Jia Ling's two consecutive Chinese New Year films were bought from abroad, and I was surprised! If "Hello, Li Huanying" is written, directed and acted by Jia Ling, and it is understandable, then the newly released "Hot and Hot" is not a remake of Japan's "100 Yuan Love", why did Sony Pictures ask Jia Ling to buy it? Even India's "Wrestle, Dad" and the United States' "Million Dollar Baby" It's not all a framework, it's nothing more than Jia Ling taking her 200 pounds of fat and turning it into 100 pounds of muscles, but the inspirational feeling in this is the same.
Could it be that foreign countries are also worried about scripts? Originally, domestic movies have actually become more and more simple and straightforward tear-jerking, inspirational, or silly Bai Tian's favorite brainless comedy, you watch "Manslaughter" has successively remade India's "Manslaughter", which shows that there is a shortage of good scripts in China. And remakes have become a trend in recent years, and some of them are directly applied, and they don't even change the details of the plot, but they just change the batch of domestic actors.
The same movie that can be made by China, Japan and South Korea over the years is undoubtedly South Korea's "The End", starring the Korean actor Lee Sun-kyun who committed suicide not long ago, and "Breaking the Game" starring Aaron Kwok and Wang Qianyuan in China, the plot structure is exactly the same.
And last year, Japanese filmmakers also remade this classic movie, but although the title is also called "The End", the plot and story line are very different.
First of all, the Japanese version of "Coming to the End" defines the protagonist as a corrupt policeman, the same rainy night, the same mother died and rushed to see the last face. Then the scene where the male protagonist hangs balloons in the funeral parlor to drag the corpse from the pipe and knock the coffin nail was deleted, and the male protagonist dragged the corpse in the pipe and put it into his mother's coffin.
Another biggest difference from the original and domestic versions is that the Japanese version of "The End" has developed from the perspective of the male protagonist at the beginning, and has also added the perspective of the second male protagonist, that is, Wang Qianyuan's character, to explain the reasons behind the scenes and the movements of the villain. The final ending Japanese version has also undergone major changes.,The male protagonist didn't really win the duel with the black police.,And the gangster finally became the biggest winner.。
It should be said that the original version is a good film with many reversals, the mainland version and the Japanese version are quite fond of the plot structure of the film, and their respective adaptations are also good and bad, the mainland version is basically unchanged, and the Japanese version has made certain breakthroughs in the plot and character settings and shooting techniques.
If you've watched all three versions of "The End" in China, Japan and South Korea, which version do you think is the best? #麻袋影评 ##走到尽头#
