Since the time of its inception, cross-talk has been accompanied by changes due to the system of the times, and the occurrence of changes and the generation of new situations are bound to bring about estrangement and controversy between actors.
In the early days, after Zhu Shaowen became the ancestor of Xiangsheng Kaishan, he took in two disciples on behalf of him, which had the meaning of pulling the tiger skin to make a big banner, after all, one person was weak, and three people looked better.
Many people call it the three factions: Zhu Shaowen's Zhu Faction, Ah Yantao's A Faction, and Shen Chunhe's Shen Sect, which is still a bit too prestigious to say, after a hundred years of history ups and downs, most of the people who have been handed down are Zhu Shaowen's disciples, and the disciples and grandsons of the other two have died out in an indomitable struggle!
Because of the particularity of cross-talk from the art, so that the inclusiveness of this art is extremely low, one mouth can make money without relying on too much lineup, which produces a narrow concept: one is the spring ceremony in the industry, and the other is the teacher inheritance system.
Spring code is also black words, which is a great weapon to maintain the integrity of the system and the stability of personnel, and there are black words in all walks of life, but the application areas are different. For example, in Peking Opera, it is mostly used in artistic expression, and black words are used for entanglement of interests, bandits are counted as one, and cross-talk is also biased towards the latter;
Shi Cheng is even more the content of the development of actors, for a long period of time, without Shi Cheng, actors can not gain a foothold in the industry, it is difficult to earn the cost of supporting their families.
Limited to these two conditions, this makes cross-talk maintain relative harmony and stability for a long period of time after its production: the actors have an orderly change, there are door leaders or other big men in the industry, and the contradictions generated are mostly digested internally and resolved behind closed doors, and most of the controversies are not made public, maintaining the image in front of the audience.
Understand everything, this is called the ugliness of the family can not be publicized, and then a person broke the rules of this industry, and the resistance in the industry can also imagine the reason!
Looking at the history of crosstalk, it can basically be classified as three controversies, the first being too long, and the last two being inherited and continuing to this day.
As mentioned earlier, in the early days of cross-talk, the order in the industry was relatively stable, but from the 1830s onwards, a maverick actor appeared, breaking this stability.
This public name is Zhang Jieyao, known as Zhang Fool, who said more than 400 cross-talk in his lifetime, and is one of the meritorious figures who added industry to cross-talk, such as "Guan Gong Zhan Qin Qiong" and "Luo Cheng's Drama Sable Cicada" and other cross-talk are still appearing on the stage.
The reason why Zhang Jieyao and the cross-talk community are enemies still cannot escape the restriction of Shi Cheng. Zhang Silly Ye originally agreed to worship under Gao Wenyuan's door, but it is rumored that Gao Wenyuan did not agree at that time, and Zhang Silly Ye completed the worship ceremony on the chair that Gao Wenyuan had made!
This kind of funny ritual is naturally not widely accepted by the cross-talk community, so he has always been regarded as a sea blue. Zhang Jieyao had great ability, a big temper, and was very stubborn, and gave himself the stage name of Zhang Jizu, and his disciple Han Zikang became Han Jizong, which means the ancestor of the comical world.
In the end, it was Zhang Shouchen, the head of the Shouzi generation and the spokesman of the cross-talk circle at that time, who came out and recognized Zhang Jieyao's identity as a German character, so that the latter could change back to his real name.
However, although this controversy ended in the success of Zhang Jieyao, Zhang Jieyao's descendants were not widely accepted by the cross-talk community, Zhang Jieyao had an apprentice named Sha Guangsen, and Han Zikang had an apprentice named Xue Yongnian, who should be an artist of the Shouzi generation, and no one in the cross-talk industry today recognizes it.
The second controversy began in the 1980s and lasted until around 2005, when the representative event was the conflict between Ma Jiajun and Hou Jiajun, of course, this conflict was secret, not placed on the surface.
The two parties involved, one is Ma Ji, the representative of the praise type cross-talk, the soul figure who leads the cross-talk to the second revival; the other is Hou Yaowen, the son of Master Hou Baolin, the leader of the railway literary and labor troupe, and the famous and prestigious family naturally has superior pride.
One is the apprentice, the other is the son, the two should get along in a harmonious atmosphere, but in fact the contradiction occupies the mainstream, and there are also many conflicts and estrangements, far less harmonious than the audience expects.
For a long period of time, the two were the existence of recruiting troops and buying horses to divide the market, and gradually formed the Ma Jiajun headed by Ma Ji, Jiang Kun, Feng Gong, and so on, and the Hou Jiajun headed by Hou Yaowen, Chen Hanbai, Liu Ji, etc. The former took the radio rap troupe as the main position, and the latter took the railway literary and labor troupe as the main position.
The controversy also ended with Hou Yaowen's death. It is safe to say that although we call it a controversy, this is to promote the prosperity and development of cross-talk, which is accompanied by the renewal of cross-talk works, the expansion of cross-talk groups, the improvement of actor strength, etc., which is a good thing for the development of cross-talk.
In the third game, the dispute between Jiang Kun and Guo Degang, which is still going on, seems to be a dispute between custom and elegance, but it is basically a struggle between the old forces and the new forces, which involves personal attacks and smears and sarcasm, and as for the level of cross-talk, it has become a second-line product, which is lamentable.
The article is written for the times, the development of cross-talk has its own unique historical trajectory and the mark of the times, different eras will have different works, there are also different representative figures, each actor has a golden period to give, there is no need to use the current vision to examine the past things, with the current requirements to test the past actors. #郭德纲姜昆恩怨 #
Crosstalk, you still have to rely on the work to go down!