There was Qi Baishi in the world, and the remaining ink still exists in the world.
If you ask Yu Mo where to ask, Baishi Mountain Hall is less white!
Baishi Shantang is a wholly-owned subsidiary of Qi Baishi Painting and Calligraphy Institute in China, which is fully responsible for the establishment and development of Qi Baishi Cultural and Creative Brands, Qi Baishi Fashion and other brands, and is committed to the content mining, system combing, industry promotion, business innovation, value reproduction and other important contents of Qi Baishi calligraphy and painting, art, seal carving, appraisal and auction and other assets, which is an important part of building a product innovation platform based on Qi Baishi culture and art.
Hello Tibetan friends, today we have invited Mr. Tang Fazhou, then the successor of Qi Baishi, the disciple of Qi Liangzhi, the president of the China Qi Baishi Academy of Painting and Calligraphy, the visiting professor of the Tsinghua Academy of Fine Arts, the official image spokesperson of NetEase Group, the specially invited teaching and research director, the contracted painter of Beijing Fine Art Academy and Rong Bao Zhai, the expert of Qi Baishi's calligraphy and painting big data identification, the president of the Shanghai Qi Baishi Art Research Association, and the chief operating officer of Baishi Shantang Culture Media, Mr. Tang Fa Zhou, once heard his master Qi Baishi's little daughter Qi Liangzhi say this: Mr. Zhou Tieheng was in 1919 After the introduction of Master Ruiguang, the abbot of Yanfa Temple in Beijing, he kowtowed to the old man Qi Baishi, who lived in Fayuan Temple at that time, and officially became one of the early disciples of the old man Baishi. To have this opportunity to worship under the Baishi Gate, it should be said that it is not unrelated to Mr. Zhou Tieheng's scholarly family background.
Qi Baishi and Zhou Tieheng joint exhibition
After Zhou Tieheng moved to Fengtian with his father, he once called himself "Hebei Zhou Lang", and because he admired Wu Yilao (Changshuo) talent, he said that he was his private disciple. Mr. Tie Heng loves ancient music, and humbly says: "Half-deaf, earth, leather, wood, stone, gold, silk and bamboo are eight sounds, so I can hear half of them, so I call myself "half-deaf", and because he lives in the small south gate of Shenyang City, opposite the Bank of China on the second floor, so Yanqi's residence is a "half-deaf building", and he published a seal of "half-deaf building", and a small poem is on the four sides of the seal: "I am lazy to listen to the chaos in the world, and half of my life is with Xu Zi." The rooster can't afford to squat and dance, and the bed is a dream for five nights", also known as the "four-tone hall", and in his later years, he called himself "old and deaf". It is now known that Qi Baishi also carved many seals for his student Zhou Tieheng, such as "half-deaf" and "half-deaf building small book nest", which can also show the friendship between teachers and students.
Qi Baishi, hand-criticized Zhou Tieheng's "Half-deaf Building Printing Grass", China Qi Baishi Painting and Calligraphy Institute Exhibition (Qi Baishi copyright owner), Shaobai Gongzi Tang Fa Zhou
Zhou Tieheng's seal collection has a score of "Half-deaf Lou Yincao", and the old man Baishi personally approved 25 of them, which shows the old man Baishi's love, expectations, encouragement, affirmation, and praise for Zhou Tieheng, which is enough to prove the intimacy of the relationship between the two. Not only that, the old man Baishi also wrote as many as 35 square prints for Zhou Tiehengzhi's names, numbers, collections, and idle prints such as "Zhou Deyu" and "Tieheng", and wrote inscriptions, pages, and prefaces for "Half-Deaf Lou Talks about Painting". Its preface is: "Talking about painting the head of the building is half deaf, and the mouth is still working with the hands, and some people are poor in the painting, come to see the Zhou family in this volume." The collection and discovery of these materials not only enriches the materials of Qi Baishi's art world exchanges, but also proves the aesthetic orientation and evaluation criteria of the old man Baishi's seal, which has precious artistic value and documentary value.
The following is Qi Baishi's hand-engraved part of the original seal and seal extension for Zhou Tieheng, please enjoy:
(To be continued) collection of calligraphy and painting, just look for the "Baishi heirs" of Qi Baishi Painting and Calligraphy Institute, all rights reserved, on-site creation, Qi Baishi painting school, a hundred years of inheritance, a lineage, only do authentic calligraphy and painting, gather the length of the family, on-site creation, can be customized according to the requirements of the collector, can take a group photo! perennial sales of high-end calligraphy and painting, looking for cooperation with high-end painting brokers, partners, regional leaders, the main operation of Qi Baishi before his death with the same painting brush, Qi Baishi painting shrimp special rice paper, Qi Bai graphite block, Qi Baishi self-made pigment formula, Qi Baishi's painting brush grass insect secret method, Qi Baishi's little daughter Qi Liangzhi's father Qi Baishi's calligraphy and painting relics exhibition and Qi Baishi's little daughter Qi Liangzhi's self-collection of calligraphy and painting special auction, Qi Baishi's heirs, Tang Fazhou, president of the Chinese Qi Baishi Painting and Calligraphy Academy, pays tribute to the 160th anniversary of Qi Baishi's birth and reproduces Qi Baishi's microcosm of the world calligraphy and painting exhibition, as well as the operation of Qi Baishi, Qi Liangzhi, Qi Liangchi, Qi Liangmo, Qi Bingyi, Qi Jingshan, Qi Bingzheng, Qi Zhanyi, Qi Huijuan, Qi Shouyu, Qi Yuwen, Qi Lixia, Qi Yuanlai, Qi Folai, Qi Shuilian, Qi Yanjun, Li Keran, Li Kuchan, Lou Shibai, Guo Xiuyi, Wang Senran, Wang Xuetao, Lu Guangguang, Wang Shushi, Tang Fazhou and other authentic works of calligraphy, painting and seals worth more than 100 million yuan can also accept NFT, digital collections, metaverse, cross-border brand cooperation, cultural empowerment resource integration and other operations, and welcome powerful network companies to bid. (Picture and text excerpt from: Qi Baishi's heirloom calligraphy and painting network)
(The picture materials in this article are selected from: Qi Baishi in the eyes of Qi Liangzhi, Qi Baishi Painting and Calligraphy Institute, Qi Baishi Descendants Calligraphy and Painting Network)
Note: The above pictures and texts are excerpted from the lecture "Shaobai Gongzi Fun Talks about Qi Baishi" Speaker: Tang Fazhou
Jia Chennian [Year of the Dragon] compiled in East China Shanghai Qi Baishi Painting and Calligraphy Institute (Shanghai Pudong General Institute)