2024 China-Europe Calligraphy and Painting Masters International Art Online Exchange Exhibition - Wang Bairu
Wang Bairu, (ID name: Wang Qingmin) owner of "Sanhuai Hanmotang", born in August 1957 in Yuncheng, the hometown of the Water Margin, Shandong, is now the vice president of the "China Wang Xizhi Research Institute", a member of the "Chinese Calligraphers Association", a Chinese artist title, "National First-class Artist", "Oxford Academy of Arts Graduate Tutor", "Chinese Calligraphers and Painters Association" director, "National Special Calligrapher", "Shandong Calligraphers Association" member, "Beijing Huaxia Kyoto Calligraphy and Painting Art Research Institute" visiting professor, "Central Plains Painting and Calligraphy Academy" visiting professor.
Mr. Wang Bairu, who was born in a scholarly family, is a descendant of Wang Xizhi, a scholar in the Jin Dynasty. With a talent for calligraphy, he has loved calligraphy since childhood, and has adhered to it for nearly 60 years, inheriting the tradition and being brave in innovation. In terms of calligraphy, he was taught by Mr. Wang Changshui, a calligraphy teacher, and benefited from the guidance of Chinese calligraphy masters Shen Peng, Ouyang Zhongshi, Liu Yi, and calligraphy teachers. Take the essence of ancient inscriptions, proficient in calligraphy. Regular script: with Wei monument, the face of the body of the ancient simple, elegant but not vulgar, rapid opening, super wonderful.
Lishu: elegant and unrestrained, the law is strict, dignified and elegant, strong and simple, dignified and vigorous, the seal is ancient, the spirit is flying, graceful, beautiful and solemn, reflecting the legacy of Han Li's "Cao Quan", "Ode to Shimen", "Yiying Tablet", "Shi Chen Tablet" and other monuments.
Cursive: bold with the pen, majestic, dangerous, smooth flying, flowing and infinitely containing the charm of the two kings; The wildness of Zhang Xu and Huaisu has overcome the problem of difficult integration of monuments and stickers from ancient times to the present. Seal book: solemn and solemn, ancient and vigorous, deep and subtle, simple and gorgeous, looking left and right, thin and hard, round and strong, the pen contains ancient meaning, has a strong taste of gold and stone, has reached the realm of simplicity and elegance. The list of books, small Kai quite studied, the big characters can be written on the ground on foot with a mop, the small characters can be flyheads, the scene is waved, that is, the book is completed. He has a good understanding of books and paintings, and he has become a family and has achieved great success. As Mr. Bai Ru said: "pen and ink are interesting, calligraphy and painting are in one vein", in terms of painting, he advocates that landscape painting emphasizes artistic conception, and flower and bird painting emphasizes interest, so the theme of his painting is prominent, the brushwork is firm, and the ink color is rich, showing the majestic, quiet, fragrant and bright appearance of nature. In his paintings, he uses the brush to outline, the ink color is dark, the dry and wet are scattered, the virtual and the real are combined, the brush is brisk, free and easy, and the artistic effect of "vivid rhyme" is achieved.
His calligraphy and painting works are rigorously arranged, retracted and released, contain atmosphere, learn from the ancients, break through the tradition, and create their own unique artistic appearance. His calligraphy and painting works have won many gold medals in national painting and calligraphy competitions, and have been included in the "Anthology of Famous Chinese Calligraphers and Painters" and "Dictionary of Calligraphy and Painting".
Wang Bairu, (ID name: Wang Qingmin), the owner of the "Sanhuai Hanmo Hall", was born in August 1957 in Yuncheng, the hometown of Shuihu, Shandong. He is currently the Vice President of the "China Wang Xizhi Research Institute", a member of the "China Calligraphers Association", a Chinese artist with the titles of "National First Class Artist", "Graduate Supervisor of Oxford Art College", and a member of the "China Calligraphers and Painters Association", a "National Special Calligrapher", a member of the "Shandong Calligraphers Association", a visiting professor of the "Beijing Huaxia Kyoto Calligraphy and Painting Art Research Institute", and a visiting professor of the "Central Plains Calligraphy and Painting Academy".
Mr. Wang Bairu, born into a scholarly family, is a descendant of the calligrapher Wang Xizhi of the Jin Dynasty. Having a natural talent for calligraphy, having a passion for calligraphy since childhood, persisting for nearly sixty years, inheriting tradition, and daring to innovate. In terms of calligraphy: I studied under my calligraphy mentor Mr. Wang Changshui and benefited from the guidance of Chinese calligraphy masters Shen Peng, Ouyang Zhongshi, Liu Yi, and calligraphy teachers. Learn from the essence of ancient steles and calligraphy, and be proficient in all aspects of calligraphy. Kaishu: With the Wei stele and Yan style, it is elegant and simple, yet not vulgar. It opens rapidly and is super exquisite and captivating.
Li script: elegant and graceful, with strict laws and regulations, dignified and elegant, strong and ancient, dignified and profound. The seal script is full of ancient meaning, graceful and graceful, beautiful and solemn, reflecting the legacy of Han Li inscriptions such as "Cao Quan", "Shi Men Song", "Yi Ying Stele", and "Shi Chen Stele".
Cursive script: bold in brushstrokes, majestic in momentum, perilous and graceful in flight, flowing and infinite, containing the charm of the two kings; Zhang Xu and Huai Su's recklessness overcame the difficulty of integrating steles and stickers from ancient times to the present. Seal script: solemn and dignified, ancient and powerful, deep and subtle, simple and beautiful, looking left and right, thin, hard and round, with ancient meaning in the pen, with a strong taste of gold and stone, reaching a state of ancient simplicity and elegance. I have a good understanding of ranking books and small regular script. Large characters can be written on the ground with a mop, while small characters can be used as flyheads. With a brush on the spot, the book is completed. He integrated books and paintings, and achieved great success in his career. As Mr. Bai Ru once said, "The strokes and ink have a thousand autumn charm, and the calligraphy and painting are interconnected." In terms of painting, he advocates that landscape painting emphasizes artistic conception, while flower and bird painting emphasizes artistic interest. Therefore, his painting themes are prominent, his brushstrokes are firm, and the ink color changes are rich, expressing the majestic, quiet, fragrant, and bright appearance of nature. His paintings are both static and dynamic, with a balance of form and spirit, and a natural way of painting. The strokes are outlined with a brush, with rich and dark ink colors, and mixed with dry and wet elements. The combination of virtual and real elements creates a lively and free spirited brushstrokes, achieving an artistic effect of "vivid charm".
His calligraphy and painting works have a rigorous structure and layout, with a moderate range of content and grandeur. They learn from the past without being stuck in mud, break through tradition, and create their own unique artistic appearance. His calligraphy and painting works have won gold medals in national calligraphy and painting competitions multiple times, and have been included in the "Collection of Famous Chinese Calligraphers and Painters" and "Dictionary of Calligraphy and Painting". He has also visited countries and regions such as Japan, South Korea, Singapore, Taiwan, Hong Kong and Macao for art exchange and held personal calligraphy and painting exhibitions. Many of his works are loved and cherished by domestic and international friends.