Today, come and enjoy a poem by Zheng Xie. Zheng Xie (1693--1765), zi Ke rou, no. Banqiao, Jiangsu Xinghua people, was a famous painter and calligrapher in the Qing Dynasty, and one of the "Eight Monsters of Yangzhou".
Zheng Banqiao not only paints and writes well, but his poems are also very philosophical. For example, the familiar "Hsinchu is higher than the old bamboo branches, all supported by the old stem", "Firmly believe that the green mountains do not relax, the roots are in the broken rock", "On the top of a thousand mountains, the rock is deep and fragrant" and so on.
Most of Zheng Banqiao's poems are inscription poems, the painting is still unfinished, and the inscription poem makes the artistic conception of the painting suddenly improve several grades.
In fact, taking out his poems alone is also very charming, and it is not difficult for us to see the shadow of the painting from between the lines of the poem. It is also very appropriate to use Su Shi to describe Zheng Banqiao as "there are paintings in poetry and poetry in paintings" by Su Shi as describing The great poet Wang Wei of the Tang Dynasty.
For example, today's song "After the Snow in the Mountains", 28 words, the scenery of the snowy mountains under the clear winter sky jumps in front of you, and you instantly feel the coldness of winter.
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After snow in the mountains
Zheng Xie (Qing Dynasty)
In the morning, the door is full of snow, and the snow is clear and the sun is cold.
The eaves are not dripping plum jelly, a kind of loneliness and idleness.
"Open the door in the morning and the snow is full of mountains, and the snow is sunny and the sun is cold." In the early morning of winter, push open the door, and the mountain in front of the door is a cold and silver-clad scenery. The snow-capped mountains look exceptionally white against the sunlight, and the cool air makes the newly rising sun look cool.
"The eaves are not dripping plum jelly, a kind of loneliness and idleness." The cold air seemed to freeze even time, and the eaves hung long ice skates, and the sun could not be sunburned. The plum blossoms in the corner of the wall are frozen into a ball in this ice and snow. But even so, it still survived strongly, blooming a little warm yellow in the cold.
The poem is written from far and near, from the snow scene of the mountains and rivers in the distance to the plum blossoms in the courtyard, and the first two sentences depict a picture of the early morning, the earth wrapped in silver after the snow, the rising sun in the east, the clouds faint, the first sunshine after the snow, and the cold and frozen scene. The last two sentences use the setting techniques of "eaves not dripping" and "plum blossom jelly" to highlight the coldness of the weather. The last sentence has played a role in the finishing touch and sublimation of the artistic conception, the author uses "clear loneliness and idleness" to highlight the strong and indomitable character of plum blossoms, and the author implicitly expresses the author's high and tenacious character and clean and self-improvement qualities.
Zheng Xie grew up in a poor family, once wandering the streets to sell calligraphy and paintings for a living, sometimes even begging to live, tasted the world's sour, sweet and bitter, but the birth of the poor did not make him humble, but cultivated his tenacious and tenacious, iron bones. As he wrote in "Bamboo Stone", "Thousands of grinding blows are still strong, and Ren'er's east, west, south and north winds." This spirit of his is also expressed in this poem, from the cold after the heavy snow to the tenacity and fearlessness of the plum blossoms in the corner. It seems to be writing scenes, but in fact, it sees the scenery and emotions, blends the scenery and things together, and shows his unyielding, tenacious and unyielding qualities.