"Flowers": As soon as the scene of Li Li's "sexual innuendo" came out, Wong Kar-wai won the hemp
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Film director Wong Kar-wai, filming a TV series, what is the effect of this "dimensionality reduction strike"?
That's a bargain!
The creators of the entire national drama market are probably sweating at the moment.
There is no way, Wong Kar-wai single-handedly raised the standard of the play.
The stories under his lens have souls, the characters have hearts, and the pictures also have atmosphere.
Watching "Flowers" is equivalent to watching a 30-episode movie, artistic aesthetics, pleasing to the eye.
Li Li, played by Xin Zhilei, is cold and noble, and her every move is full of aura. Miss Wang, played by Tang Yan, is full of vitality and performs the cute and cute Shanghai girl.
It is said that the whole drama was shot with a single camera, just to shoot better light and shadow effects.
But with the update of the plot, I found that Wong Kar-wai not only shoots beauties, but also secretly pokes and pokes "driving", as soon as the sexually suggestive scenes in the play come out, you will understand what it means to be advanced.
Ah Bao went to Zhenyuan to pick up Li Li at night, and the latter did not take the co-pilot, but opened the door of the back seat, full of exhaustion.
Po asked her, "Do you want to eat?"
Li Li replied: "I just want to get a good night's sleep now." ”
She took off her shoes, and the camera shot from her long legs in black silk to Li Li's defenseless face with her eyes closed.
A woman who has been working hard outside for a long time can sleep peacefully in Po's car, which is enough to see her trust and dependence on him.
It is also from here that the camera becomes intriguing.
Li Li kept changing his posture in the car.
Sometimes he tilted his head, confused, and sometimes turned over, writhing restlessly.
It's not a state of sleep, is it? It's like doing some indescribable "exercise".
Po's shot also made the male hormones rush to his face.
The camera swept over his driving arm, the clear jawline, and the throttle slammed.
It stands to reason that Li Li is sleeping in the car, so he should drive the car slower and more steady, why is the speed so fast?
Seeing this, it is estimated that many viewers have understood.
This drives, not the other.
Ah Bao and Li Li had a substantive relationship on this night, and driving was just Wong Kar-wai's subtle and high-level "sexual innuendo".
And the plot also hides three small details.
1, this is the first time that Ah Bao has driven for a woman as a driver in the whole play.
Because his relationship with Miss Wang and Lingzi is above friendship, and the lovers are not full.
But he is different from Li and Li, they really have a relationship.
2, Ah Bao got out of the car and glanced at Li Li.
It's as if passion has passed, and men look at their women out of care.
At this time, Li Li faded away from the domineering female boss in front of people.
The eyes were moist and affectionate, obviously the expression of a little woman.
3. Po got out of the car and smoked a cigarette.
In fact, in this drama, he rarely smokes, and this time he was filmed by Wong Kar-wai with such "sexual tension".
Po leaned on the car, took a deep breath of cigarette, and then spit it out, the smoke was filling, and suddenly he raised his head, and there was a sense of relaxation after his desire was satisfied.
At this time, the narration sounded, and it was Po's voice.
He said: "I grew up going in and out of joy and sorrow. ”
But looking at such a sentence, it doesn't seem to be anything, but combined with everything that just happened, this sentence "in and out" seems quite ambiguous.
In fact, not only this scene, Ah Bao and Li Li also had a line before, and now that I think about it, it is also full of hints.
Li Li thanked him and said bluntly: "Originally, I wanted to repay Mr. Bao's favor, but I didn't want you to break the bank." ”
But Mr. Bao said: "Favors are owed back and forth, just like brushing the wall, brushing over and over." ”
Especially in the Shanghainese version, the tone of the two people in this scene is provocative, just like flirting, and even their eyes are drawn.
It turned out that inadvertently, Wong Kar-wai used his ingenious lens language to drive so many times!
However, a man like Po who is merciful everywhere is not the only woman Li Li.
Back then, he and his first love Xuezhi also had a lingering love story.
They secretly played with the ambiguity to the extreme on the bus. As the car shook, Xuezhi kept shaking against his body, either face to face or back to back.
Obviously hugging each other in clothes, why does it look like no clothes on, which makes people blush and heartbeat?
The reason why Wong Kar-wai makes other creators sweat is because every shot of "Flowers" is too advanced.
The same sexually suggestive drama may not be broadcast if it is filmed on other directors.
Even if it is finally broadcast after deletion, deletion and reduction, the final film must have an embarrassing and vulgar feeling.
For example, Zhang Han's greasy lines in "Gentlemen of the East Eighth District" still make people unbearable to look at directly.
There is also the passion scene between Yang Yang and Wang Churan in "Fireworks in My World", if you watch it again, it is still like a fight, and it makes people have goosebumps all over your body.
Not only is this kind of "driving scene" filmed well, Wong Kar-wai's lens language is undoubtedly textbook-level, and every frame is worth savoring repeatedly.
There is a scene in the play where after a quarrel in Tokyo at night, Reiko leaves, and Po comes to her home and discovers a leak on the roof again.
He said that the roof had been repaired for three years, and it still leaked when it was fixed.
Because it wasn't the house leaking, it was Reiko's heart crying.
If a woman's heart is broken, it needs a man's love to mend it.
It's a pity that Po will never be able to repair it.
There is also the back music in the play, each of which is so appropriate.
Miss Wang is waiting for Po in the shop of pork ribs and rice cakes, and the BGM is Jacky Cheung's "Stealing the Heart". When Ling Hong left Tokyo at night to say goodbye to Reiko, it was Jiang Yuheng's "Looking Back Again".
can only say that Wong Kar-wai, you are a blessing for the audience to have you in domestic dramas.
A good TV series not only has to work the script, but also shoots the details to convince the audience.
The drama "Flowers" gives people a glimpse of Wong Kar-wai's ability, and he transferred the film's techniques to the TV series.
The place that should be straightforward is straightforward, and the place that should be obscure is obscure, I didn't expect that the national drama could also be filmed with a sense of art.
Whether it is the sexual innuendo of Li Li and Po, or the portrayal of other lens languages, the audience's aesthetic standards have been repeatedly improved, and it will not be easy for Chinese dramas to fool everyone in the future, so let's "roll" up according to Wong Kar-wai's selection!
So what other shots do you think of this drama that make you feel bright?