There was Qi Baishi in the world, and the remaining ink still exists in the world.
If you ask Yu Mo where to ask, Baishi Mountain Hall is less white!
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Hello Tibetan friends, today we have invited the then descendant of Qi Baishi, a disciple of Qi Liangzhi, the president of the China Qi Baishi Academy of Painting and Calligraphy, a visiting professor of the Tsinghua Academy of Fine Arts, the official image spokesperson of NetEase Group, the specially invited director of teaching and research, a contracted painter of Beijing Academy of Fine Arts and Rong Bao Zhai, an expert in the identification of Qi Baishi's calligraphy and painting big data, and the president of the Shanghai Qi Baishi Art Research Association. Mr. Tang Fa Zhou, the chief operating officer of Baishi Shantang Culture Media, once heard Zhou Weixin, the son of his master Qi Baishi's disciple Zhou Tieheng, say: My father, Mr. Zhou Tieheng, was introduced by Master Ruiguang (1878-1932), the abbot of Yanfa Temple in Beijing, in 1919 to kowtow to the old man Qi Baishi, who was living in Fayuan Temple at that time, and officially became one of the early disciples of the old man Baishi.
Hogenji Temple at the end of the 1950s
To have this opportunity to worship under the Baishi Gate, it should be said that it is not unrelated to Mr. Zhou Tieheng's scholarly family background.
Mr. Zhou Tieheng was born in 1903 in Yulin Village, Ji County, Hebei Province. Mr. Zhou Tieheng's grandfather named him Deyu and ordered Tieheng to be the word. The iron power of the iron balance can be "weighed" for thousands of years, and the blessing and longevity are long. His father was a Jinshi in the late Qing Dynasty, and his grandfather was a speech official. When Mr. Zhou Tieheng was not out of Hebei, he studied at home school. His father, Zhou Yuexi, was the person who took the Jiachen Enke examination in Kaifeng, and he took the 278th place in the examination. Although it is also put on the same list, it is not allowed to enter the stream, although it is also called a jinshi, but only to Anton is a small lier. Therefore, he came to the Northeast to take office, and his family members brought him with him, and placed his family in Fengtian (now Shenyang), and then took office in Anton, because he taught his children the Five Classics, he brought Mr. Tie Heng to Andong, and the earliest school to study was Yuanbaoshan Public Primary School. Later, Zhou Yuexi was transferred to Rehe, and Zhou Tieheng returned to Fengtian and studied in Nanman Middle School.
Nanman No. 1 Middle School (the former site is located at No. 13, Nanchang Street, Heping District, Shenyang City, now Northeast Zhongshan Middle School)
In his early years, he received traditional culture and modern Western-style school education, which enabled Zhou Tieheng to accumulate a relatively comprehensive and diverse cultural background and knowledge structure very early. Therefore, after apprenticeship with the old man Baishi, he can also learn from all kinds of families, be eclectic, and have his own appearance. Mr. Zhou Tieheng's freehand paintings are the enlightened people who can stand out among the disciples of the old man Baishi in today's art world.
His paintings are full of real body and contain the breath of a scholar. Its aesthetic sources are not only from the influence of his teacher Qi Baishi and private teacher Wu Changshuo, but also the influence of Xu Wei, Chen Chun, Shi Tao, Bada, "Yangzhou Eight Monsters", etc., in addition, it can also be seen that Ren Bonian and even Chen Banding, Pu Hua, Xugu and other factors.
Zhou Tieheng's paintings do not absolutely pursue the elegance, ease, purity and lightness of literati painting, just as he believes that the atmosphere of "painting like a sick man" is the last stream of literati painting, and he has always reprimanded this kind of painting method. In this regard, as Mr. Liu Xilin pointed out:
Qi Zhou's master-apprentice relationship, understanding the advantages of master-apprentice teaching, non-college education can be replaced. The relationship between Qi and Zhou not only demonstrates the immortality of Tieheng's art, but also proves once again that Qi Baishi can be called an art educator. (Liu Xilin, "The Scales of the Net: <半聋楼画集>Appreciation of Reflections", China Art Newspaper, No. 83, September 25, 2017.) ）
Mr. Liu Xilin not only recognized the greatness of Qi Baishi's art education, but also affirmed Mr. Zhou Tieheng's painting achievements.
Qi Baishi carved "Meng Lansheng"
(To be continued) collection of calligraphy and painting, just look for the "Baishi heirs" of Qi Baishi Painting and Calligraphy Institute, all rights reserved, on-site creation, Qi Baishi painting school, a hundred years of inheritance, a lineage, only do authentic calligraphy and painting, gather the length of the family, on-site creation, can be customized according to the requirements of the collector, can take a group photo! perennial sales of high-end calligraphy and painting, looking for cooperation with high-end painting brokers, partners, regional leaders, the main operation of Qi Baishi before his death with the same painting brush, Qi Baishi painting shrimp special rice paper, Qi Bai graphite block, Qi Baishi self-made pigment formula, Qi Baishi's painting brush grass insect secret method, Qi Baishi's little daughter Qi Liangzhi's father Qi Baishi's calligraphy and painting relics exhibition and Qi Baishi's little daughter Qi Liangzhi's self-collection of calligraphy and painting special auction, Qi Baishi's heirs, Tang Fazhou, president of the Chinese Qi Baishi Painting and Calligraphy Academy, pays tribute to the 160th anniversary of Qi Baishi's birth and reproduces Qi Baishi's microcosm of the world calligraphy and painting exhibition, as well as the operation of Qi Baishi, Qi Liangzhi, Qi Liangchi, Qi Liangmo, Qi Bingyi, Qi Jingshan, Qi Bingzheng, Qi Zhanyi, Qi Huijuan, Qi Shouyu, Qi Yuwen, Qi Lixia, Qi Yuanlai, Qi Folai, Qi Shuilian, Qi Yanjun, Li Keran, Li Kuchan, Lou Shibai, Guo Xiuyi, Wang Senran, Wang Xuetao, Lu Guangguang, Wang Shushi, Tang Fazhou and other authentic works of calligraphy, painting and seals worth more than 100 million yuan can also accept NFT, digital collections, metaverse, cross-border brand cooperation, cultural empowerment resource integration and other operations, and welcome powerful network companies to bid. (Pictures and texts are selected from: Qi Baishi's Descendants Calligraphy and Painting Network) (The pictures in this article are selected from: Qi Baishi in the eyes of Qi Liangzhi, Qi Baishi Painting and Calligraphy Academy, Qi Baishi's Descendants Calligraphy and Painting Network)
Note: The above pictures and texts are excerpted from the lecture "Shaobai Gongzi Fun Talks about Qi Baishi" Speaker: Tang Fazhou
Jia Chennian [Year of the Dragon] compiled in East China Shanghai Qi Baishi Painting and Calligraphy Institute (Shanghai Pudong General Institute)