Humorous people are more popular on almost any occasion, but unfortunately, XiaoSi is not a very humorous person. There are many kinds of humor, and this time the National Palace Museum in Taipei takes ten works of calligraphers and painters of past generations as an example to show the theme of humor. These ten paintings contain masterpieces passed down from generation to generation, as well as sketches by famous painters. Whether it is a joke between peers, or a humorous shape to present the characteristics of the situation, subvert the image, or persuade the world to transform people, or ridicule the world, they all exert creative thinking and techniques, and present the humor of the meaning in different faces. Little Four will introduce these ten pieces.
Song Liang Kai Splash Ink Immortal
This painting is actually the second painting in the book of "Famous Paintings", in which the immortals in the painting are open-chested and faltering. In addition to the head ear, chest line and facial features with line hook painting, Yu Jun is dripping with ink, and the longitudinal pen is sprinkled, not seeking to resemble, but can vividly convey the spirit. The feeling of ease of being drunk after the immortals were drunk was revealed in the tightening of the facial features, although it was a very small facial expression, which fully showed the painter's sense of humor. Liang Kai was an alcoholic and self-indulgent, informal, and was known as "Liang Crazy". Xiao Si couldn't help but wonder, is the painter himself?
Yuan Zhao Mengfu (傳) Book hates fly text
Although the title of this book is named Zhao Mengfu, a famous calligrapher and painter of the Yuan Dynasty, the overall feeling is weak, not similar to Zhao Mengfu's style, but it exudes the feeling of Wen Zhengming's penmanship, so it may be the famous work of the late Ming dynasty calligrapher. This book can show both literary and calligraphic humor. The writer formally wrote an article detailing the inconspicuous, harmful, and sometimes annoying habits of flies, as well as the disturbing harms, and humorously satirizing the chaotic country of the slander. With this as the title of the completion of the handwriting, the self-proclaimed book is self-adapted, but also has a meaning, fully reflecting the voice of the writer.
Ming Shen Zhou, "Cat"
Shen Zhou is one of the four masters of the Ming Dynasty, and this painting is the fifteenth painting of the "Sketch Book". The book is titled "Small Window" when sitting alone, the pen is dashing and uninhibited, very literati, and shows business in the simple clumsiness. The cat in the painting curls into a circle, with its head lying in it, looking sideways. Although cats often have coiled movements, Shen Zhou's position of the head and the special elongation of the body in this painting may not fit the body structure. Shen Zhou's concern should be to deliberately group the cat into a circle, and the front end is hooked and drawn toes in a stick figure manner, which is rich in humor and mischievous mood.
Ming Shen Zhouhua must be sparse
This is a picture of Shen Zhou, but the content says that Shen Zhou's friend Zhao Mingyu has no beard, and another friend of Shen Zhou, Yao Cundao, asked for help from the beautiful haired Duke Zhou Zongdao, and gave ten stems to Zhao Mingyu to make up for the deficiencies. This was originally a joke between friends, but the text used a very serious quotation of scriptures, and it was written in large characters, the style of the book was calm and steady, and the physical strength was quite energetic, becoming a masterpiece of his great book. This contrast between rigor and humor is exactly where Shen Zhou shows humor. Xiao Si didn't seem to have friends without beards around him, but there were a few without hair, and Xiao Si also wanted to write something.
Ming Wen Zheng Ming Han Lin Zhong Kui
Wen Zhengming is also one of the four masters of the Ming Dynasty, and poetry and calligraphy are not good. In ge hong's "Baopuzi" of the Eastern Jin Dynasty, it is recorded that the place where Zhong Kui caught the charm of the fish and other generations was in the mountain forest, and there is also a "cold forest Zhong Kui" pattern. However, in the Ming Dynasty, literati painters mostly replaced swords with wat plates, changing the image of military attachés who raised swords and wielded swords in the past, evolving into a typical example of "Wenxiang Zhong Kui". Zhong Kui in this painting shows a handsome and refreshing wind god, and gives a smile, a little naughty, is happy to drive away the ghosts, or laugh at everything in the world, of which humor is for the viewer to experience.
Qing Huang Yingchen painted a painting to dispel the ghost Wen landscape
Why is it said that ghosts ~ Xiaosi is not afraid ~ Huang Yingchen is a painter in the early Qing Dynasty, good at painting characters, ghost judgments, and babies. This painting is mainly about the compilation of manuscripts that were abandoned for several months due to drowsiness as described in ming shen shi xing (1535-1614) "The text of the ghost of weariness", in view of the saying that "sleepiness is ghostly", it is written to expel, but in the sleepy sleep, the tired ghost rushes to defend. But this painting is a lush spring scenery, the pavilion Chinese sleep peacefully, the weary costume is general, there is no viciousness or deformation, and it comes out of nowhere, only with a slightly strange atmosphere.
Qinghua rock bee tiger
Hua Yan is one of the representative figures of the Shuzhou School of Painting, good at painting figures, landscapes, flowers and birds, and grass insects. This is the fourth painting in the second volume of Hua Yan's "Sketch book" stored in the Lan Qianshan Museum. This image of a tiger, Xiao Si, is really unheard of. The tiger in the painting bows its head, droops its tail, and raises its front paws, revealing a pitiful expression that cannot be avoided by the bees, both afraid of injury and helpless, completely subverting the majestic image of the accustomed tiger. The painter's dramatic depiction in this second-speed is full of humor.
Qing No Money Feng Sui Precursor Diagram
This painting is a fuming painting, in which Zhong Kui is dressed in a vermilion robe, sitting under four ghosts, taking off his black hat, and "smirking" in the mirror. Zhong Kui's face is ugly, even when he looks in the mirror, he can't help but be surprised, and the layout is full of fun, which makes people can't help but wonder. The four little ghosts who were also seated did not have a frightened expression, but a helpless look, which also showed the humorous elements cleverly designed by the author.
Republic of China Pu Xin Qi Cat Mouse Ink Drama
Pu Xinqi was a descendant of the Qing Dynasty. Poetry, calligraphy and paintings escaped the dust, and Zhang Daqian was known as "Southern Zhang Beipu". The cat in this painting is asleep. There are two groups of anthropomorphic rats, one dressed in women's clothing, the other two mice have a humble attitude, as if presenting documents and discussing; the lower one is a toast, and the other is like a fat man, lying on the table, with the meaning of drunken lying down. Although Pu Lao did not explain, it implied that the cat was really sleeping or pretending to sleep, and borrowed rats to satirize some human behaviors, which was obviously felt and sent, and chose to behave in a humorous and childlike way.
Republic of China Chen Dingshan Sleeping cat
Chen Dingshan was originally named Qi, the character Fluttershy, and changed his name to Dingshan after the age of forty. This painting of shipan civilian officials dressed as people accompanied by cats, sleeping on the ground, placing wine altars and pots and sticks, is it drunk or sleeping? Self-titled: "Sleeping cats should not be called, but rats are messing around." Point out the meaning of the painting, the person in the painting is naturally asleep, or deliberately sleep to ignore, or borrow wine to sleep regardless of the disturbances of the world, although it does not explicitly express the helplessness of the world, but borrows the picture and the cat and mouse to allude.
Among famous painters are also people, and it is normal to have a sense of humor. These include shen zhou and Wen Zhengming, one of the famous four families of the Ming Dynasty, as well as fuming works, and more pu xinqi, who is equally famous as Zhang Daqian in modern times. Although it is very self-made from ten works, Xiao Si thinks that it is very worth seeing.