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Pei Yanling from Lingshou to the world - Lingshou that you may not understand (49) Lingshou that you may not understand (forty-nine) Pei Yanling from Lingshou to the world

author:Writer Zhang Meiying

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Pei Yanling from Lingshou to the world - Lingshou that you may not understand (49) Lingshou that you may not understand (forty-nine) Pei Yanling from Lingshou to the world

Speaking of Pei Yanling, it is a beautiful business card of Hebei, not only a well-known opera artist in the country, but also a leading figure in the world's opera. In 1985, he won the "Special Award for Actors" at the National Opera Observation Conference with his Kunqu opera "Lin Chong Night Running" and "Zhong Kui". In 1988, he starred in the film "Ghost of Man" and won international awards at international film festivals in France and Brazil. In 2008, he won the Special Honorary Performance Award at the 5th China Peking Opera Arts Festival. She won the Plum Blossom Award three times in 1985, 1996 and 2009, and was the fourth person in history to win the Plum Blossom Award and the second woman to win the Plum Blossom Award three times. He is currently the chairman of the Hebei Provincial Federation of Literature and Literature. But you may not know that Pei Yanling's opera path actually took off from Lingshou.

Pei Yanling was born in 1947 in Fu Zuo Village, Suning County, and was originally named "Pei Xin". Papa Pei Juting is a well-known Peking Opera martial artist. Xiao Yanling is talented, and many plays she has seen, she can recite the play path, program, and line, as if in a number of treasures. She can also imitate the plays of Wusheng, Laosheng and Laodan. In the autumn of 1952, when she was only five years old and less than a meter tall, she took the stage to save the scene.

Pei Yanling from Lingshou to the world - Lingshou that you may not understand (49) Lingshou that you may not understand (forty-nine) Pei Yanling from Lingshou to the world

In the early winter of 1955, Lingshou County accepted the Beijing Xinmin Peking Opera Troupe as the county opera troupe. In June 1956, Pei Juting's father and daughter went to the Lingshou County Peking Opera Troupe to take a class. According to Pei Yanling's later recollection, she studied drama with her master in Lingshou for more than a year, and it was really three nines in winter and three volts in summer. On a hot day, she practiced on the threshing ground, a practice is 4 hours, in the winter put on fleece pants plus cotton pants, plus a small coat, every day before dawn to get up, first hang the voice, shout through, the teacher checked the play learned yesterday, and then practiced. Twisting the spinner was a unique skill she had practiced at that time, Pei Yanling had set a record of 104, a new pair of practice shoes, worn out for a few days, ten days, a year of work so that she wore a broken shoes into a large basket. She said that she was too bitter and tired, all tired, sometimes she didn't want to come out of the toilet, and she always wanted to find a rope to hang herself and end this suffering day and night. However, kung fu pays off, that is, in this devilish training, she took the stage while learning, first performing as a student of "Catching Han Xin", "Water Curtain Cave", "Four Jie Village" and other plays, and then picking a big beam to star, and at the beginning of her appearance, she won the praise of the Lingshou people, and quickly became a household name in Lingshou and became a well-known "little celebrity". According to the old rules, when the lead actor is about to be listed, Pei Juting then gave her daughter a loud stage name, called Pei Yanling. Since then, 9-year-old Pei Yanling has officially joined the work in Lingshou.

In May 1957, in view of the lack of appreciation habits of Peking Opera in the vast rural areas of Lingshou, the troupe could not make ends meet, and the county government decided to change the original Peking Opera Troupe to Hebei Zizi Troupe. Pei Yanling's father and daughter, who have been engaged in Peking Opera, left Lingshou and first went to the Shandong Leling Peking Opera Troupe to perform in shifts, and five months later, they went to the Shulu (Xinji) Peking Opera Troupe, and Xiao Yanling single-handedly picked the beams. The drama newspaper prominently wrote: "The lead actor Pei Yanling, ten years old, wen and martial arts old student." The performance repertoire 'three rushes, four rushes'. The audience came flooding in. Since then, Pei Yanling has followed the Shulu Peking Opera Troupe and performed in Shandong, Tianjin and other places.

People's fate is sometimes fixed. Pei Yanling, who left Lingshou because the Peking Opera Troupe was changed to the Hebei Zizi Troupe, still could not get rid of the fate of Hebei Zizi. In May 1958, Hebei Province set up the "Hebei Zizi Youth Yuejin Troupe", and the Provincial Bureau of Culture discovered Pei Yanling, so it sent people to watch the opera with the Shulu Peking Opera Troupe for a month, and tried to persuade Pei Yanling and Pei Juting to join the Yuejin Troupe. At that time, Xiao Yanling was very happy, but Pei Juting felt that her daughter had no future in changing her studies, but considering that this was the child's opportunity to go to a broader world, she finally obeyed her daughter's wishes. Later, due to the reluctance of the Shulu Peking Opera Troupe to let it go, it was not until after the Spring Festival in 1960 that 13-year-old Pei Yanling came to Tianjin with her father and officially joined the Provincial Hebei Zizi Youth Leap forward troupe.

In 1960, the troupe rehearsed a large-scale mythological drama Hebei Zizi "Baolian Lantern", and Pei Yanling played Agarwood. The play was a hit in Tianjin, then went south to Fujian, Shanghai, north to the capital, Beidaihe, her name began to resound in the drama world, and because of her outstanding acting skills twice by Mao Zedong and other party and state leaders, Hebei Zizi made her a hit.

In the summer of 1962, Chairman Mao watched Pei Yanling's performance again in Beidaihe. In a cordial conversation, Chairman Mao, who has a special love for Kunqu opera, asked her if she would "Night Run", and she said that I would "make a big "Night Run". Chairman Mao said that you should learn "Little "Night Running"" and that the one-man show is more kung fu, so you go to Beikun to learn from Mr. Hou Yongkui, and after you have learned well, I will come to see your "Night Running". As a result, Pei Yanling unexpectedly got the opportunity to enter Beijing to worship her teacher, not only to learn "Night Run" with Hou Yongkui, but also to learn "Haunting the Heavenly Palace" with Li Shaochun, and Chairman Mao achieved her last jump in the dragon gate.

Things in life are often like this, and it is difficult to judge whether it is a ruin or a reputation. A "Baolian Lantern" cut off Pei Yanling's Dream of Peking Opera, but achieved her pear garden name. Similarly, the well-known 10 years that followed, although it suppressed her stage creation, it accumulated a stronger artistic vitality for her. After the end, "Pauline Lantern" was re-performed and filmed into a movie, and Pei Yanling became a household name. In 1981, "North-South Union" was arranged, in 1983, "Nezha Noisy Sea", and then the reform of the troupe system was launched, pei Yanling contracted a troupe of Hebei Provincial Zizi Theater under the expectations of the public, and began to prepare for the rehearsal of "Zhong Kui". Solid skills and unique singing voice made Pei Yanling's "Zhong Kui" a great success, and for a time " Pei Whirlwind" not only swept the country, but even swept overseas. In 1985, Pei Yanling won the "Special Award for Actors" specially designed for her by the conference, and won the 3rd Chinese Drama "Plum Blossom Award" with the first place. In 1988, Pei Yanling's film "Man, Ghost, Love" won international awards at international film festivals in France and Brazil.

The mid-1990s were an important turning point in Pei Yanling's life. In 1995, she participated in the 4th China Drama Festival with the play "Wu Song" and won the Special Award of the Conference, and she herself won the Chinese Drama Plum Blossom Award "Second Degree Plum". In 1997, the Pei Yanling Troupe of Hebei Provincial Peking Opera House was established, and Pei Yanling was appointed honorary president and head of the troupe. She took the lead in implementing the performance form of Peking Opera, Kunqu Opera, and Hebei Zizi "Three Pots" throughout the country, breaking the long-standing rule that only one type of drama can be starred in a troupe. Pei Yanling's Peking Opera dream is like a fighter plane on the tarmac for a long time, and it finally begins to return to the runway. Traditional Peking Opera repertoire such as "Burning Camp" and "Xue Pinggui" were rearranged, and "Zhong Kui" was adapted from Hebei Zizi to Peking Opera. In 2009, Pei Yanling starred in the Peking Opera "Ringing nine xiao" and won back the third "plum blossom" of her life: the "Plum Blossom Award", the highest award for Chinese drama plum blossom performance. In October 2011, "Ringing Nine Xiao" won the Best Opera Film Award at the 28th Golden Rooster Awards of Chinese Cinema, and Pei Yanling has since truly realized her dream of Peking Opera and embarked on the peak of art.

Pei Yanling from Lingshou to the world - Lingshou that you may not understand (49) Lingshou that you may not understand (forty-nine) Pei Yanling from Lingshou to the world

The real people are both moral and artistic, and Pei Yanling, after becoming famous, has not forgotten Lingshou. After the "May Day" in 2008, the "Hundred Flowers and Ten Thousand Families" large-scale cultural project to benefit the people, Lingshou Xing, sang at the Lingshou Xiaodongguan Film Theater. The wonderful performances of the provincial capital artists turned the whole square into an ocean of joy. The leader of this time, Pei Yanling, chairman of the Provincial Federation of Literature and Literature, also repaid a "long-standing" wish to repay the lingshou people. This time, she met the little friend who was playing and visited the 80-year-old old dry woman. After more than 30 years of separation, she remembered the hot bun that Gan Dad bought back with large lotus leaves; remembering the days of practicing three nines in winter and practicing three volts in summer, she was excited and burst into tears. She said affectionately: "I am a half-Lingshou person, I have been in Lingshou for a year and a half, this is the place I often dream of practicing, and in my lifetime, it is also the place I miss the most." My most beautiful time was in the small town of Lingshou. In the future, if any writer writes my biography, don't forget this pen, I am Pei Yanling who came out of Lingshou! ”

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