Written by Zhu Haiyan
In the Song Dynasty, when Fan Zhongyan knew Muzhou, he often traveled to Diaoyutai. He built the Yan Zi Temple on the bank of the Fuchun River and wrote a "Record of Mr. Yan's Ancestral Hall". When he and his friend Li Taibo were swimming in the fishing platform together, a fresh breeze suddenly blew. Fan Zhongyan clapped his hands and shouted: "Good wind! Good wind! Good wind of Diaoyutai!" So the "Diaoyu Typhoon" has been spread since then.
"The clouds and mountains are firm, the rivers are turbulent, the wind of the gentleman, the mountains are high and the waters are long. The "gentleman's style" admired by Fan Zhongyan may be the individuality and freedom that later generations actively pursued!
Of course, the spirit of seclusion is not entirely in tune with traditional ethics and morality. Zhu Yuanzhang once sensed the rebelliousness contained in the seclusion, he said: "I look at the sinners in the world, the great sinners, the great light." "Yan Guang, such a hermit who doesn't want to be an official, if he touches Zhu Yuanzhang's hands, I'm afraid he will have 100 lives, and it seems that it will be difficult to keep it
/ Liu Yazi (May 28, 1887 ~ June 21, 1958) was born in Lili Town, Wujiang, Jiangsu, known as Jiaxuan, and Yazi, a modern Chinese politician, democrat, and poet. (Photo source network)/
There is also a person who complains about being Yan Guang in contemporary times, and he is Liu Yazi. Liu Yazi made important contributions to the Chinese revolution, and he helped Mao Zedong escape from Chiang Kai-shek's clutches and escape his life. On the eve of the birth of the People's Republic of China, Mao Zedong invited Liu Yazi to come to Beijing from Hong Kong to prepare for the new CPPCC and discuss the plan for the founding of the country. After arriving in Beijing, Liu Yazi thought that his placement was not appropriate enough, the courtesy specifications were not high, and the attention was not enough. He wrote "Sentimental Presentation to Chairman Mao" with a depressed mood to express his dissatisfaction in his heart and express his desire to return to his hometown. The poem reads:
Groundbreaking Jun Zhenjian,
Said Xiang Yiliu and I have a big problem.
Win the table and talk about the scriptures and non-five deer,
No car bullet blames Feng Yu.
The head regretted his life early,
The liver and gallbladder are forgotten an inch of Dan.
Andenan's Expedition Success,
The divided lake is Ziling Beach.
Liu Yazi revealed such a complaint in this poem: Although the liberation of the whole country is in sight, he personally has a sense of "retreat". It can be seen from the sentences "seizing the seat" to "Ziling Beach" that he compares himself with Feng Yu and is ready to follow in the footsteps of Yan Ziling and return to his hometown in Jiangnan to live in seclusion. After Mao Zedong saw the poem, he politely persuaded him with a friend-friendly attitude, and on April 29, 1949, he wrote the popular seven-law poem "He Liu Yazi":
Drinking tea in Guangdong has not forgotten,
Suo sentence Yuzhou Ye Zhenghuang.
Thirty-one years back to the old country,
Read the chapter in the falling flower season.
Complaining too much to prevent intestinal breakage,
The scenery should be long-sighted.
The water of Modao Kunming Pond is shallow,
Watching fish is better than Fuchun River.
Mao Zedong advised Liu Yazi not to return to his hometown to live in seclusion, but to work with the victorious people to build the people's republic that was born on the throne. Two days later, on May 1, Mao Zedong went to the Summer Palace to visit Liu Yazi, walked through the promenade in parallel, and took a painting boat to Kunming Lake, which became a good story in the political and literary circles.
I swam in Fuchun River for half a day, and my friend said that it was time for dinner. So, we chose to go to the root of the mountain across the river from the Yan Ancestral Hall, in a farmhouse called Yanjiawu, and asked for a few dishes, including Fuchun River anchovies, Tonglu winter bamboo shoots, Dongwu Mountain tofu skin, Tonglu chicken chestnuts and a pot of high-quality rock top tea. The Fuchunjiang anchovy has thick fat and delicious meat; Tonglu winter bamboo shoots, the shell is thin and the meat is tender, the slices are not broken, and they are well-known in the locality; the tofu skin of Dongwu Mountain is as thin as cicada wings, light as silk yarn, oily and clean, and the water is not paste; the chicken and chestnut are even more delicious and have an endless aftertaste. As for the Yanding Minghao drunk, it is one of the five famous teas in Zhejiang, emerald green like jasper, mellow like nectar, thick leaves and thick soup, brewed three times its taste is not reduced.
Sitting in the hall with pillars and no walls, looking at the rising gray clouds, where the clouds are missing, the half of the peak of Xiu Feng and the pavilion on the mountainside are exposed. Looking down again, the wind passing on the river surface clearly imprinted the footsteps of the clouds on the clear and blue waves.
/Fuchun landscape is picturesque (picture source: Internet)/
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The beauty of Fuchun River lies in the landscape, the beauty in the grass and trees, the beauty in the clouds and mist, and more importantly, the beauty in the culture.
Mountains and rivers are the carriers of beauty, and culture is the soul of beauty.
Culture has left the beautiful landscape to history and the future. Culture is also a river, watering the magnificent river from generation to generation. Because of culture, the mountains and rivers here have also nurtured generations of literate people.
The so-called outstanding people in a certain place and a certain place are not like this.
In terms of the magnificence of its rivers and mountains, the Niyang River in Tibet is by no means below the Li River and the Fuchun River, because without the footsteps of Li Bai and Du Fu, because of the lack of the words and chapters of Su Dongpo and Ouyang Xiu, it cannot be compared with the Li River and the Fuchun River in terms of cultural heritage.
On the Fuchun River, not only Yan Ziling, Li Bai, and Fan Zhongyan were left, but also the words and chapters of historical poets.
Li Deyu has a poem to praise and say: "Yan Guang is rich in spring, and the mountains and streams are blue." The fish is not fished, and the wave is comfortable. ”
Wu Rongliu praised the poem and said: "There are water and mountains in the world, and the mountains and rivers of Fuchun are not human." Changchuan is not green in spring, and the reflection of thousands of peaks falls in the middle. The water sends the mountain to welcome the rich spring, and the river is picturesque and sunny in the evening. The clouds are low and far away, the sails of the trees are heavy, and the tide is cold and the sand birds are frequent. ”
Luo Yin also left a quatrain for Fuchunjiang: "The far bank is as flat as a cut, and the Chengjiang River is as quiet as a shop." Purple-scaled cyclamen, golden Li Hengnu. The cold stacked mountains are wide, and the clear meaning is different. Yan Ling also has a high view, and it is a good picture to lie down. ”
The most poems left here are land tours. One of them reads: "The young man vainly desires fame, and the old eye looks light." Although Jin Jia is like a captain in the court, Yang Qiu is finally ashamed of his wealth. Even the moon falls on the mountain, and the lonely cold shade dips the shore flat. To recognize the new pride of Weng, the knotweed flowers are fishing in many places. ”
Another poem reads: "Think carefully about the use of the ancient name, who is with the return of the Taixi Jiuyuan? The burial is close to the non-Su Yi, and there is moss on the shore of Fuchun Beach." ”
/ Yuan Dynasty Huang Gongwang "Fuchun Mountain Residence Map, Remnant Mountain Map", now collected in Zhejiang Provincial Museum (picture source network) /
In the Yuan Dynasty, Huang Gongwang, a landscape painter named "Great Idiot Taoist", was fascinated by the beautiful landscape of Fuchun River, came to the riverside, lived in the thatch, and swam in the middle of the spring and autumn days. At the age of 79, he began to paint this landscape. Often "wandering outside", "carrying paper and pen in the sleeve, whenever encountering the scene, drop out and remember", and finally spent several years to create the "Fuchun Mountain Residence Map".
He takes the Fuchun River as the background, the whole picture is light and elegant with ink, the arrangement of mountains and water is sparse and dense, and the ink color is used both dry and wet, which is very varied, it is not only Huang Gongwang's representative work, but also known as one of the top ten famous paintings in China. And because of this work, Huang Gongwang stood at the top with outstanding achievements and was promoted as the "head of the four Yuan families", which had a huge impact on the painting world of later generations.
The painting was painted by Huang Gongwang. But Fuchunjiang is also the cradle of his achievements of a generation of masters, and he has added dazzling brilliance to the beautiful Fuchunjiang.
"Fuchun River Mountain Residence Map" presents the early autumn scenery of the Fuchun River area: the mountain peaks are undulating, the peaks are turning, the river is fertile, and the sand town is flat. Clouds and smoke cover the cottages, and the water waves infests the fish boats. The trees are green, sparse and dense, the stream is far-reaching, and the flying spring hangs upside down. Pavilions and small bridges, there are many places, the characters and birds, vivid and moderate, the scenery moves with the people, and the people move with the scene, so as to achieve the artistic effect of considerable steps at every step. The layout of this long scroll of landscape painting is widened from the plain to the depth, the space appears extremely natural, making people feel real and cordial, the brush and ink technique accommodates the strengths of the predecessors, and has its own creation, and uses a light ochre color as a color, which is the "shallow descending method" pioneered by Huang Gongwang. The whole painting is concise and bright, the virtual and the real are born together, with the wonder of "clear water out of hibiscus, natural out of carving", focusing on Huang Gongwang's artistic characteristics and spiritual realm, and was praised as "the orchid pavilion in the painting" by later generations.
/Yuan Dynasty Huang Gongwang "Fuchun Mountain Residence Map" (picture source: Internet)/
The "Holy and God" "Fuchun River and Mountain Residence Map" later had an extraordinary experience. In 1350, Huang Gongwang gave the title of this painting to the useless master, this painting had the first owner, during the Ming Dynasty, Shen Zhou got this painting, Shen Zhou asked someone to inscribe on this picture, but was hidden by this person's son and lost. Later, the image was found to be sold at a high price. The honest Shen Zhou was difficult to calculate and unable to buy, so he had to memorize a volume of comfort.
During the Shunzhi period of the Qing Dynasty, this painting was passed to Wu Hongyu, a collector of Wuxing. Wu loved two paintings and calligraphy in his life, one is "Zhiyongshi's Thousand Character Writings", and the other is "Fuchun Jiangshan Residence Map". When he was dying, he still cherished these two and ordered people to "burn the furnace for martyrdom". When the "Fuchun River and Mountain Residence Map" was thrown into the roaring fire, Wu had already rescued this treasure from the smoke and fire. Since then, the famous painting has been cut into two sections. The front section is smaller, called "Leftover Mountain Map", which is now stored in the Zhejiang Provincial Museum, and the back is longer, called "Useless Master Scroll", which is now in the National Palace Museum in Taipei. Over the centuries, the painting has been lost and is full of legends.
The Fuchun River landscape on paper is like this, and the Fuchun River landscape on the land is even more enviable and yearning for the world.
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Tonglu County, in the past, was so depressed under Yu Dafu's pen:
"The county is about 3 miles long, more than 3,000 smoke stoves, 120,000 residents, the land is on the northwest bank of the Fuchun River, it used to be the main road of Anhui and Zhejiang traffic, and now the Hangjiang Railway is opened, it seems that there is no prosperity and bustling one or two decades ago. In particular, what surprised the passengers to the depression was the loss of the group of flower boats at the foot of Tongjun Mountain. ”
/Today's Fuchun Mountain Tonglu Tongjun Mountain (picture source: Internet)/
Tongjun Mountain was originally a spiritual mountain resort close to the city, although the mountain is not high, but because there are immortals, it is naturally alive. Yu Dafu said: "In terms of the situation, this Tongjun Mountain can indeed produce a lot of Tongyan sister-in-law with a stiff accent and unique charm. "I think what Yu Dafu is referring to may be the free and casual tour guide sisters-in-law who were untrained and couldn't speak Mandarin. And that landscape is no longer seen in Tongjun Mountain. The tour guides of the scenic spot, all of them are Tonglu girls who are loved by everyone and depend on the birds, they are like Fuchun River, showing the beauty of their image and soul to the world.
Tongjun Mountain is located on the east bank of Tongxi, just where Tongxi and Fuchun River converge, depending on a water, on both sides of the river, you can look down on the smoke trees of Tonglu County and City. Facing the river in the south, it is ten miles of Changzhou, and the former residence of the Tang poet Fang Gan is in the depths of the flower field of the ten miles of Tongzhou and nine miles of flowers. Crossing the county seat of Tonglu to the west, facing a row of uncertain green mountains in the distance, this is the mountain grandson of Fuchun Mountain. Under the mountain in the northeast, it is a piece of mulberry and hemp fertile land, there is a long snake-like official road, hidden and reappearing, out of the middle of the peach blossom willow poplar elm tree along the wind, bypassing a small ridge, is the realm of Fuyang County. ”
The landscape in Yu Dafu's paintings is basically unchanged, and even if it changes, it is extremely small. If this also changes, it will also change the cultural resources of Tonglu.
Take a boat from Tonglu down the river to Fuyang, where Yu Dafu is his hometown. On both sides of the river is the Fuchun River Scenic Area, with the Stork Mountain being the most famous. The mountains intercept the river and stand, and the peaks and peaks are beautiful. Climbing the mountain can see the scenery of Fuchun. There is "Yu's other industry" at the foot of the mountain on the east side of the stork, and there is the "Double Yu Pavilion" built here by the people of Fuyang to commemorate Yu Mantuo and Yu Dafu brothers. In the pavilion, the four characters of "Shuangsong Tingxiu" are inscribed by Mao Dun. "Who is the master of the lakes and mountains after the catastrophe, the children of the handsome and wealthy are full of Jiangdong", this couplet is from the poems of Mantuo and Duff, with heroic and tragic spirit.
/Zhejiang Fuyang Longmen Ancient Town (Image source network)/
Longmen Ancient Town is one of the ten scenic spots in Fuyang, located at the foot of Longmen Mountain in the remaining veins of Xianxia Mountains. This is the hometown of Sun Quan of the Three Kingdoms. The village is famous for its unique ancient buildings of the Ming and Qing dynasties, and is a relatively well-preserved ancient town of the Ming and Qing dynasties in the south of the Yangtze River. Longmen Mountain behind the village, 1067 meters above sea level, overlapping peaks and peaks, thousands of meteorological conditions, is the crown of the mountains of Fuyang. Yan Ziling, a famous scholar of the Eastern Han Dynasty, once traveled to Longmen, observed the abnormal situation of the mountain, praised and said: "The mountains and rivers here are beautiful, and it is better than Luliang Longmen." Hence the name of the ancient town.
"Longmen" is not only a geographical concept, but also a profound cultural concept. More than 90% of the villagers in Longmen are descendants of the Sun Quan family of the Great Emperor of the Three Kingdoms, according to genealogical records, from the period of Sun Quan of the Three Kingdoms to the 28th year of the Republic of China, the Sun family has multiplied to the 65th generation. These descendants of the Sun family, with diligence and wisdom, adhering to the spirit of the ancestors to forge ahead and make great efforts, built Longmen into a "paradise" for the Sun family. With the protection of Longmen landscape, the Sun family has become a big family in the south of the Yangtze River with more than 2,000 households and more than 7,000 people in Longmen today, and has well-preserved ancient buildings of the Ming and Qing dynasties, which is the largest ancient village in the south of the Yangtze River.
Without a guide, it will be difficult for people who enter the ancient town to get out of the village. Being in this situation, let people know what is a winding path, what is a twist and turn, what is a complicated twists and turns, and what is an incomprehensible labyrinth!
The old street is the theme of the ancient town. On both sides of this irregular and tortuous street that is nearly 3 miles long, a number of small streets, alleys, and alleys are derived, and there are houses in the streets, and there are streets in the houses, and the market has always been prosperous. Especially during the heyday from Jiajing of the Ming Dynasty to the Kangxi Dynasty of the Qing Dynasty, the Longmen Sun clan was "half a row of Confucian forests, salty and rich", which made the old street a place where Jia merchants gathered and shops lined up. During this period, most of the shops were in front of the shop and the back of the shop, and the busyness of commercial activities complemented the leisure of Longmen Ancient Town after work, highlighting the unique charm of the Ming and Qing Dynasty markets in the ancient town of Shanxiang.
Historically, there were more than 60 halls here. After the war, there are still two ancestral halls and more than 30 halls that are intact. From the architectural form of the hall, it can be divided into two types: "well" and "back". The hall is surrounded by high walls to form a closed courtyard. In the ancient town, the lanes are vertical and horizontal, the walls and eaves are connected, and the corridors are connected, which makes people feel like falling into a maze, and the things are indistinguishable, and there is no interest. "Visiting the door on a rainy day, running all over the village without getting your shoes wet" is its vivid portrayal.
/Fuyang Longmen Ancient Town (Image source network)/
Because the street is a stream, there have been no shops on either side of the creek since ancient times, and all business is done in indoor halls. In this way, the habits of philistines and the troubles of business are eliminated. Living here, light, comfortable and simple, and noisy and chaotic. In the meantime, you can always taste the charm of the ancient town of the mountain town and the simple family affection.
The ancient town rejected cars and bicycles. One can only measure its length by steps, and its age by time. Hundreds of years of history have made the footsteps in the hall stumbling. Here, the corridor of the Baibu Hall, the unique architecture and the magnificent appearance of the atmosphere are still there, but the vicissitudes of life, history shows its ruthless side. The ruins and tiles of Xianzheng Hall tell the difficulty of caring for the ancient town. Cultural relics are very fragile in the destruction of reality and the erosion of nature. This has left the world with a serious and urgent issue: How to preserve our historical and cultural heritage for a longer period of time? To preserve history is to preserve our roots.
The countryside of Longmen benefits from the nourishment of the Fuchun River. Surrounded by green hills, the streams sing shallowly, the wine in the village is fragrant, the customs are pleasant, and the rice flowers outside the village are fragrant, and the birds are singing. The scenery of the water town is different from the garden scenery, and the Longmen has its own different rural style. Farmers, farm tools, and farmland compose a thick and melodious pastoral song. Hard work and hard work in exchange for a bumper harvest of grains, abundant food and clothing, so that life is safe. The courtyard is exquisite, quiet hall, outside the courtyard is wide, beautiful countryside, pastoral life and rural interest are intertwined, each other is beneficial, Longmen people are delicate but not delicate, bold but not straightforward.
/Fuchun River A desirable river (picture source: Internet)/
The Fuchun River nourishes the sound of the mountains and water here. The gurgling stream of the ancient town flows into the Fuchun River. Gazing at the old Taipo Bridge and the vicissitudes witnessed by the century-old camphor, what has remained unchanged for thousands of years is a melody: "small bridges, flowing water, people's ......"
It is a picture of "the unity of heaven and man". Shaded by the Jiashu of Longmen Mountain, nourished by the clear water of Fuchun River, the beautiful color of Guanxiong Mountain, the clear sound of Xiuxi, and the aura of Longshan Mountain.
Leaving the Fuchun River, I felt another river in my heart, which never stopped flowing, singing, and greening...... (End of full text)
/The author is with Mr. Mu Qing, a news tycoon/
Introduction of Zhu Haiyan
Zhu Haiyan, a native of Lixin, Anhui Province, enlisted in the army in 1976 and served as a soldier, platoon commander, deputy instructor, and cultural officer of the division's Political Department in the Seventh Division of the Railway Corps.
In 1983, he was transferred to the "Railway Soldier" newspaper, and in February 1984, he was transferred to the "People's Railway" newspaper and served as a reporter, chief reporter and chief reporter. In 1998, he served as editor-in-chief, president and editor-in-chief of China Railway Construction News, and a senior reporter. In March 2010, he was transferred to the Engineering Management Center of the Ministry of Railways as the deputy director at the bureau level, specializing in the writing of railway construction reports.
The winners of the 6th Fan Changjiang Journalism Award are the "four batches" of talents in the national propaganda system, leading figures in China's press and publishing circles, and senior experts directly controlled and contacted by the central government. He has won the China Journalism Award eight times, won the first and second prizes of provincial and ministerial news awards more than 90 times, and won the "Five One Project" award of the Central Propaganda Department for his long-form reportage "There is War in the North". He has published 40 collections of various works, with a total word count of 20 million words. He enjoys the allowance of the State Council and is a member of the Chinese Writers Association.
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