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Text: Qi Qi Kan Entertainment
Edited by Qi Qi Kan Entertainment
Preface
In the entertainment industry, there is an embarrassing story.
A Tibetan girl who dropped out of school to work became popular with her natural voice and was known as "the most beautiful female alto".
However, just when her career was in full swing, she was sued by her former friend and mentor in court.
This girl is Jianyang Zhuoma; And the person who sued her for infringement was Daolang, who had helped her succeed step by step.
Master-apprentice friendship: Daolang's cultivation grace to Jianyang Zhuoma
If you want to talk about the success of Jianyang Zhuoma on the road of music, Daolang can be said to have contributed a lot.
As a leader in the Tibetan music industry, Daolang is known for his unique creative style and profound lyrics, and has long been famous in the circle.
He is not only the idol that Jianyang Zhuoma has always admired, but also has become the most important mentor in her music career.
Daolang admires Jianyang Zhuoma's talent, and admires her diligence and tenacity.
In his eyes, this girl, who has experienced ups and downs and never forgets her original intention, has potential that is difficult for ordinary people to achieve.
So, he unreservedly passed on his years of creative experience and singing skills to Jianyang Zhuoma, teaching her how to control music and how to inject emotion into her singing.
Under the careful guidance of Daolang, Jianyang Zhuoma's singing level has improved by leaps and bounds, and her understanding of music has also reached a new height.
Every time she performs "Love Song of the West Sea", she can find a new emotional entry point and bring a refreshing feeling to the audience.
In 2011, when the cover version of "Love Song of the West Sea" resounded all over the country, people were amazed by the talent and strength of this Tibetan girl.
The reputation of "the most beautiful female alto" has spread far and wide, and her popularity even surpassed that of fellow Tibetan singers Han Hong and Tengger.
Faced with the success of his beloved apprentice, Daolang was happy for her from the bottom of his heart.
There is not only a master-apprentice friendship between them, but also a tacit understanding and trust like a bosom friend.
In the eyes of others, the master and apprentice complement each other, and their story has become a good story in the music industry.
However, who would have thought that such a seemingly perfect master-apprentice relationship would fall apart in the face of a complaint many years later.
When the two people stood at opposite ends of the courtroom, when the truth gradually surfaced, people suddenly discovered that behind the glamorous success, there were so many rights and wrongs, grievances and grievances.
The merits: grievances and hatreds caused by copyright disputes
Success is often a double-edged sword.
While it brings glory and applause, it also adds more variables to life.
For Jianyang Zhuoma, the popularity of "Love Song of the West Sea" is undoubtedly the pinnacle of her music career, but it is this song that has plunged her into the biggest whirlpool in her life.
As this song became widely sung, more and more businesses began to focus on the commercial value of Jianyang Zhuoma.
From 2011 to 2019, Jianyang Zhuoma frequently sang "Love Song of the West Sea" on various occasions, and was often promoted as the original singer.
Some merchants even spared no expense, just to invite her to sing a song.
Driven by profits, Zhuoma seems to have gradually lost herself, and she began to enjoy the satisfaction of fame and fortune, but ignored a crucial issue - copyright.
You must know that "Love Song of the West Sea" is the brainchild of Daolang, and it is a work that he poured out with inspiration and sweat.
And although Jianyang Zhuoma used her voice to make this song popular all over the country, in the final analysis, she is just a singer and does not own the copyright of this song.
However, when Daolang reminded her again and again of copyright issues, she turned a deaf ear.
Perhaps out of trust in the friendship between master and apprentice, or perhaps because of the huge interests that blinded her, in short, on this issue, Dolma showed uneasy numbness and ignorance.
What's even more shocking is that Jianyang Zhuoma actually included another song by Daolang "Tenderness in the Palm of the Hand" in his album without authorization.
This move is undoubtedly a serious infringement of the creator's rights and interests, and it also pushed the conflict between her and Daolang to the top.
In the face of his beloved disciple's repeated encroachment, Daolang finally chose to use legal weapons to defend his rights and interests.
A complaint turned the former teacher into a plaintiff in the court, and also made the grievances and hatred of the master and apprentice public.
In the ensuing court trial, it was difficult for Yang Zhuoma to defend himself.
She claimed that everything was the decision of the event organizer, and that she was just doing it according to the arrangement, and that she did not intend to infringe.
But such an argument is clearly untenable in the eyes of the law and the public.
As an adult, as a public figure, she should be responsible for her own actions, and she should respect the fruits of others' labor.
In the end, the court made a judgment in favor of Daolang, and Zhuoma needed to pay more than 250,000 yuan in compensation for infringement.
However, monetary compensation does not compensate for the loss of reputation and trust.
Overnight, Jianyang Zhuoma went from the much-anticipated "most beautiful mezzo" to a street rat that everyone shouted and beaten.
Her commercial performance was canceled, the endorsement contract was torn up, and all the glory became a thing of the past.
And in the eyes of the public, she is to blame for all this.
After all, the story of losing the bottom line in the face of interests, losing oneself in Vanity Fair, and ultimately harming others and oneself has been almost unchanged throughout the ages.
Reflection and warning: Respect copyright and stay away from infringement
When we look back on the story of Jianyang Zhuoma, we can't help but ask: What made a singer who was once promising embark on such a road of no return? Is it the temptation of fame and fortune, or is it the indifference of legal awareness? Or is it a combination of both?
Objectively speaking, although the tragedy of Jianyang Zhuoma has the reason for her lack of personal cultivation, it is more due to the lack of growth experience.
How can a child who lacks systematic education since childhood and drops out of school to work have sufficient awareness and vigilance against the intricacies of copyright issues? In that era of material scarcity, she received more education about survival than training in law and morality.
Of course, this cannot be an exoneration of her violations, but at least it can give us more understanding and sympathy for her suffering.
On the other hand, Daolang, as a musician who has experienced strong winds and waves, his emphasis on and defense of the rights and interests of creators is admirable.
In the big dye vat of the entertainment industry, there are only a handful of people who can stick to their hearts and abide by the bottom line, and Daolang is undoubtedly the best among them.
He used his actions to interpret the professional ethics and social responsibility of an art worker, and also set a valuable example for those who came after him.
The story of Jianyang Zhuoma has sounded the alarm for all those who are engaged in cultural and artistic work.
It tells us that both creators and performers should always keep in mind the importance of respecting copyright.
Intellectual property is not only about personal interests, but also about industry ecology and social equity.
Only when everyone can consciously uphold the rules of the game can we jointly create a healthy and orderly cultural environment.
At the same time, this story once again highlights the need for legal education.
In this era of information explosion, the popularization and dissemination of legal knowledge should not be limited to campuses and professional fields, but should also enter everyone's life.
Only when the concept of the rule of law is deeply rooted in the hearts of the people and becomes the consensus of the whole people can we truly build a fair and just society.
For those vulnerable groups like Jianyang Zhuoma, the society should give more care and help, so that the light of knowledge can illuminate their life path.
epilogue
"One misstep becomes a thousand years of hatred, and it has been a hundred years since I turned back." This ancient saying may be the best portrayal of Jianyang Zhuoma.
From a poor girl in Tibetan areas, to the highly sought-after "most beautiful female alto", and then to today's unknown housewife, her life has completed an embarrassing reincarnation.
Those former glories can't withstand the mistakes of a thought after all; Those dreams of the past can't resist the weight of reality after all.
And Daolang, the teacher who once gave her enlightenment and guidance, now chooses to fade out of her life.
After that copyright turmoil, he still forged ahead on the road of music, interpreting the ideals and ethics of a literary and artistic worker with his works, words and deeds.
Their story is not only a rupture of the friendship between master and apprentice, but also a collision between ideals and reality; It is not only the awakening of copyright awareness, but also the gradual distancing of a society under the rule of law.
It's a thought-provoking story that deserves all to think about and learn from.
On the way to chasing our dreams, how can we avoid repeating the mistakes of Yang Zhuoma? In the competition for Vanity Fair, how can we stick to our inner conscience and integrity? These questions need to be answered by each of us with our lives.
I hope that the experience of Jianyang Zhuoma can become a beacon to illuminate future generations, so that more people will not lose their way on the road of chasing their dreams.
I also hope that the story of Daolang can inspire more cultural and art workers to stick to their original intentions and light up the world with their works and personalities.