The director pursues traffic, and there is an outrageous plot in the anti-Japanese drama
As soon as this anti-Japanese drama opened, it was a big surprise. The Eighth Route Army actually lived in a luxurious villa, holding coffee from abroad in his hand, looking leisurely and leisurely.
This is in stark contrast to the grueling image of eating tree bark to satisfy hunger and sleeping in a mud cave, which is simply rewriting history.
Xiaoyu Haitang looked at this ridiculous scene, and only felt angry. She thought indignantly, what does the director want to portray our martyrs? When the Eighth Route Army faced the enemy, it dared to stand upright and be exposed like this, obviously looking for death.
If there were such reckless soldiers, they would have been wiped out by the Japanese invaders a long time ago. Xiaoyu Haitang drew in circles on the notebook while watching, and Director Kui's operation felt incomprehensible.
The high-end hotel where the Japanese devils live in the play, enjoying fine clothes and fine food, is in strong contrast to the Eighth Route Army. This fictional depiction undoubtedly glorifies the crimes of the aggressor.
What's even more incredible is that the Eighth Route Army actually used scarce eggs as targets to practice guns, which was unimaginable at the time. Xiaoyu Haitang shook her head while writing down the words "tampering with history" in her notebook.
However, what is even more shocking is that the Eighth Route Army was able to "resurrect" after being killed by the bombing. This is completely beyond the scope of common sense and is simply a trampling on science.
To sum up, in order to attract attention, this anti-Japanese drama does not hesitate to change historical facts and add various bizarre plots. Xiaoyu Haitang believes that directors should not underestimate the audience's IQ, let alone rewrite our history.
She decided to speak out on the Internet to expose the careful thinking of the directors behind such a series.
The old anti-Japanese dramas are exquisite, and the new dramas are deeply contrived
Thinking of the "Bright Sword" she watched when she was a child, Xiaoyu Haitang couldn't help but sigh with emotion, how attentive the older generation of directors were to restore that arduous era so vividly and vividly.
Whether it is the performance of the actors, the layout of the scene, or the arrangement of the plot, all reflect the respect for history and meticulous consideration.
In contrast, the artificiality of today's anti-Japanese dramas is obviously aggravated, and many of them are only superficial displays and hype. Those speech-like speeches and bright bullets all made Xiaoyu Haitang feel shoddy and drifting away from history itself.
She hopes that the new generation of directors will not be confused by business, and should return to the inner shaping of works and characters. Because the audience is not stupid either, pompous performances will only be ridiculed.
What's even more unacceptable to Xiaoyu Haitang is that the lives of officers in some anti-Japanese dramas are extravagant and hedonistic. This kind of hypocritical and contrived tactics is tantamount to glorifying and whitewashing the crimes of the aggressors.
The director should use the camera to tell the audience what kind of hardships and bloody sacrifices the Chinese military and civilians have gone through in exchange for today's happy life.
Xiaoyu Haitang believes that cutting-edge directors should not be commercialized, and they need to use their heartfelt feelings to shoot anti-Japanese works that truly move people. Otherwise, the practice of following the crowd will not only spoil history, but also fail the efforts of the martyrs.
If the directors have a good conscience, they should take history as a lesson and tell the story of every Chinese well.
Anti-Japanese dramas appear in Xianxia zombie elements
When Xiaoyu Haitang saw the plot of Diao Chan traveling through time and space to fight zombies, her face instantly darkened. This kind of nonsense made her extremely despised.
A serious historical theme turned out to be a hodgepodge of Xianxia novels and horror films. The director's brain circuitry is really puzzling.
Xiaoyu Haitang believes that entertainment works can be fictional, but anti-Japanese dramas must not distort history at will. Those martyrs who sacrificed their lives for the country are probably our ancestors, and they shed blood and tears in exchange for today's peaceful life.
If the director doesn't have basic respect, it will only make people feel ridiculous to put their stories and entertainment elements together.
In fact, many viewers watch anti-Japanese dramas for the purpose of understanding history and remembering the martyrs. If the crew only blindly pleases young audiences and blindly adds all kinds of fantasy elements, the result will only backfire and seriously distort the original intention of the anti-Japanese drama.
Xiaoyu Haitang feels that directors should understand a truth, the audience's tastes need to be guided, not catered to.
Xiaoyu Haitang believes that the sense of mission of anti-Japanese dramas is indelible. Since the directors have chosen this theme, they should have the responsibility to shoot good quality works and not follow the crowd.
She hopes that by speaking out, she will call on people in the industry to jointly maintain the anti-Japanese spirit and not let the martyrs' exploits be forgotten.
Call on the director to be responsible and not let down the audience
After watching this anti-Japanese drama, Xiaoyu Haitang couldn't help but post an article on the Internet to express her opinion. She believes that directors should be in awe of history and should not change the facts at will.
The War of Resistance Against Japanese Aggression is the common memory of the Chinese nation, and no one has the right to tamper with it at will.
Xiaoyu Haitang said that business and traffic are important, but the director's original intention is even more important. She called on directors to put aside the utilitarian mentality and make works that truly embody the spirit of the times.
Those who fight bravely on the screen are actually extraordinary choices made by ordinary people in extraordinary times. The director should use the camera to praise them, rather than making up absurd plots to consume the audience's feelings.
The blood and tears of the Chinese should not be treated as a game or a joke. Let us work together to resist such acts of making fun of history and protect the dignity of the nation and the memory of the martyrs.
Overall, the voices calling on directors to make high-quality anti-Japanese works, rather than superficial eye-catching, prevailed.
In the face of the reaction of netizens, Xiaoyu Haitang was sincerely gratified. She decided to continue to speak out, and hoped that more people in the industry could stand up and check the quality of anti-Japanese dramas.
Only when directors have the flame in their hearts can they make truly touching works, spread the national spirit, and remember the lessons of history.