In the vast world of cross talk, Guo Degang and his Deyun Club are like a bright and unique star, shining with endless light, but also accompanied by the shadow of many controversies. This phenomenon not only profoundly affects the development trajectory of the traditional art of cross talk, but also sets off waves in the hearts of the majority of audiences and cross talk lovers.
Guo Degang, a legend in the cross talk industry, came from an ordinary background but had a fiery dream for the art of cross talk. He went through ups and downs in his early years, crawling on the road of cross talk, from obscurity to gradually emerging to prominence. And Deyun Club, a cross talk group founded and carefully cultivated by him, has grown tenaciously from the original nameless, like a seedling breaking out of the ground, growing tenaciously in the baptism of wind and rain, and finally growing into a towering tree in the cross talk world, becoming the mainstay of today's cross talk stage.
Looking back on the past, Guo Degang's cross talk road is full of thorns. In his exploration of the art of cross talk, he constantly absorbs the essence of traditional cross talk and integrates it into his own performance style, forming a unique "Guo's cross talk". He quickly won the love of the audience with his solid cross talk skills, humorous and witty language and infectious performances. His cross talk works cover all aspects of life, from the market to social hotspots, from historical allusions to life philosophy. Whether it is the absurd but thought-provoking dream adventure in "Dream of the Western Expedition", or the humorous interpretation of traditional martial arts in "The Big Bodyguard", or the profound portrayal of the fate of the little people in "My Life", every cross talk is like a mirror, reflecting the colorful life, so that the audience can feel the profound connotation contained in it while laughing.
However, with the rise of Deyun Club's fame, controversy followed. Among them, the method of accepting apprentices and related issues once became the focus of public opinion. Rumors of Guo Degang's "high fees" for accepting apprentices have spread far and wide, and there are even rumors that the families of his disciples are in financial difficulties due to tuition problems. This incident is like a bombshell, causing an uproar in the cross talk world and society. Many people have expressed doubts and dissatisfaction with this apprenticeship model, believing that it violates the principle of focusing on morality and talent in the traditional cross talk master-apprentice inheritance. But what the facts are, perhaps only the parties know best. Despite this, there are still many disciples who still firmly follow Guo Degang after experiencing all kinds of turmoil, thrive on the stage of Deyun Club, and become an important force supporting the development of Deyun Club. The complex relationship in this is like a confusing drama, which not only reflects the development dilemma of the cross talk industry in modern society, but also makes people feel a lot of emotion about the entanglement of human nature and Vanity Fair.
In the process of inheritance and development of cross talk art, Deyun Club's "innovation" has attracted much attention. They boldly tried to integrate modern elements into traditional cross talk, making the performance form of cross talk more diverse and the stage effect more dazzling. For example, pop music, dance, multimedia and other elements are added to the performance to create a visual and auditory feast. While this innovation has attracted a large number of young audiences, it has also caused a lot of controversy. Some traditional cross talk lovers believe that this kind of innovation focuses too much on form, which leads to the weakening of the essence of cross talk, which is the essence of "talking and singing". Although the hustle and bustle on the stage attracts attention, it makes people worry about whether the traditional art of cross talk will lose its original charm.
Just like in a performance once there, the stage lights flickered, the music rhythm was strong, and the actors were interspersed with some fashionable dance moves while performing cross talk. The young audience in the audience cheered and screamed excitedly, immersed in the lively atmosphere. However, some old audience members frowned, nostalgic for the kind of cross talk that relied purely on the eloquence and acting skills of the actors to amuse the audience. They believe that although such an innovation seems novel, it deviates from the right path of cross talk.
And some of the behaviors of the disciples of Deyun Club have also aroused widespread concern in the society. There have been disciples who have been exposed because of their private life problems, which is unimaginable in the traditional cross talk world. In the concept of the older generation of cross talkers, artists must not only have exquisite skills, but also have good moral cultivation. After such an incident, there was a situation where disciples were still able to perform on stage, which made many people question the management and values of Deyun Club. They are worried that this phenomenon will have a negative impact on the image of the cross talk industry and make the traditional art of cross talk tainted with a bad atmosphere.
In the face of various controversies, Guo Degang's attitude is intriguing. He probably knows that in Vanity Fair, negative comments are inevitable. As the focus of the cross talk world, he has long been accustomed to walking on the cusp of public opinion. He understands that the success of Deyun Club is inseparable from the support of the audience, and the audience's preferences are diverse. Those who are willing to pay for tickets to watch their performances do so because they find fun and resonance in their cross talk. Whether it is a traditional cross talk lover who pursues pure "talking and singing", or a young audience who is keen on Deyun Club's "popular cross talk", they have found their own joy on this stage.
Wei Wenliang's evaluation of Guo Degang is like a pebble thrown into a calm lake, causing ripples. There is no doubt that Guo Degang has made contributions. Guo Degang has made great contributions to the popularization and promotion of cross talk art. He made cross talk, a traditional art that once struggled to survive in small theaters and teahouses, enter the public's field of vision and appear on a bigger stage. He has cultivated many outstanding cross talk talents and injected fresh blood into the cross talk industry. His cross talk works have also become people's after-dinner conversations, allowing more people to understand and love cross talk.
But how much to contribute is indeed a question worthy of in-depth discussion. From the perspective of the inheritance of traditional cross talk, although the innovation of Deyun Club has brought new vitality, it has also triggered an impact on traditional rules and artistic values. In the wave of modern commercialization, the traditional art of cross talk is facing unprecedented challenges. How to absorb fresh blood and achieve innovative development while retaining traditional rules has become an urgent problem to be solved in the entire cross talk industry.
In today's society, the collision between traditional art forms and modern sought-after and commercial packaging is becoming increasingly intense. On the one hand, the commercial mode of operation has brought more resources and opportunities to cross talk, so that cross talk actors can obtain better living conditions, and the art of cross talk has been more widely disseminated. But on the other hand, excessive commercialization may also lead to a decline in artistic quality, making cross talk a purely commercial product. Just like in some commercial performances, in order to pursue box office and ratings, they do not hesitate to sacrifice the artistic connotation of cross talk and add some vulgar and kitsch content.
In terms of absorbing fresh blood, the addition of young actors has brought new vitality and creativity to cross talk. They have a keen sense of the times and are able to integrate the current popular elements into cross talk performances to attract more young audiences. However, without a deep understanding and respect for traditional cross talk, this innovation may go off track and lose its roots.
Where is the future of cross talk going? This is a question that every cross talk practitioner and enthusiast is thinking about. Perhaps, we should look at the "innovation" and "controversy" of Deyun Club with a more inclusive and rational attitude. On the basis of retaining the essence of tradition, cross talk is encouraged to carry out moderate innovation to meet the development needs of the times. At the same time, cross talk actors should also pay more attention to the improvement of their own moral cultivation, inherit the fine traditions of the older generation of cross talk people, and establish a good image for the art of cross talk.
For the audience, we should also maintain respect and understanding for art in the process of appreciating cross talk. Whether it is traditional cross talk or innovative cross talk, it has its unique charm. We can feel the charm of cross talk in laughter and taste the true meaning of life in thinking. Let the ancient art of cross talk radiate new vitality and vitality in modern society, and continue to inherit and carry forward the excellent traditional culture of the Chinese nation.
In the days to come, Guo Degang and Deyun Club will continue to write their legends on the stage of cross talk. Every one of their performances and every work will become an important part of the development of cross talk. The art of cross talk will continue to explore and move forward on the road of innovation and inheritance, bringing more joy and emotion to people. I believe that with the joint efforts of the whole society, the traditional art of cross talk will be able to bloom with more brilliant brilliance in the modern society and become an eternal and shining pearl in the cultural treasure house of the Chinese nation.