Limits 2 and 7 today Limit 3 and 8 tomorrow
Nian Nu Jiao, noisy and red
[Song] Jiang Fu
Yu Ke Wu Ling. Hubei Xianzhi in Yan: ancient city wild water, trees towering in the sky. Yu and the second and third friends, day in and day boat. Drinking from thin lotus flowers, the image is idle, not human-like. Autumn water and dry. The lotus leaf went out to look for the ground, and because the column sat under it, there was no sun on it. The breeze is gentle, and the green clouds are automatic. In the middle of the sparse place, I saw tourists painting boats, and I was also happy. Shu lai Wu Xing. Counting the sheep and lotus flowers, and the night pan the West Lake, the scenery is amazing. Hence the sentence.
When the red is red, remember,
Taste the Mandarin Duck as a companion,
Thirty-six pi people have not arrived,
There are countless water pendants.
The green leaves blow cool, the jade is drunk, and the mushrooms are sprinkled with pu rain.
Yanran shook, and the cold incense flew up to the verse.
Sunset, Green Cover Pavilion,
The lover is gone, and the struggle for LingBo to go?
Only afraid that the dance clothes are cold and easy to fall,
Sad west wind Nanpu.
The high willows are weeping, the old fish are blowing waves, leaving me to live among the flowers.
How many fields there are, and several times the sand returns to the road.
Translations
The boat swayed in the red-hot, lush lotus bushes, and I remember that when I came, I used to form a companion with the Mandarin ducks on the surface of the water. Looking at the thirty-six lotus ponds in a row, there are few traces of tourists, and countless lotus flowers lined with lotus leaves swaying in the breeze, like beautiful women wearing belts and skirts. The emerald lotus leaves blow a cool breeze, the flowers seem to have a residual wine, and there is a dense rain sprinkled in the water and grass. The lotus flower smiled and shook the shadow, and the cold fragrance flew up to my verses praising the lotus flower.
At dusk, the lotus leaves are like verdant umbrella covers, and the lover's beautiful posture has disappeared, how can I bear to go away in a boat? I am afraid that in the cold autumn season, the lotus petals like a dance dress are easy to fall, and the west wind blows a mess in Nanpu, which makes me sad and miserable. The tall willow trees hung down in the shade, and the fat old fish blew up the waves, as if detaining me to stay among the lotus flowers. How many round lotus leaves, I know how many times I wandered on the way back to the sandy shore, and I was not willing to leave.
Appreciation
This is a chant of Toto bichen, borrowed from the lotus flower to pin down on the life. From the small preface of this poem "Nian Nu Jiao", it is known that Jiang Kui has wandered with his friends in the scenery of Jiangnan Lotus Pond many times, because he feels that his "imagery is idle, not like a human realm", but some are works.
The beginning of the word leads the reader to that beautiful realm: it is when the lotus flowers are in full bloom, the lotus flowers are swinging in the boat, and a pair of Mandarin ducks are playing with the boat along the way. It is really to the lotus world, where people are rarely visited, only to see the lotus pond that cannot be seen, the green waves are rippling, and the lotus leaves are flying. "Water Pei Wind Dress", which originally refers to beauty makeup, refers to lotus leaves and lotus flowers, and Zhou Bangyan's "one wind and one lotus lift" has the divinity of lotus flowers. From between the turquoise lotus leaves, there was a cool breeze, and the bright lotus flowers seemed to be reddish with the color of the jade face when the wine faded. A dense rain poured from the bushes, and the lotus flowers smiled and spat out a faint cold fragrance. He provoked the poet's poetry to flourish and wrote beautiful verses.
How nostalgic this beautiful scene is, but the time is quietly passing, it is already twilight, only to see the green lotus like the car cover, standing in the pavilion, just like the Lingbo fairy waiting for the lover, the lover has not seen, want to go and stay. Ling Bo uses the allusion of Cao Zhi's "Roselle Endowment". I am afraid that when the west wind rises, the dancing clothes-like leaves will not be able to withstand the cold autumn and will easily wither, and the ruthless autumn wind will turn Nanpu into a depression and worry. And the tall willow tree hanging down the green shade, the fat old fish blowing waves, all this, must keep him living in the middle of the lotus. The lyricist said: Tian Tian's lotus leaves, you are too many to calculate, do you remember how many times I wandered on the way back to the sand embankment? "Tian Tian" describes the lotus leaves floating on the surface of the water, and the Southern Dynasty folk song has the sentence "Jiangnan can pick lotus, lotus leaf lotus field".
Jiang Fu depicts the scenery of the lotus pond very vividly and vividly with the words of emptying the saury. However, such a good word, Wang Guowei did not look at the eyes, after praising Zhou Bangyan Yonghe famous sentence, he then criticized Jiang Fu Yonghe's words "like the hatred of looking at flowers in the fog". In fact, Jiang Kui Yonghe is not inferior to Zhou Ci in terms of "the divine principle of getting the lotus". Zhou Ci is mainly to write about the homesickness of the guests, Yonghe is "the first sun on the leaf dry rain, the water surface is clear, a wind and lotus lift" a few sentences, it makes people see only the lotus leaf state, and Jiang Kui Yonghe, not only has the state of the lotus flower, but also makes people faintly see a lotus flower incarnation at the same time, she "jade face sells wine", like a lotus-like red halo, she "Yanran" smiles, like a flower blooming. When lotus flowers grow in water, she is like a Lingbo fairy; the lotus fragrance is quiet, and she is a beautiful "cold incense". Flowers are like beauties, beauties are like flowers, trance-like, with hazy beauty.
What is even more valuable is that Jiang Kui's poem writes the truest spiritual feeling of appreciating lotus flowers. Jiang Fu's life was full of nostalgia, and his poetry was just like his own. He wrote the lotus pond of "imagery is idle, not human-like", which is actually to reflect an ideal realm he pursues, in this icy, jade- and spotless realm, there are beautiful people, on the water side. "The green leaves blow cool, the jade rong sells wine, and the rain is sprinkled." Yanran shook, and Leng Xiang flew onto the verse", isn't this simply a poetic and romantic love of flowers? "The sun is twilight and the pavilion is covered, the lover is gone, and the struggle is to endure Lingbo." The lotus flower is so affectionate to the lyricist, and the lyricist is so affectionate to the lotus, "only afraid of the cold and easy to fall in the dance clothes, and sad into the west wind Nanpu", which is also infinite attachment. Therefore, it may be said that Jiang Kui's "Nian Nu Jiao" is actually a love song of a lotus flower. Since the lotus flower is a symbol of the noble character of "out of the mud and not stained" in Chinese literature, is Jiang Kui's love for the lotus flower not pinned on his pursuit of his otherworldly ideal of life? When Jiang Kui writes about lotus flowers, he does not stay in the actual description of its form, but absorbs its divine principles, integrates his own feelings and experiences, integrates his personality and charm into it, and writes about people. Jiang Kui's words and pens that convey the gods in the air are often intended to be beyond words, and the sustenance is full of wonderful imagination and inspiration. This way of writing is very different from that of those who actually imitate the scene in general. For example, "Yanran shakes, cold incense flies on the verse", the reader must give full play to the imagination to taste, otherwise, as Wang Guowei said, "see the flowers in the fog". Write a piece of pity and love for the lotus, the meaning of lingering and forgetting, the deep meaning, so that people feel the author's open mind, the mood of attachment.
【Source: Langfang News Channel】
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