience of Mr. Fan Yang's paintings, it can also be concluded that the path of study that painters should follow should be based on diligent study and hard work to deepen the impression of the artistic conception of the landscape.
And with the help of the refinement of brushstrokes, the picture appears more vivid, which is conducive to portraying personal thoughts in the imagery of the painting, containing personal color.
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