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Liu Haisu, whose name is too heavy, uses a pen "fierce and fierce", which is frank and natural, and the rice is suyi

author:Little white calligraphy

In some paintings, it is not difficult for us to find such a characteristic, all paintings left a name in qingshi, their calligraphy is very personal, and rich in traditional tone, this point, in Liu Haisu embodied vividly, but also the spirit of calligraphy is perfectly expressed, especially on the line of books, it is also the case, his line of writing, with the pen "fierce and fierce", frank and natural, and presents a "rice qi Suyi", people are impressed, especially some of his side notes, manuscripts, letters, etc., It can reflect the essence of his calligraphy, although calligraphy is not as famous as his paintings, but his calligraphy is by no means comparable to ordinary calligraphers, let's enjoy Liu Haisu's calligraphy works together.

Liu Haisu, whose name is too heavy, uses a pen "fierce and fierce", which is frank and natural, and the rice is suyi

Liu Haisu, one of the great masters of the past century, his achievements in painting are self-evident, and his calligraphy, especially his calligraphy, is even more exquisite, and there is also an elegant atmosphere between the lines, it can be said that he is also a model of outstanding family, his writing not only writes a thick atmosphere, but also has a sense of old and spicy, very tense, but also very interesting, this is his calligraphy, due to the influence of the painting style, his style of writing is also very unique, it can be said that it has created a new generation of books.

Liu Haisu, whose name is too heavy, uses a pen "fierce and fierce", which is frank and natural, and the rice is suyi

From the perspective of his calligraphy works, especially highlighting the brushwork of "Song Sijia", mainly based on Su Shi's brushwork, and absorbing the intention of Mi Fu's travels, not only has a sense of ups and downs, but also has a distinct personality, in the use of the pen to be simple and thick as the main style, whether it is the arrangement of pointillist painting, or the relationship between pointillism, it is very kung fu, but also includes Huang Tingjian's brushwork, the middle palace is tightly closed, the shape is dangerous, let people have a feeling of pen and pen square, and this feeling is also very strong, let people fall in love at first sight, believe, When you see his writings, you will be surprised, and it is even more refreshing.

Liu Haisu, whose name is too heavy, uses a pen "fierce and fierce", which is frank and natural, and the rice is suyi

Although in Liu Haisu's calligraphy works, he can see the ancient rhyme of the ancient law, but he is also a person who is not limited to the ancient law, can integrate the strengths of the various families, flexibly apply, on this basis, a family of its own, there is Su Dongpo's "fun", Mi Fu's "potential", Huang Tingjian's "charm", it can be seen that in absorbing the ancient law, it is also out of an inclusive road, people admire, you say?

Liu Haisu, whose name is too heavy, uses a pen "fierce and fierce", which is frank and natural, and the rice is suyi
Liu Haisu, whose name is too heavy, uses a pen "fierce and fierce", which is frank and natural, and the rice is suyi
Liu Haisu, whose name is too heavy, uses a pen "fierce and fierce", which is frank and natural, and the rice is suyi
Liu Haisu, whose name is too heavy, uses a pen "fierce and fierce", which is frank and natural, and the rice is suyi
Liu Haisu, whose name is too heavy, uses a pen "fierce and fierce", which is frank and natural, and the rice is suyi

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