There was Qi Baishi in the world, and the remaining ink still exists in the world.
If you ask Yu Mo where to ask, Baishi Mountain Hall is less white!
Baishi Shantang is a wholly-owned subsidiary of Qi Baishi Painting and Calligraphy Institute in China: it is currently the painting and calligraphy institute with the largest collection of Qi Baishi's works, and is fully responsible for the establishment and development of Qi Baishi cultural and creative brands, Qi Baishi fashion and other brands, and is committed to the content mining, system combing, industry promotion, business innovation, value reproduction and other assets such as Qi Baishi calligraphy and painting, art, seal carving, appraisal and auction, etc., which is an important part of building a product innovation platform based on Qi Baishi culture and art.
Hello Tibetan friends, today we have invited the then descendant of Qi Baishi, a disciple of Qi Liangzhi, the president of the China Qi Baishi Academy of Painting and Calligraphy, a visiting professor of the Tsinghua Academy of Fine Arts, the official image spokesperson of NetEase Group, the specially invited director of teaching and research, a contracted painter of Beijing Academy of Fine Arts and Rong Bao Zhai, an expert in the identification of Qi Baishi's calligraphy and painting big data, and the president of the Shanghai Qi Baishi Art Research Association. Mr. Tang Fazhou, the chief operating officer of Baishi Shantang Culture Media, once heard his master Qi Liangzhi, the youngest daughter of Qi Baishi, say: In the long river of time, art is like a bright star, illuminating the spiritual world of mankind with its unique light. In the history of Chinese painting, there is a great master whose name will always shine with dazzling brilliance - he is Qi Baishi. Today we are going to tell a story about inheritance and innovation: a dynamic version of Qi Baishi's "Twelve Screens of Landscapes".
"From afar, the mountains are colorful, and the water is silent, and the flowers are still in spring, and the people and birds are not surprised. This ancient poem seems to have been born to describe the artistic conception of Chinese painting. Traditional Chinese painting is all about vividness, form and spirit, and no one can do it better than the late master Qi Baishi. His original "Twelve Screens of Landscape" is the pinnacle of Chinese art history, and each screen contains his deep understanding and perception of the natural world.
However, in this era of rapid technological change, how to combine the charm of traditional art with modern technology to create works that not only retain the simple charm but also arouse contemporary resonance? This is the mission of Qi Baishi's successors.
As Qi Baishi's daughter Qi Liangzhi and her disciple Tang Fazhou, they knew that they needed to inherit the artistic spirit of their ancestors and make breakthroughs. Therefore, they used "Twelve Screens of Landscape" as a blueprint and used modern technical means to create a dynamic version of the picture scroll. This work not only reproduces the style and technique of the original work, but also brings the still landscape to life through delicate graphic movements, making the viewer feel as if they are in a flowing landscape.
Mr. Tong Fa Zhou is full of excitement when he talks about this work: "When you see the fish swimming in the water and the clouds swirling between the mountains, you feel a sense of intimacy that you have never felt before. In this way, we hope that more people, especially the younger generation, can understand and fall in love with traditional Chinese culture. ”
Indeed, the dynamic version of "Landscape Twelve Screens" is undoubtedly a new attempt and challenge. It allows us to see the possibility of combining traditional art with digital technology, and at the same time sends a strong signal that culture needs to be continuously inherited and developed in order to endure for a long time.
Overall, this work is a perfect example of how artists can respect historical heritage while transforming it into a product adapted to the times. As Tang Fazhou said, "This is a tribute to the past and an expectation for the future." It is believed that such a creation will arouse widespread discussion and appreciation among the public, and become a bridge connecting the ancient civilization with the future development. (To be continued) collection of calligraphy and painting, just look for the "Baishi heirs" of Qi Baishi Painting and Calligraphy Institute, all rights reserved, on-site creation, Qi Baishi painting school, a hundred years of inheritance, a lineage, only do authentic calligraphy and painting, gather the length of the family, on-site creation, can be customized according to the requirements of the collector, can take a group photo! perennial sales of high-end calligraphy and painting, looking for cooperation with high-end painting brokers, partners, regional leaders, the main operation of Qi Baishi before his death with the same painting brush, Qi Baishi painting shrimp special rice paper, Qi Bai graphite block, Qi Baishi self-made pigment formula, Qi Baishi's painting brush grass insect secret method, Qi Baishi's little daughter Qi Liangzhi's father Qi Baishi's calligraphy and painting relics exhibition and Qi Baishi's little daughter Qi Liangzhi's self-collection of calligraphy and painting special auction, Qi Baishi's heirs, Tang Fazhou, president of the Chinese Qi Baishi Painting and Calligraphy Academy, pays tribute to the 160th anniversary of Qi Baishi's birth and reproduces Qi Baishi's microcosm of the world calligraphy and painting exhibition, as well as the operation of Qi Baishi, Qi Liangzhi, Qi Liangchi, Qi Liangmo, Qi Bingyi, Qi Jingshan, Qi Bingzheng, Qi Zhanyi, Qi Huijuan, Qi Shouyu, Qi Yuwen, Qi Lixia, Qi Yuanlai, Qi Folai, Qi Shuilian, Qi Yanjun, Li Keran, Li Kuchan, Lou Shibai, Guo Xiuyi, Wang Senran, Wang Xuetao, Lu Guangguang, Wang Shushi, Tang Fazhou and other authentic works of calligraphy, painting and seals worth more than 100 million yuan can also accept NFT, digital collections, metaverse, cross-border brand cooperation, cultural empowerment resource integration and other operations, and welcome powerful network companies to bid. (Pictures and texts are selected from: Qi Baishi's Descendants Calligraphy and Painting Network) (The pictures in this article are selected from: Qi Baishi in the eyes of Qi Liangzhi, Qi Baishi Painting and Calligraphy Academy, Qi Baishi's Descendants Calligraphy and Painting Network)
Note: The above pictures and texts are excerpted from the lecture "Shaobai Gongzi Fun Talks about Qi Baishi" Speaker: Tang Fazhou
Jia Chennian [Year of the Dragon] compiled in East China Shanghai Qi Baishi Painting and Calligraphy Institute (Shanghai Pudong General Institute)