Playing every role is the pursuit of actor Feng Bo, and she is indeed moving towards this goal without fail.
In the more than ten years of becoming an actor, Feng Bo has participated in nearly 40 movies and tv series, and she has used dozens of roles in the play to become a powerful faction familiar to the audience, and has also won the honor of excellent actress with superb acting skills.
Last year, a costume hit "Crane and Hua Ting" made her almost want to go out of the circle, and the popular urban drama "Warm, Please Advise More" (hereinafter referred to as "Warm and Warm") and "The Other Shore Flower" Feng Bo have participated.
In "Warm and Warm", Feng Bo plays a fierce fashion designer Li Lie, which is very different from the screen image of her gentle woman in the impression of many viewers, but this strong woman who leads the fashion trend is closer to the most authentic Feng Bo.
Between the cold and enthusiastic, the temperament inside and outside the play is outstanding
Fashion is every woman's dream, and it is difficult to accurately summarize it with a few adjectives, but through a certain profession or can be glimpsed the definition of fashion - clothing designers.
They are the best at using needle and thread fabrics to create visual impact and interpret the beauty of the trend, and Feng Bo played such a fashion leader in "Warm and Warm, Please Give More Advice".
Li Lie pursues perfection, poisonous tongue and cold face, and has a very high professional quality to treat his subordinates strictly and harshly, just like Queen Mirda in "The Queen Who Wears Prada".
In the eyes of others, Liezong is notoriously "difficult to engage", the five assistants of the internship have resigned in less than a month, and any uncertain words such as "as if", "should", "almost" are not allowed to appear in her design department, and she is a full-fledged workplace female devil.
Liu Nuannuan, the heroine of "Warm and Warm", has a great passion for design, but she is just getting started as a professional Xiaobai, and after she entered the design department, she was frightened by the oppression brought by Li Lie's powerful aura several times.
However, under Li Lie's cold and poisonous tongue, there is a delicate and warm heart, and she will hand over a Band-Aid when the warm skin is broken;
The subordinates all looked at the small tricks of the warm and warm in their eyes, although they did not debunk or resign themselves, and resolutely let her enter the job after recognizing the strength of the warm and warm;
She cherishes talent and loves talent, knows that warm and warm for design enthusiasm, talent and hard work, so more stringent requirements for warmth, will also encourage this new person in the workplace at the right time, can be said to be a warm fashion mentor.
It is understood that the screenwriters of "Warm and Warm" Bo Bo and Feng Bo are old classmates and girlfriends, and when she created the role of Li Lie, she thought of Feng Bo, a fashionista in her circle of friends.
For Feng Bo, receiving a role that is extremely compatible with his own state is also a gratifying thing.
As if preparing a suit, she packed two large boxes of her own private clothes into the crew, which means that the costumes of Li Lie that are seen in the play are almost all provided by Feng Bo.
Not only clothing, in order to play the characteristics of Li Lie's "fashion female devil", Feng Bo also looked at the working status of many world-class fashion designers, and studied and borrowed their habitual postures and actions:
When admiring and examining the finished design, she will hold her hands on her chest, as if giving herself a power bracket;
When she meets a stranger or someone approaches her, she will quickly look up and down with her eyes out of professional habit, and Xu determines the reliability of this person by clothing taste.
In the past, I have not seen Feng Bo interpret the role of the fashion field, so it is reasonable to think that Li Lie has unlocked more aspects of her, but in fact, it is the fashion temperament of the actor himself, which adds a lot of color to the role.
Fashion sense does not develop overnight
And the art of acting is also a lifelong requirement
When it comes to how to cultivate a sense of fashion, Feng Bo bluntly said that the beauty represented by fashion is ultimately "aesthetic", which is a perception accumulated over a long period of time and cannot be changed overnight.
Feng Bo learned violin since childhood, received the influence of classical art from an early age, and later came into contact with performance, delved into stages and plays, and had a natural sensitivity to beauty and fashion, and also had a unique artistic position.
Not only does fashion need to be cultivated for a long time, but it is also a compulsory course to recharge yourself as an actor, and Feng Bo knows this well.
When he is not working, Feng Bo likes to listen to music, watch DVDs, or read books, and when he has time, he will learn guzheng and piano, and constantly unlock new skills. She said that actors should always be ready for the next role, yiduo does not press the body, and when there is a scene to find it, it will not be sharpened in the front.
Feng Bo's viewing lists are mostly classic works of masters and niche independent films, and such works with more appreciation value can draw nutrition and inspiration from them.
She believes that life is limited, but artistic creation provides unlimited life experience, and only by understanding different lives and having a rich enough experience can you be at ease in performing and be compatible with the characters.
Feng Bo seems to be the kind of person who can do anything well, began to learn violin at the age of six, played at a professional level, and produced five albums.
When the flame of her dream of becoming an actor was ignited in her heart, she chose to act without hesitation and was admitted to the Beijing Film Academy with a master's degree in mfa acting.
With her screen debut "Invisible Killing", Feng Bo was nominated for the Best Newcomer Award at the Shanghai International Film Festival, and "I Am a Vegetative Person" starring her won the trophy of outstanding actress at the Film and Television Lily Award.
To some extent, Feng Bo, like Li Lie, has an incomparable passion for his profession.
Li Lie has his own artistic pursuits, even if he knows the market and the public preferences, but still adheres to his own style, Feng Bo also has a ruler in his heart, and he chooses to adhere to the road and thinks to the end.
Rejection is pretty much the same
Every character is an aspect of life
Feng Bo, who plays a low-key role, rarely exposes herself in private to the public eye, she just identifies the goal of becoming an actor early, and then carries the reverence for professional performance all the way, and uses the characters in the play to complete the inner heat.
She also has a "refusal almost" energy in her.
When filming "Warm and Warm", Li Lie's appearance was only a few lines in the script, but in order to achieve the effect of being a pioneer, feng Bo had been on high heels and grinding details with the director on the set for five or six hours.
The final light and shadow pictures, makeup jewelry, eye movements and other close-ups, all reveal the powerful aura of "fashion female devil", triggering the audience's strong sense of identification with the role, and the effect can be described as excellent.
Before Li Lie, Jiang Shanggong in "Crane And Hua Ting" played by Feng Bo also left enough room for the audience to imagine. This powerful female official who ruled the Six Palaces was deeply trapped in the vortex of power, and even if she was exquisite on all sides, it was difficult to be alone.
Jiang Shanggong is resourceful, calm and moody when things happen, but Feng Bo interprets Jiang Shanggong's unknown struggle and panic in his heart and his confusion about the unknown road ahead through his eyes and micro-expressions, and she is also praised by the audience as "eye technique".
In "Flowing Good Time", Feng Bo played a sad but tough single mother, Rao is a decadent image of plain naked makeup, she is still called "the treasure mother of the acting explosion" by netizens.
She played the surrogate driver at the bottom of society in "Out of the Dust", and also appeared as an entrepreneur strong woman in "Divorce Lawyer", and the costume dramas were all involved in the period dramas, and the performance dimension was constantly expanding.
The reason why each of Feng Bo's roles has left a deep impression on the audience is not because she has played the role to life, but behind the "acting", she has put her kung fu in places where the audience cannot see.
In order to play a female criminal policeman, she went to the criminal police team for field investigation and spent two or three months following up a headless mutilation case.
Before the filming of "Daming Robbery" starring Feng Bo, she also deliberately went to the cemetery of Sun Chuanting and his wife in Dai County, Shanxi, looking around the tomb, imagining the ups and downs of Mrs. Sun and her husband's life, and before the camera was started, she had already handed herself over to the people in the play.
If there is enough time, field investigation and experience life, personally entering the environment of the character seems to be Feng Bo's habit, if the time is limited, she will also be as fully prepared as possible, including the usual movie reading is also a way to store energy.
At the end of "Crane and Huating", Feng Bo wrote a long farewell to Jiang Shanggong: "Jiang Shanggong is one of the many roles in my acting career, and this performance is the epitome of her life. I hope that through me, you can see this woman's introverted but fiery, beautiful but lonely life. ”
As she said, each character is unique, and through the performance of the actors, we can see the character's life journey. And everyone also has many characteristics, and although each character has its own characteristics, there is always a side that is common to the real self.
For Feng Bo, the greatest happiness of being an actor is to express his own side in different roles, not only to present the sadness and joy of the characters, but to coexist and integrate with them, and finally complete the irreplaceable role with his own style color.
As an actor, Feng Bo bluntly said that she wants to try different types of roles, and for herself at this stage, she has a clearer career plan.
Feng Bo and Li Lie, the image of a strong woman in the workplace, are very suitable, and her fashion characteristics have also impressed many audiences, entrepreneurs, artists, legal elites, as well as public security cadres and county and city cadres in the main theme theme, which are the directions she wants to develop and can be controlled freely.
It is understood that Feng Bo has several works in the fashion field underway, and in the urban drama "Speak Well", she is also the image of the workplace elite.
It is important to try different types of characters and experience the adventures of ancient and modern life, but being able to uphold your own style and achieve the ultimate in a certain field of expertise is also a winner.