Recently, iQiyi Mist Theater's "Octagonal Pavilion Mystery Fog" began to be popular, and from the plot to the actors, it has become the focus of attention. A group of well-known powerful actors gathered together, all of them interpreted their respective roles to the fullest, as a loyal audience who loves to watch group dramas, watching the old drama bones play, really a satisfaction. And Feng Bo played by Mu Ge's mother Han Xueping, although the role is not much, but it is very brilliant, a simple daily mahjong scene, from the lines, eyes, body language, the image of the mother with a strong social atmosphere is vividly displayed in front of the audience, and the role is properly played.
Playing with Zu Feng's opponent, the aura is not weak at all.
There is a scene where Xuan Liang came to her daughter Mu Ge, who was playing mahjong, and then went out to find that it was Xuan Liang, closed the door, threw away the cigarette he was smoking, touched the back of his neck, and asked Xuan Liang with some embarrassment.
Compared to the previous small policeman who came to ask Muge, she had a look of indifference
And the various small actions and fluttering eyes here will make the audience see at a glance that their relationship is very close.
There is also a scene where the daughter is found to have not returned all night, and the mother's pungency and anxiety are all performed.
On the one hand, because of her ignorance, she had a big voice and made a big fuss about the Nian Mei family, on the other hand, she was overwhelmed by the disappearance of her daughter and ran to the police station for help.
Here and Nian Mei's mother's mouth, the two are still a little cute!
I have to say that in the face of the complex and changeable Han Xueping, Feng Bo's acting skills and contagiousness, coupled with her understanding of the role, actually cast a layer of comedy on this role, giving this role a soul.
Counting her past screen images, "Flowing Good Time" played a single mother, who put down her body to enter a bar to raise her daughter Yi Yao by selling alcohol in order to live. She is full of breath in the city, she is always poisonous in front of her daughter, after suffering from kidney failure, she hides her illness from her daughter, smiles strongly, suppresses her sadness and reluctance in her heart, and keeps telling her daughter. Who doesn't look sad about this restrained maternal love?
In "Crane And Hua Ting", she changed the previous role of mother and played a quiet, practical and resourceful Jiang Shanggong, who conquered the audience by relying on her delicate eye performance, and her role was really enjoyable when watching the play.
Especially under severe torture, she still kept the secret and guarded the five kings, until finally the five kings came to say goodbye, she trembled and told the five kings that she did not say anything, and then committed suicide by drinking poisoned wine.
Feng Bo's great strength lies in the fact that she can express two emotions in one scene, one is the gentleness of facing the five kings, and the other is a firm suicide, which vividly portrays a fierce but unique role that is soft to the five kings.
Feng Bo's play path can be described as broad, and she is still the atmospheric and inclusive Xia Xiaoyun in "Out of the Dust"
It is the strong Feng Shi in "Daming Robbery"
It is also Li Lie, a fashion female demon with a strict cold face in "Warm and Warm Please Give More Advice"
After years of precipitation, Feng Bo became an all-round actor.
Some people say that the real actor should be a "drama throwing face". They usually don't attract attention, but as long as they appear in movies and television, they always act like anything. This definition is most appropriate to describe Feng Bo. Once a person interviewed her, whether there is a big difference between costume drama and modern drama, she replied, in her opinion, costume drama and modern drama, as a person, there is not much difference, emotions are common, slowly like the soul possessed, find the feeling of the role.
Sure enough, she is an experienced sister, she has the calmness and self-confidence that has been precipitated by the years.
But at the same time, he was in awe of each character, and was asked: Have you ever encountered a bottleneck? She replied that she was still breaking the bottleneck because she felt that the actors had to keep going to zero.
It is this realization that allows her to perform a thousand faces in the play.
Such a mature and temperamental and attractive sister is simply the template of the goddess in my mind, who can not be moved!