Lu Shunda, male, born in Yixing, Taodu in 1962, is a national senior arts and crafts artist, the first master of arts and crafts in Taizhou, a generation of craft masters, an ambassador for the dissemination of intangible cultural heritage in the new era, a researcher of the China Academy of Art, an editorial board member of Yixing Laozisha magazine, an art consultant of the Hong Kong Laozisha Association, an art consultant of the Chinese Celebrity Art Calligraphy and Painting Institute, and the president of the Shenzhen Branch of the Chinese Celebrity Art Calligraphy and Painting Institute. Vice President of Beijing Hanlin Academy of Painting and Calligraphy, Secretary-General of the Research Center for Chinese Painting and Calligraphy. Vice President and Academician of the World Intangible Cultural Heritage Research Institute, Master of Chinese State Guest Ceremony, Chinese State Guest Ceremony Artist, Image Ambassador of the Belt and Road Initiative, and Global Promotion Ambassador of Chinese Culture.
Mr. Lu Shunda's purple sand works enjoy a high reputation in the field of international art and culture, and his works have played an active role in the country's foreign exchanges for many times. He was awarded the honorary title of "State Diplomatic Giftist" by the State Diplomatic Gifts Review Committee.
In 1997, he studied art with Master Jiang Rong, and often consulted masters and old artists. In 2003, Lu Shunda founded Lu's Zizhen Pavilion Studio. In 2014, Yixing Lushun Dazisha Co., Ltd. was established
In 2015, he founded the Ziluoxuan Zisha Art Museum in Taizhou. In 2017, he was specially hired as the director of Yixing Zisha Technology No. 2 Factory. In 2008, "Bamboo Blessing" and "Pumpkin" won the Bauhinia Gold Award in the design category of the "Creation National Competition of the Chinese Culture and Art International Exchange Conference for the World Expo", and "Bamboo Round Beam" and "Egg Bag Beam" won the Bauhinia Gold Award in the creation category.
In 2010, the pot of "Lucky Star Gaozhao" won the gold medal of the 12th Arts and Crafts Master Boutique Fair.
In 2015, his works "Han Yun", "Time to Run" and "Prayer Wheel" won the gold medal of the 17th China National Arts and Crafts Masters Boutique Expo "China Arts and Crafts Excellent Works Selection". In 2018, his work "Pumpkin" won the gold medal of the "Golden Phoenix" innovative product design competition of the 53rd National Arts and Crafts Fair, and "Jiyu" and "Ming Fang" won the gold medal of the "Flying Flower Award" of the 14th China (Shenzhen) International Cultural Industry Expo and Trade Fair. In 2019, he won the gold medal of "Suyi Cup" of "Squirrel Grape", the gold medal of "Hundred Flowers Cup" of "Blessing in Sight", the gold medal of "Lacquer Flower Cup" of "Step by Step", the gold medal of "Five Golden Flowers" of Yixing pottery of "Yurt", and the gold medal of "Zhongyi Cup" of "Hanjun".
In 2020, he won the gold medal of the "Flying Flower Award" of the 11th China (Shenzhen) Arts and Crafts Fair of "Fuding", and the gold medal of the "Art Fair Cup" of "Shou Tao".
In 2021, "Wind Roll Kui" and "A Bundle of Bamboo at the Dragon's Head" both won the gold medal of the "China Art Cup", and were collected by many art groups and domestic and foreign enthusiasts such as the Capital Museum of China, Jilin Provincial Museum, Shenzhen Lions Club, Taizhou Arts and Crafts Art Museum, etc.
In 2023, the purple clay pot work of the ambassador of the new era of intangible cultural heritage communication "Shou Tao" worth one million was presented to the ambassador of the Embassy of the Russian Federation in China Andrei · Ivanovich Denisov.
In 2023, the purple clay pot work "Monk's Hat" created and donated will be collected by the Palace Museum.
In 2023, the craft work "Double-Line Bamboo Drum" was sent to the Prime Minister's Office of Bafangyuan by the Diaoyutai State Guesthouse.
In 2023, the purple clay pot work "Step by Step" is collected by the Great Hall of the People Administration.
Although the purple clay pot is small, it brings together a hundred years of ingenuity and a thousand years of culture. Its purple clay pot handicrafts are of great artistic value and collection value. The existing Chinese art appraisal center assesses the market value of the purple clay pot by Mr. Lu Shunda: RMB 200,000 / piece - 1.8 million / piece. The master's family style is edified, passed down from top to bottom, and he does his best; Flourish.
Introduction: Pine, bamboo and plum are also known as the three friends of the year, with pine needles, bamboo leaves, plum blossom elements to embellish the layout is reasonable, the technique is natural, the nature into the purple sand art shows the infinite charm, the creation is also rich in the spiritual world of the perfect display, full of the magical power of nature and the tenacious vitality of striving for progress. This pot works absorb the aura of nature, the shape is vivid, the organic combination of the "three friends of the year" is injected into the pot art, and the Taoism is natural and smooth. The body of the pot is made of gold section mud, the charm is very noble and elegant, upright and round, the lid of the pot is designed with an embedded lid, and the button of the pot is decorated with the roots of the tree, not only there are nodules, but also pine needles and squirrels, which are combined with several kinds of mud, lifelike, and feel its agility. The spout is made of bamboo and bamboo leaves to show extraordinary momentum, comfortable and natural, full of vitality, the pot handle with black pier head mud with scattered plum branch nodules and pasted plum blossoms suddenly jumped in front of you, so that the whole pot line is smooth through, the texture is clear, the shape is realistic, and there is a feeling of vitality
Introduction: This pot is themed on jade, "Jiyu" refers to the collection of ancient jade in the world, the creator out of the love for the ancient jade Cong in Liangzhu culture, and get inspiration from it. The pot is made of green clay from Huanglong Mountain, the body of the pot is flat cylindrical, it seems to be composed of two jade bibs stacked, and the waist of the pot is demarcated by the concave and convex lines of the jade ornament pattern, and the body of the pot is demarcated with a clear posture. The shoulders and abdomen are connected with arcs, and the bottom feet are contracted with two right-angled steps, highlighting the strong and graceful state of the pot body. The spout is square, with a round center in the square, and the root is engraved with a dragon head jade pattern. The upper end of the iron is straight, decorated with jade plate shape, the style is simple, and it is easy to hold. The lid is shaped like a round bi, and the edge of the lid is decorated with enamel color, which is more luxurious, and the lid is decorated with a button ring, and the semi-circular fish shape is particularly smart. The overall decoration is harmonious and harmonious, clean and round, with timeless charm and elegant style.
Introduction: This pot is made of old purple clay from the 50s, with an ancient charm and a new meaning, which is based on the old three-legged tripod shape and added innovative design. The circle is divided into six petals and the belly of the pot, there is a jade belt along the potential pot foot in the petal, there is a prominent edge and corner along the pot body, the edges and corners are distinct, and the lines are smooth from the following bearing outside the three-legged support pot body. The lid and button are decorated with chrysanthemum petals, the handle is round and full, and the bottom of the spout is large and round, which shows more tension. The overall coordination, the shape of the instrument is round and full, and the charm is ancient. The shape of the whole device is concise and generous, simple and elegant.
Introduction: The peach symbolizes longevity, and the peach pot is in the pot, which is in line with the hearts of the people, and the peach pot is full of peach to create a paradise full of peaches. On the basis of the full and plain round body of the pot, it is covered with peach branches, peach leaves and full of large and small longevity peaches, the lid and the body of the pot echo each other, and the pot button is connected with the leaves with longevity peach and branches, stretching naturally; Young peaches pitch up, hidden in the leaves, full of large and small peaches, implying many sons and blessings, warm and peaceful, the color of the whole flower plastic is natural and vivid, the image is vivid. This pot is beautifully made, it is a longevity peach shape, which means longevity and happiness, and it is definitely the best choice for gifting the elderly.
Introduction: This pot is made of specially selected bean green mud, with delicate mud and elegant color. The overall work shows a wave like a wave, the surface of the pot with an oval shape and the concave and convex sense of the water waves, with the inlaid lid to show, the two sides of the body of the pot are covered with large and small water droplets, the water droplets are also up and down to present a sense of movement, plus the whole handle is the curve of the waves, full of dynamics. The waves are shining in the waves, and it feels like a landscape painting, the scenery is beautiful and relaxing!
Introduction: Each petal of this pot body is the shape of a pumpkin, lifelike, realistic and gratifying, green vines and leaves, in the form of sculptural appliqués on the pot, the leaves and vines have an elegant and dynamic feeling. The lid of the pot is made of melon vines, and two kinds of clay are used to highlight the three-dimensional beauty of the melon. The spout is made of green clay of the Republic of China pumpkin leaves wrapped into a pot flow, the water is crisp, the pot handle is the shape of pumpkin rhizome, the whole device is vivid, beautiful and generous, full of natural interest, but also full of the joy of harvest.
Introduction: This pot is refined with azure mud, the body of the pot is slender and erect, the middle is slightly dignified and full, the spout handle is like a phoenix Fei graceful and elegant, but it is just soft, echoing before and after, generous and decent, plus the carving is vivid and interesting, the orchid carved elegant and dynamic, and the pot has a sense of resonance, the beauty of the form from nature, which is convincing. Visually simple, natural lines, plus carving, movement and stillness are unified, and it is comfortable to see.