Regarding the use of cursive writing, there are two people who say things that we have to think about carefully.
I. Sun Guoting: The grass takes dot painting as its sentimentality and transforms it into a form
One is Sun Guoting, who said: "Grass takes dot painting as a sentimental nature, so that it turns into a form." This sentence seems inconspicuous, speaking of the essence of the grass headline book.
Make the turn into a shape, make, vertical and horizontal, turn, hook the circle roundabout. This is what cursive originally possessed, innate, garlic is spicy, watermelon is sweet, this is his essence. The same is true of the rotation, it is cursive, and that is it, what kind of result will be caused by the rotation: lively, jumping. In other words, cursive does not refer to Zhang Cao, he is lively and jumpy, and you want to make him lively and jump, and you can't do it without jumping! But pay attention, this is not his most valuable place, the most important thing, to write temperament, taste, exquisite and exquisite, where it comes from, dot painting - dot painting for temperament. How accurate is this acupuncture point of the sun over the court! In a word, people have figured out the writing of cursive, so the cursive of the "Book Notation" is so wonderful, both theory and practice.
The so-called dot painting for temperament, it is necessary to spend a lot of effort on the dot painting, the dot painting should be clear and clear, do not wind up endlessly. It's like singing breath, singing breath after breath, it is impossible to finish the song in one breath and choke to death. Then the dot painting should be exquisite and exquisite, that is to show the level. Can't understand this truth to write cursive, around a lifetime can not get around, why? Didn't figure it out.
Second, Liu Xizai: Cursive writing is especially heavy tendons, if the pen has not been converted, it has been slipping down, then the tendon joints are dead.
There was another person, Liu Xizai of the Qing Dynasty, who wrote an article, "Outline of Books", which talked about a lot of calligraphy-related things, which was very in place. He explained the use of cursive pen more clearly, and he said this passage: "Cursive is especially heavy, if the pen does not change, and it keeps slipping down, the tendon is dead." Although the qi pulse is still long, it is always necessary to make the front pen have a knot, the back pen has a rise, the light and the dark are broken, and the Sif is not a wave. ”
He came up with a concept: tendon joints. That is to say, the beginning and end of the strokes of cursive writing should be very clear. Similar to the breath when singing, the person who sings is very particular about breathing, because it directly affects the quality of the next melody, which is like the tendons of the cursive pen, where the next pen is, to understand. In this way, the cursive effect we see is continuous, but it is actually section by section. If you can't do this, you will "keep slipping down, and you will die." The last twelve words are extremely important, "the front pen has a knot, the back pen has a rise, and the light and the dark are broken", which can be described as the key to using the pen in cursive writing.
Here are some examples from the Book Notation and the Distant Eunuch Thesis, which may be helpful in understanding the use of cursive pens.
Source: Rat Star Culture
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