Zhang Hui's work "Diary".
Brother Dog thought that the nameplate next to it was misplaced, because he couldn't connect "Diary" and the painting, and always felt that the two were incompatible. Could it be that this is an abstract lithograph, meaning that life is like the mess on the painting?
If you write a diary like this, Brother Dog likes it, how simple it is. You don't have to sit for an hour every day to code words, you just need to take a pencil and scribble on the white paper as you like, haha.
They are Zhang Hui's works "Being and Not Existing" and "Cooperation No.1".
Brother Dog thinks that the name of "Being and Not Existing" is not as good as "Split". It was one, but for some reason it was split into two pieces. If this work is only concerned, perhaps Zhang Hui wants to express a kind of inner existence and the non-existence of the body, that is, the two are separated. Similar situations abound, with good planning but poor implementation. The intentions are good, but the results are not.
But this is not what Brother Dog wants to write, the two works are put together, and Brother Dog thinks of the world situation.
I have the impression that in 2016 or 2017, after Trump came to power, various withdrawals from the group, a bit of a re-isolationist taste. In particular, under the banner of national security, China is suppressed through trade wars and other means, and not only that, but also European and American countries are drawn together to contain China. In fact, China and the United States are very closely linked in terms of economy and science and technology, and Brother Gou feels that you have me, I have you, and they are inseparable from each other. But the old thief had to start splitting, harming the interests of both sides. From a global perspective, cooperation should be the mainstream.
Brother Dog thought again, if the timeline is extended to observe, separation, cooperation, separation, cooperation...... It's a cyclical process. The so-called long-term union must be divided, and long-term separation must be united.
Lu Hong, the academic host and executive director of the United Art Museum, said in the preface "Exploring a New World of Printmaking - I Look at the "Lithographic Threesome" Exhibition", "Xu Fen has been doing work in art creation, teaching and teaching management for a long time. On the one hand, with the help of his ability to grasp the overall planning of administrative work, the ability to adapt to changes, and the habit of thinking of grasping the key points, he has achieved a thorough understanding of painting and teaching through the association of touching and bypassing. On the other hand, with the help of creative thinking, he handles teaching and teaching management in an unconventional way. In addition, he will also make use of his teaching experience to deal with creative and administrative work appropriately. Because of this, he believes that effective identity transformation and integration between the three will actually play a mutually reinforcing role and effect. ”
Brother Dog likes this passage, do you like it, please leave a message.