There was Qi Baishi in the world, and the remaining ink still exists in the world.
If you ask Yu Mo where to ask, Baishi Mountain Hall is less white!
Baishi Shantang is a wholly-owned subsidiary of Qi Baishi Painting and Calligraphy Institute in China, which is fully responsible for the establishment and development of Qi Baishi Cultural and Creative Brands, Qi Baishi Fashion and other brands, and is committed to the content mining, system combing, industry promotion, business innovation, value reproduction and other important contents of Qi Baishi calligraphy and painting, art, seal carving, appraisal and auction and other assets, which is an important part of building a product innovation platform based on Qi Baishi culture and art.
Hello Tibetan friends, today we have invited the then descendant of Qi Baishi, a disciple of Qi Liangzhi, the president of the China Qi Baishi Academy of Painting and Calligraphy, a visiting professor of the Tsinghua Academy of Fine Arts, the official image spokesperson of NetEase Group, the specially invited director of teaching and research, a contracted painter of Beijing Academy of Fine Arts and Rong Bao Zhai, an expert in the identification of Qi Baishi's calligraphy and painting big data, and the president of the Shanghai Qi Baishi Art Research Association. Mr. Tang Fazhou, the chief operating officer of Baishi Shantang Culture Media, once heard Zhou Weixin, the son of his master Qi Baishi's disciple Zhou Tieheng, say: As an artist with a traditional literati complex, my father, Mr. Zhou Tieheng, often boasted of being a descendant of Lianxi and admired the sages in his heart. He often admired the canon of the Three Hopes and was self-disciplined, and pursued the ideal of the inner saint and the outer king all his life. After befriending his apprentice Qi Baishi, Zhou Tieheng often asked the old man Baishi with the courtesy of a disciple.
In 1923, Mr. Zhou Tieheng was admitted to the Department of Medicine of Nanman Medical University, and among the teachers of Nanman Medical University, there were not only Japanese teachers, but also many German professors. Through the exchanges with these teachers, their knowledge of the Orient, Europe, and the world was greatly enhanced, and their eyes were opened.
At the age of 26, Zhou Tieheng was selected to study at the Imperial University of Kyushu Island in Japan, and was recommended by Tetsutaro Nishi, a friend who had a good friendship with him and the president of the Japanese Treasure Dong Co., Ltd. in "Manchuria", and stayed at the Xiyuan Temple. During his study in Japan, Zhou Tieheng broadened his horizons and knowledge, and at the same time, he met Guo Moruo and became a lifelong friend.
Two pages of the letter from Qi Baishi to Tetsutaro Nishi
Commentary: Now by Chonggu Zhai handed over two stones, carved eight characters, Cheng asked Runzi, each word two round four corners. Mr. knows best that the rest of the moment is not evil, should not be subject to the gold, Baishi has a home difficult to return, lives in Yanjing, needs coal and rice every day, and accepts the gold of Mr. The last resort! Mr. Xizhe. Qi Huangyi. December 30th.
Qi Baishi engraved the "West Zhe" flat seal for Nishi Tetsutaro
During his study in Japan, Zhou Tieheng not only studied pediatrics, internal medicine, but also pharmacy. Most of the teachers at the Imperial University of Kyushu were Germans, especially surgical instructors, who were good at drawing and drawing anatomical drawings to help him teach, so that Mr. Zhou was able to study European art in depth. He read quite a few books on European painting in German, English, and Japanese in the library, and gained a systematic understanding of Western drawing, color, and related theories.
During his stay in Japan, Mr. Zhou Tieheng also often visited and studied in major museums in Japan, and in addition to the influence of traditional Chinese culture, he extensively absorbed new knowledge, and successively visited Shosoin, the Imperial Museum, Kyoto National Museum and other institutions with Chinese cultural relics collections, and had a preliminary understanding of the preservation of Japan's "national treasure" and "important cultural property" cultural relics, and conducted in-depth research on Japanese paintings. During this period, Zhou Tieheng believed that only Maruyama Yingju, Tomioka Tetsusai, Takeuchi Qifeng, Yokoyama Taikan, Xuezhou, Hashimoto Sekiyuki and other artists were influenced by Shen Quan to varying degrees, and the mantle of Chinese painting was passed on, and the rest of the painters were not enough to discuss.
It can be seen that the experience of traveling in Japan had an important impact on Zhou Tieheng's future artistic development, so that in addition to the long-established tradition of family learning, he broadened his artistic horizons and increased his knowledge by virtue of his overseas study background, which is not without benefit to his future artistic career. Mr. Zhou Tieheng has always taken Zhang Xiangtao's middle school as the foundation, and Western learning as the foundation of his education.
In 1951, some staff in the Northeast cultural and museum circles took a group photo (Zhou Tieheng stood in the middle of the back row) (to be continued) collection of calligraphy and painting, just look for the "Baishi heirs" of Qi Baishi Painting and Calligraphy Institute, all rights reserved, on-site creation, Qi Baishi painting school, a hundred years of inheritance, passed down in one line, only do authentic calligraphy and painting, gather the heads of all families, on-site creation, can be customized calligraphy and painting according to the requirements of collectors, can be a group photo! Qi Baishi's special rice paper for painting shrimp, Qi Baishi's graphite block, Qi Baishi's self-made pigment formula, Qi Baishi's painting brush grass insect secret method, Qi Baishi's little daughter Qi Liangzhi's father's Qi Baishi's calligraphy and painting relics exhibition and Qi Baishi's little daughter Qi Liangzhi's self-collection of calligraphy and painting special auction, Qi Baishi's heir, Tang Fazhou, president of the China Qi Baishi Painting and Calligraphy Institute, pays tribute to the 160th anniversary of Qi Baishi's birth and reproduces Qi Baishi's microcosm world calligraphy and painting exhibition, as well as the operation of Qi Baishi, Qi Liangzhi, Qi Liangchi, Qi Liangmo, Qi Bingyi, Qi Jingshan, Qi Bingzheng, Qi Zhanyi, Qi Huijuan, Qi Shouyu, Qi Shuilian, Li Keran, Li Kuchan, Lou Shibai, Guo Xiuyi, Wang Senran, Wang Xuetao, Lu Guangguang, Wang Shushi, Tang Fazhou and other Qi Baishi's heirs are worth more than 100,000,000,000 yuan of calligraphy, paintings, seals, and authentic works, which can also accept NFT, digital collections, metaverse and other operations, and welcome powerful network companies to bid. (Picture and text excerpt from: Qi Baishi's heirloom calligraphy and painting network)
(The picture materials in this article are selected from: Qi Baishi in the eyes of Qi Liangzhi, Qi Baishi Painting and Calligraphy Institute, Qi Baishi Descendants Calligraphy and Painting Network)
Note: The above pictures and texts are excerpted from the lecture "Shaobai Gongzi Fun Talks about Qi Baishi" Speaker: Tang Fazhou
Jia Chennian [Year of the Dragon] compiled in East China Shanghai Qi Baishi Painting and Calligraphy Institute (Shanghai Pudong General Institute)