Summer of 1931. After the central Soviet region achieved a major victory in the second anti-"encirclement and suppression" campaign, the great man Mao Zedong excitedly filled in the words "Fisherman's Pride and Anti-Second Great 'Encirclement and Suppression'": "The head of Baiyun Mountain is about to stand, the baiyun mountain is in a hurry, and the dead wood and decay are working hard together." Gunfired, the flying general threw himself into the air. On the fifteenth day of the seven-hundred-mile drive, the Ganshui River was vast and the Mountains were blue, sweeping through a thousand armies like a sweep. Some people cry, for the camp step by step! ”
<h1 class= "pgc-h-arrow-right" > poetry appreciation</h1>
The film prominently shows the fearless heroism of the Red Army overpowering all enemies, and the artistic technique of combining side accents and positive depictions vividly reflects the brave, tenacious, and invincible fighting style of the Red Army soldiers. "The clouds on the white cloud mountain want to stand", the strange peak stands tall, and the momentum is magnificent. "The cry under the Baiyun Mountain is urgent", writing that the enemy under the mountain is pressing the territory and pressing forward step by step. "Dead wood and decay are working together" and creatively using the old saying to show that the people in the revolutionary base areas have thrown themselves into the struggle against the enemy, even the old, the weak, the sick and the disabled. "Guns are fired, and the flying general is self-respecting." The "Flying General" originally referred to Li Guang, a famous general of the Han Dynasty, and Mao Zedong used this to praise Huang Gongluo and the Red Army led by him for its swift action, bravery and good fighting. It depicts the Red Army swooping down on the enemy like a fierce tiger from baiyun mountain, like a flying general descending from the sky, surprisingly winning a victory, and causing the enemy soldiers to be defeated like a mountain. The poem uses anthropomorphic artistic techniques that allude to the scene, renders and sets off the tense and fierce fighting atmosphere, and at the same time sets off the momentum of the revolutionary base area where the military and the people hate each other and the mighty courage to kill the enemy.
The next film summarizes the struggle between "encirclement and suppression" and the anti-"encirclement and suppression" in the second anti-"encirclement and suppression" campaign with magnificent writing and humorous and romantic atmosphere, ending with the victory of the red army soldiers and the masses of the people, and ending with the fiasco of the reactionary army. "Seven hundred miles to drive for fifteen days, the Ganshui River is vast and the Mountains are blue, sweeping through a thousand armies like a sweep." It vividly depicts the heroic momentum of the Workers' and Peasants' Red Army's long-distance attack, one drum, and one victory in successive battles. "Some people cry, what a step for the camp!" The reactionaries are sobbing in sorrow, but they have no power to return to heaven. The method of "fighting steadily and steadily, step by step as a camp", the donkey skills are poor, and it has been a complete failure. The great poet Mao Zedong's tone is humorous and incomparably spicy, the revolutionary romantic technique is extremely expressive, the poems use contrasting techniques, and the combination of large brush strokes and brush strokes depictions mocks the arrogance and stupidity of the enemy army and praises the victorious glory of the Workers' and Peasants' Red Army.
< h1 class="pgc-h-arrow-right" > the background</h1>
In February 1931, Chiang Kai-shek appointed He Yingqin as the director of the "Nanchang Xingying Battalion, Commander-in-Chief of the Army, Navy, and Air Force", adopted the principle of "fighting steadily and steadily, and taking every step as a battalion" to organize the second large-scale "encirclement and suppression" of the Central Soviet Region. In late March, 18 divisions, 3 brigades, and 3 air units of the Kuomintang army, totaling 200,000 people, were assembled in Yundu (present-day Yudu), Ganzhou, Xingguo, Wan'an, Taihe, Ji'an, Jishui, Yongfeng, le'an, and other places. Under the command of Mao Zedong Zhu De, the Red Army coordinated with local armed surveillance of the Kuomintang forces on the northern edge of the Soviet Zone with a small number of troops, and the main force moved south from the areas south of Yongfeng, Le'an, Yihuang, and Nanfeng to the areas of Ningdu, Shicheng, and Ruijin in late March, and stepped up preparations for countering "encirclement and suppression." Party organizations and governments at all levels in the Soviet Union organized and mobilized the masses of the people to carry out the clearing of the walls and the fields and to support the Red Army in combat. During this period, the Central Bureau of the CPC Central Committee of the Soviet Union held many discussions on the policy of opposing "encirclement and suppression" and the direction of the Red Army's operations; when the chess pieces were uncertain, Mao Zedong resolutely advocated continuing to adopt the policy of enticing the enemy to go deeper, drawing the enemy to the Soviet zone, concentrating superior forces to break through each of them, and smashing the enemy's "encirclement and suppression." Finally, the Central Bureau of the COMMUNIST Party of China's Soviet Union adopted Mao Zedong's correct propositions. According to the predetermined plan, the commander of the Red Army decided to concentrate his forces on annihilating the enemy in the movement at the perfect opportunity to break away from his Tomita position. On the 16th, after a day and night of fierce fighting, most of them were annihilated in the area between Tomita and Donggu, and won the first victory. It then swept eastward, and finally the Red Army crushed the Kuomintang army's second "encirclement and suppression" of the Central Soviet Region.
