Huang Gongwang's Nirvana - Wen/Jiang Haibin

Visit Huang Gongwang

Text/Riverside

Staying overnight from the Deqing Golden Triangle Hotel, going around Fuyang, Jiangbin East Avenue to Huang Gongwang Hermitage on the way is still a teenager to help the coin to break the siege, all the way smooth sailing is indispensable to the enthusiastic locals. When it comes to the site named "Huang Gongwang", it is just when the sun is empty, and on one side of the road is the blue Fuchun branch, and on the other side is the HuangGongwang style town and the huanggongwang hermitage. At the intersection, there is a statue of Huang Gongwang lying down with a pen and a small lotus pond.

Along the sign all the way to trace, must pass through Gongwang Road there is HuangGongwang Village Party Group Service Center, unexpectedly a long-standing Taoist painter name, here has become the mainstream folk consistency awareness sign, everywhere can see The Fuyang people rely on and promote Huang Gongwang. When the road meets the White Crane Pavilion, the mother and daughter rest here, and there is a column association "In the simple and simple writing, the work is sincere and peaceful" and "the sincerity is the tao, and the benevolence is the virtue", respectively, the words of Wang Mi are collected. Come to Gongwang Mountain Residence, a look is The title of Yang Xiaojun, simple and thick, Yang Jun is a full-time calligrapher of the Fuyang Literary Association, that is, he was rated as the annual figure of the book world by "Calligraphy" magazine, the left corner is Zhu Guantian's inscription "Sanwei Farm" carved stone, on the right side of the boulder is Gu Mu's May 1987 inscription "Farm Tourists Are Also Happy", the right door hangs the signboard of "Gongwang Fuchun Taiwan Compatriots Reception Center", here is also the "Fine Arts Newspaper" Chinese calligraphy and painting sketching base, into the courtyard, such as the garden, quiet and quiet, observe the "Sanwei Hotel" is also Yang Jun's handwriting , out of a temperament type woman to inquire, then talked about the inscription of the person Yang Xiaojun, she replied that Yang Xiaojun and the boss are very familiar, can leave a number friendship. Came to the "Happy Forest", signed by bai mo real name Li Shusen when the age of 89 inscription, and one of the personnel to inquire about the author, the original may not be the local hermit, it seems that after the implementation of the policy in the mining company, a good hand is very old, not far from the site "People's Paradise" is also written by him, Wei Monument. Temple Hill Station is the entrance to the official scenic spot, the door is pasted with the red book Spring League", "Nanzong Zhengmai to Fuchun Mountain Residence, painting before the sage worship Gong Wangzijiu", here seems to be more appropriate to change the upper and lower links.

The White Crane Pond is as deep as the emerald green of the eye, and most of the tourists gather here to take photos and broadcast vibrato, and a group of centaurs and children playing salon parties on the lawn. Legend has it that the immortal Akamatsuko once drove a crane through this place, the crane sounded and the immortal qi lingered, thus leaving behind many relics such as the White Crane Bridge, the White Crane Pier, the White Crane River, the White Crane Pond, etc. This pool is also known as the White Crane Pond, the pool water is a natural mountain stream water convergence, clear to the bottom, swimming fish fine stones, intuitive and unimpeded. In front of the pond is the Huang Gongwang Memorial Hall of the Zaozong Yi Office of xuantang, and the shape pattern has the charm of the Song Dynasty, such as the situation of the Korean and Japanese monasteries today. There are relevant poems embedded in the walls of the memorial hall, and each exhibition hall is related to the interpretation of huang Gongwang's life art and his "Fuchun Mountain Residence Map", as well as a series of promotions by celebrities in the field of calligraphy and painting at the same time. On the boulder at the back of the museum is engraved the handwriting of the poet Love, "Nirvana of Mt. Fuchun Jutu" - the mountain, which has been crouching in the raging fire of history in a daze / Watching the years become increasingly desolate / And the water, has long gone away from us / Looking for its hometown / The hometown is the cloud, is the moon / Sometimes it is also a tear / The sail on the river clings to the wind / Holds the sound of the waves, towards / The earth engraved with our name / Suddenly, the mountain wakes up from ancient times / The four seasons are dressed in new clothes / Different laughter / Just once in autumn / All the trees are stripped of their clothes / There is a pile of dead leaves left to meditate in the fire / Burn the bald mountain and burn out the water / But I can't burn the scary legend / Full of bitter affection, and the scenery that never turns to ashes in our hearts... On the other side is Huang Gongwang's inscription "Qiu Shan Tu": How to come to the white crane to pass the snow cocoon, but it is Awung Matsushita sent.

The film "Tianji Fuchun Mountain Jutu", starring Andy Lau, Lin Chiling and Zhang Jingchu, tells the story of the famous painting Fuchun Mountain Jutu of the Yuan Dynasty, the international black market is opening a sky-high price, and the Japanese gangsters and British thieves are moving. Xiao Jinhan, a secret agent of the Hong Kong Anti-Smuggling Bureau, secretly carried out the "Tianji No. 1" plan, but he was deeply involved in injustice, and only tried his best to protect his family and country; Lin Yuyan, a Chinese protection executive who was in danger, protected the treasure in waves and twists and turns, trapped in the whirlpool of many forces; the mysterious girl Lisa was charming and charming, but lost her sincerity; behind the scenes, the cold-blooded black hand Koyamamoto, who was as bloody as his fate, eventually fell into defeat. In order to capture the painting of heaven and earth, can Xiao Jinhan overcome the enemy and regain the style of the former secret agent? Lin Yuyan is playing on the shore of Xizi Lake, can she and Xiao Jinhan return to the old good? Lisa almost died in Dubai, can she get rid of the clutches of the devil and usher in nirvana? This life-and-death duel, this period of enmity and hatred, all returned to China with the safe return of Fuchun Mountain Jutu and ushered in the fateful end.

The Millennium Poetry Society is located in the inscription of some famous artists, and there are eight mountain people's "pure clouds four or three miles, autumn high for Senyi." Compared with Huang Yifeng, the family lives in Fuyang. "Wuhu Fan Seal Book" "Mountains and Rivers Thick Grass and Trees Huazi"; Zhang Daqian's "Fuchun": "The clouds rise and collect hundreds of Chen, and the mountains are sparkling from themselves." In his lifetime, he bowed his head to Huang Gongwang, and the house should be lived in Fuchun. Next is the "painting pond drunken moon" scenery, the Yuan Dynasty here is still a dock, Huang Gongwang to find the ghost to explore the victory is from this beginning, the water level of the Fuchun River in the Yuan Dynasty is much higher than now, the white crane pier is all water, it is said that now the Guanyin statue here can also find the wooden stakes and stone caves of the year. The JingyinYuan Song Yuan, formerly known as Yunfeng Temple, was very famous, and Su Shi, Yang Weizhen and other celebrities came here to leave poems. Walk through the Junzi Forest, the ancient port of Miaoshan, and the ancient monuments, stop at the Guanyin Statue to wash your mind, pick up the compassionate and free face of the Tuas under the reflection of the sunset from different perspectives, and perceive the boundless love of the South China Sea. Along the lush stream path, the stone archway inscribed by Huang Miaozi "Yuan Gaoshi Huang Gongwang Junction" suddenly appeared in sight, the handwriting was similar to Rao Zongyi's fun, the golden stone taste was enough, and on both sides was Zhu Guantian's Shuyu Lian: Hun Hou Hua Zi Tu Grew Up for Thousands of Years, and the Strict Yi Mai Theory determined that there were ten thousand crowns and four families. On the other side of the archway are the four characters of "Fuchun Jiaxuan" in the seal Dan banner of Liu Jiang, executive director of the Xiling Printing Society, who forgot the year, and on both sides are Bao Xianlun, chairman of the Zhejiang Book Association, who once gave me lian ink, Han Li Rong Jian Lian mo - more planting and repairing bamboo sponge remnants, and looking at the long map to connect with the remaining mountains. Walking past the Hundred Bamboo Mountain Villa, Science Popularization Center, Miaoshan Bamboo Path, Luting Tea Station and Huang Gongwang Statue, the mountain spring that crosses the stone steps has "Zi ji pavilion", the book plaque "Fuchun Path" is written by Zhao Yanjun, the director of the West Lake Museum, the inscription inside the pavilion is written by Zhang Hai in Xin Jiannian, and on the outer pillar of the pavilion is Chen Zhenlian's iconic codex wind and ink: when the white crane comes, the bamboo wind is light at the spring. The column in the pavilion was written by Yang Xiaojun: Follow the creek and faintly penetrate the thin road, and the broken shore is thin and thin with green smoke.

Huang Gongwang wandered all over the world, loved the Fuchun landscape in his later years, and spent the most glorious period of his life in the temple mountain dock on the north bank of the Fuchun River in his 70s, and once wrote the inscription of "Qiushan Zhaoyin Map": "This other path of Fuchun Mountain is also given to Xiang Zhao in the middle of it, and whenever it is spring and autumn, it burns incense to cook tea, and swims to breathe." When the morning lan sunset, the moon household rain window, or climbing the overlook, or relying on the column, do not know the life in the dust, the forehead is known as the 'small cave day' picture to repay Comrade Pu Fu Yinjun, a peak of the old man Huang Gongwang painting and inscription." This is a clear proof of Huang Gongwang's return to Fuchun Mountain, which not only records Huang Gongwang's residence in Fuchun Mountain, but also shows the state of Huang Gongwang's life and creation, and also points out where he lives in Fuchun Mountain. "Little Cave Heaven" back to the master peak, west of Ruyi Peak, east of the Honey Bee Mountain, the spatial layout to the natural landform ecology as the basis, here is Huang Gongwang living place, of which the 'South Building' from the forgotten Wang Bomin ancestors handwriting, this is the studio study is also Huang Gong created the "Fuchun Mountain Jutu" place, the doorpost is Wang Dongling embedded green grass joint ink - ten thousand axis book full of stone map, thousand chapters of fir cypress cypress thatched eaves", the back door embedded green joint ink from Li Gangtian seal book - do not quit writing to pay jiahui, but also to xishan to write a winning map. "Little Cave Heaven" Rongye Xingkai is signed by Huang Miaozi, the indoor middle hall is Xu Junzao's Huang Gongwang accompanied by cranes, and the Chinese Academy of Fine Arts Professor Kong Zhongqi's book line and book joint ink - the big idiot chest is more hilly, and the giant Ying is known to the world. The architectural style draws on the famous paintings of the Song and Yuan Dynasties and the poetry of Huang Gongwang himself, the house at the junction is exquisite and simple and elegant, and the daily living necessities of the owner are placed on both sides of the room, and from the furnishings, we can roughly appreciate Huang Gongwang's simple and natural hermit life, and realize the true feelings of being a painter and a Taoist.

Huang Gongwang was one of the four famous painters of the Yuan Dynasty, and when he was young, he was influenced by Confucian culture and had ambitions for his career, but in the context of the national discrimination of the Yuan Dynasty, he could only be a small official. In middle age, he was unexpectedly implicated by his superiors and imprisoned, and after his release from prison, he gave up his career and embraced Taoism under the persuasion of his friend Zhang Yu, became a Taoist priest of the Quanzhen Sect, and traveled to the land of Sanwu and Zhejiang. In the literature, he went to Changshu, Suzhou, Hangzhou, Fuyang, Yixing, Songjiang and other places, and returned to Fuchun Mountain in his later years. Xia Wenyan of the Yuan Dynasty", "Treasure Book of Pictures": "Gongwang jufuchun, appreciate the overview of the fishing beach in the rivers and mountains". Ming Zhengde's "Gu Su Zhi": "The late love of Hangzhou's Keiji Spring, the end of the temple, will be the end of the old plan, has returned to Fuchun, the year of eighty-six and the end." Qing Yu Wing "Haiyu Painting Garden": "Late into Fuchun Mountain, the year of eighty-six and the end". Expert Xu Bangda also said: "In his later years, he returned to Zhejiang, and Fuchun Mountain was the place where he lived for a long time", etc., which can prove that Huang Gongwang returned to Fuchun Mountain in his later years. Another precious source is Huang Gongwang's inscription on the "Useless Master's Scroll": "To the seventh year of zheng, the servant returned to the Fuchun Mountain Residence". In the seventh year of Zhengzheng (1347), Huang Gongwang was 79 years old, indicating that he had lived in Fuchun Mountain for at least 7 years, which was completely consistent with the record of Huang Gongwang's return to Fuchun Mountain in his later years. Looking back at the history of Chinese art, landscape painters since the Tang and Song dynasties do have the origin of returning to the hidden mountains and forests, they have lived in the retreat and used the real-time environment as the material, creating many masterpieces with unique caves, such as the five generations of Jing Hao returning to the Hidden Taihang Mountain, the Song Dynasty Fan Kuan returning to the Hidden South Mountain, Li Cheng returning to the Hidden Camp Hill Mountain, etc.; Ni Yunlin, who was a contemporary of Huang Gongwang, returned to Taihu Lake, and Wang Meng returned to the Yellow Crane Mountain in Hangzhou and called himself "Yellow Crane Mountain Tree". Although Huang Gongwang was a Taoist monk of the Quanzhen Sect, in his later years, Guiyin created many landscape paintings with the theme of Fuchun Mountain, such as: "Fuchun Mountain Map", "Fuchun Daling Map", "Qiushan Zhaoyin Map", "Xishan Rain Intention" and so on.

"Fuchun Mountain Map" (useless master volume) is Huang Gongwang's classic representative work with Fuchun Mountain as the theme, the title of this picture should be "Fuchun Mountain Map", not "Fuchun Mountain Residence Map", how did the title evolve? The "Fuchun Mountain Residence Map" now passed down in the collection of the National Palace Museum in Taipei has two volumes, one is the huang gongwang authentic manuscript (useless master volume) and the other is a fake (Ziming scroll). Why is it that (the Ziming scroll) is a forgery rather than a facsimile, because this volume was originally a Ming Dynasty facsimile, but it was transformed by the calligraphy and painting merchants, cutting off the original inscription of the facsimile, and adding huang Gongwang's fake money and Dong Qichang and Zou Zilin's pseudo-bao also took an inscription that had nothing to do with the picture, "Mountain Residence Map", and it is undoubtedly a fake to do Huang Gongwang's fake painting. Huang Gongwang's (useless master scroll) was renamed "Fuchun Mountain Map" from "Fuchun Mountain Map" because of the appearance of counterfeits (Ziming scrolls). The original collection of the Ziming Scroll, which was held by the collector Tang Yuzhao, was called "Mountain Residence Map", and flowed into the Qianlong Inner Province in the tenth year of Qianlong (1745). When it entered the Qianlong Inner Province, it was inscribed "Mountain Residence Map", which Qianlong had a sentence in the inscription of Gu Yu on the (Ziming Scroll) (1746): "The golden inscription jade marks the mountain residence, but it is suspected that it is Fuchun No" Can confirm that the title of the (Ziming Scroll) is "Mountain Residence Map". After entering the Inner Palace, he was loved by Qianlong, and bing Yinnian alone reached six inscriptions on the painting. And from the eleventh year of Qianlong Bingyin (1746) to the sixty years of Qianlong (1795) fifty years of the CCP inscriptions fifty-five places, it can be seen that Qianlong's love for (Ziming scroll) is deep. In the winter of the following year, the great collector An Qiyin fell into the "Fuchun Mountain Map" (useless master volume) and some other works into the Qianlong Inner Province, and when they flowed into the Qianlong Inner House, they were titled "Fuchun Mountain Map". Qianlong made a difficulty in the face of qianlong's ten-year entry into the Inner Mansion and Qianlong's eleventh-year entry into the Inner Mansion (useless master's scroll), and after a round of examination, Qianlong made a big mistake, classifying the forgery (Ziming scroll) as the true handwriting, while the Huang Gongwang authentic manuscript (useless master scroll) was instead set as "false and unquestionable" on the grounds of "weak pen strength", which was not completely reversed, and Qianlong also made a big mistake, Qianlong believed that the (Ziming scroll) titled "The old Tibet is the true relic of Fuchun Mountain Residence, and its inscription hides the word Fuchun." (See Useless Master Scroll Qianlong Imperial Knowledge). And in the inscription on the (Ziming Scroll) that Bing Yin grew to the day after, it was written: Xiang Zhi titled the word Fuchun of the Mountain Dweller... The old picture of the book, and its name is known as Fuchun Mountain Juyun". Thus (Ziming Scroll) entered Qianlong's collection "Shiqu Baodi" under the title of "Fuchun Mountain Jutu". And (useless master rolls) disappeared for a long time, or can be called "breaking into the cold palace". It was not until forty years later, in the fifty-first year of Qianlong (1786), after Huang Gongwang's authentic "Fuchun Mountain Map" (useless master volume), liu yong, Cao Wenzhi and other ministers Gong Bao "This stone canal Baoji and other Huang Gongwang Fuchun Mountain Jutu is an old object of Anqi ... With the old Treasure of Fuchun Mountain in the school stone canal, I know that the public hope is the true relic of Jiudeng Secret, and it is the best of the special imitation book." It can be seen that at this time, the true works of Huang Gongwang (useless master scrolls) have been designated as "second-class" and "the best of imitation", and have been renamed "second-class Huang Gongwang Fuchun Mountain Residence Map". The proper name of the (Ziming scroll) "Fuchun Mountain Jutu" is Qianlong's imperial determination, even Liu Yong did not dare to say a word, in the Qing Dynasty for more than two hundred years, no one dared not call "Fuchun Mountain Jutu". If you carefully read the Qianlong inscriptions and imperial knowledge on the (useless master scrolls) and (Ziming scrolls), you can clearly see the process of (Ziming scrolls) being renamed "Fuchun Mountain Jutu" by the "Occasional Fuchun Two Characters" of the "Mountain Jutu", and the helplessness of the "Fuchun Mountain Jutu" being renamed from the "Fuchun Mountain Map" to the "Secondary Fuchun Mountain Jutu" (the useless division volume) is the time to clear the source. For more than three hundred and eighty years (useless master volumes) from the completion of his creation in the tenth year of Zhizheng (1350) to the eleventh year of Qianlong (1746) before Bing Yin (1746) entered the Qing Palace Inner Palace (useless master volume), he always used the "Fuchun Mountain Map "Volume" as the title. We can confirm this in more than twenty historical documents, such as Ming Dong Qichang's "Essay on Painting the Zen Room", Ming Wang Yuke's "Coral Net", And Qing Anqi's "Ink Edge Huiguan", especially Ming Zou Zhilin's explicit inscription "Fuchun Mountain Map" at the invitation of his collector Wu Wenqing on the (useless master volume), which can be explained by one, two or three. Huang Gongwang wrote in his painting theory work "Tips for Writing Landscapes": "Or paint a landscape, first set up a title, and then write, if there is no title, it will not be a painting." It can be seen that Huang Gongwang attaches great importance to the title of landscape painting works, and if even the title is not correct, what else can be discussed and studied.

Although the difference between "Fuchun Mountain Map" and "Fuchun Mountain Jutu" is only one word, it is a completely different concept from the perspective of painting creation and independent works. The "Fuchun Mountain Residence Map" should be a work depicting the theme of the literati's mountain residence, while Huang Gongwang's "Fuchun Mountain Map" is completely based on the Fuchun Mountain in Tonglu as the theme of the work, and there is an account of Fuchun Mountain in the Book of later Han. The Yimin Liechuan Yan Guang Biography (燕光傳) "Except for being a counselor, he was unyielding, but cultivated in Fuchun Mountain, and his descendants named its fishing place Yan Lingse". Ming Jiajing (1522-1566) "Tonglu County Chronicle" Fuchun Mountain entry: "Fuchun Mountain is forty miles west of the county, in front of the River, there are two platforms in the east and west, a Yanling Mountain, Qingli Qi, the number Jinfeng Xiuling, is yanziling hidden fishing place also." "Qing Gu Zuyu (1631-1692) "Minutes of Reading the History of Public Opinion" has a more detailed record of Fuchun Mountain. See also the logo of Fuchun Mountain on the Qing "Great Qing Map", which clearly marks the historical facts. Fuchun Mountain is a regional name, there are mountains of more than 1,000 meters in the Fuchun Mountain domain, there are Fuchun River and diversion with abundant water resources, there is a fishing platform with a wall of thousands of people, there is a "Small Three Gorges" known as The Seven Mile Se, there is a cave known as the Yaolin Wonderland, there is a Longmen Waterfall up to more than 30 meters high, there is the famous Tonglu alluvial fan on the "Shazhu scenery", so the literati of the past have praised Fuchun Mountain endlessly. Su Dongpo "Three Wu lines a thousand mountains and rivers, Judao Tonglu is more beautiful", Lu You "Tonglu is full of new poetry, Yupu Jiangshan is rare in the world". In such a superior environment as Fuchun Mountain, it is logical for Huang Gongwang to collect materials through sketching and modeling to create Fuchun Mountain, and Huang Gongwang's retreat to Fuchun Mountain is the place where he draws artistic nutrition and creates a unique artistic style. "Fuchun Mountain Map" to skillfully reflect the Tonglu Tongjun Mountain, Fangmazhou, Diaoyutai, Luci Baiyun Village and other scenery, especially in the left end of the picture depicted sandbar scenery, which is a unique geographical phenomenon on the "Tonglu alluvial fan", it can be seen that Huang Gongwang is based on the topography of Fuchun Mountain, artistic creation achievements, showing the unique charm and connotation of Fuchun Mountain. According to the Huang Gongwang inscription on the (Useless Master Scroll), we can know that he had two residences in his later years, one in Songjiang and one in Fuchun Mountain, so where was his residence in Fuchun Mountain in Tonglu? In Zhang Yu's "Collected Poems of Mr. Shi Zhenju outside the Sentence Qu", "Huang Zijiu Painting" can be seen:

Zhongfeng large surface cutting iron such as, rock Xiuqi is not a way;

On the side of the Pavilion Road, looking for several households with a few worries;

The three-foot diagram made by Mi Qian, the pen force regards this as slightly sparse;

Langyuan Nodai was chi-chi for a long time, and did not return to Matsue perch.

This is Zhang Yu thinking about the paintings given to him by Huang Gongwang, who felt that Huang Gongwang could not meet him in Hangzhou because of the "Langyuan Platform" and "Songjiang Perch". "Songjiang perch" should be an allusion to Jin Zhanghan's "perch stew", and the delicacy of the perch retains Huang Gongwang in Songjiang. Another place to keep Huang Gongwang should be the "Langyuan Platform" of Fuchun Mountain, and the Tonglu County Chronicle records that Tonglu has a "Langyuan" and is a historical and cultural attraction for more than a thousand years, and the place name has been used to this day. "Langyuan" is five kilometers south of the county seat, and there are famous places such as Langyuan Mountain, Langxian Cave, Ziyuan'an, Langyuan Shihai, etc. The environment of Langyuan is very close to the environment described in Huang Gongwang's "Hidden Map of Qiushan". There is a Ziyuan Nunnery that was built in the Song Dynasty, which is convenient for him to throw in the nunnery and live in the nunnery. Langxian Cave, known as the "Thirty-Seven Cave Heavens", is also commensurate with his residence, "Little Cave Heaven". Langyuan was also on the ancient road from Hangzhou to Yanzhou, which was convenient for him to go out and travel. Langyuan mountains, ancient vines and famous trees are staggered between the mountains and forests, beautiful scenery, beautiful environment, is very suitable for retreating to the secluded place. In summary, it can be seen that Huang Gongwang had two residences around the seventh year of Zhengzheng, one was the Songjiang Xia Clan Zhizhi Hall, and the other was in the Tonglu Langyuan "Xiaodongtian", which is his "Fuchun Mountain Residence". During the Ming Dynasty, the "Fuchun Mountain Jutu" reached the hands of Shen Zhou, who regarded it as a treasure but disappeared, and suddenly appeared in the hands of Wu Hongyu one hundred and fifty years later, and Wu's only last words before his death were: burn this painting to accompany the funeral. He was later rescued from the fire by his nephew Wu Jing'an, and the painting has since been divided into two: "Leftover Mountain Map" and "Useless Master Scroll". In 1938, "Leftover Mountain Map" entered the Zhejiang Museum, and in 1948, "Useless Division Volume" arrived in Taiwan. Today, more than 600 years later, cultural exchange activities on these two maps are frequently held.

In October 2017, the "Ten Points of Reading" public account pushed "if life feels inaction, may the king read Huang Gongwang" article, the article is like a clear stream of warmth to inspire every hearted reader audience, seemingly bleak and unproductive life life, in fact, can be so rich and fulfilling, when a person once crosses the mountain and river, every step under the feet, is wonderful, everyone will experience their own different periods of wind and rain steps, and also have their own invisible wings, just like the lyrics of the song sing, The sun is always shining after the storm... Huang Gongwang said that it was a small cave, but in fact there was no cave, but three bungalows, a living quarters, a reception house, and a studio were built in this slightly flat place at this mountain pass. The three bungalows are not far from each other, about twenty meters each, the living room is connected with the living room and a long corridor, there is a pavilion on the left side of the living room, there are wind chimes swaying crisply with the wind, there are also many tourists who sign handwritten prayers to express their wishes, there is a mountain spring stream next to the pavilion, the stream flows through the study, poetically flowing to the distant present and future... More than 600 years ago, when 80-year-old Huang Gongwang sat in front of the book to write freehand ink, he listened to the birds singing in the stream, and felt the four seasons of the trees in front of the window. Brush stroke by stroke and leaf are the mountains he has climbed, the rivers he has waded through, the scenery he has passed and the painstaking efforts of infiltration, the green lantern is accompanied by a silent night, he placed his soul in the vast mountains and rivers, placed in the "Fuchun Mountain Jutu" that posterity is obsessed with, looking back at Huang Gongwang more than 600 years ago, that kind of lonely soul time and space and the calm pen and ink creation left to future generations can not reach.

The sunset of Fuyang is yiyi, Huang Gongwang hiding in such a deep place really makes me easy to find, the Taoist no self is indeed infinite, I think he is really hidden, let me walk in are lazy and powerless to come out, a lifetime of useless leftover mountains can not be a peaceful life without wearing a mask? Met the local forest farm handsome man, asked about the fuchun mountain map freehand specific location, he said that here is the fuchun tributary, all the way to tonglu is the fuchun river is also the mountain map, but the real scene needs the mountain peak or aerial photography to be visible description, mentioning that the hermitage is not the current location, saying that there is how much true land there is in the scenic spot now, pointing to the top of the mountain in front of him, saying that this is the local true legend Huang Gongwang station, saying that it can also be on but there is no trace... So a hidden life and a picture, let our descendants find good suffering, but also for the two sides of the strait are looking forward to the days when the mountains and the moon are combined... Coming and going in a hurry, witnessing the thousands of imaginary thoughts of disappointment and hope in the withering of all kinds of businesses on the way, several sunsets, I don't know if the mind of public hope can still be ecstatic?

Yes, when I came to see Huang Gongwang's hermitage, I felt as if I was not coming to see those simple and dilapidated houses, but to visit Huang Gongwang and the spirit of ink and life he left to the world, and to see the wisdom and belief of a sage and the philosophy of life of history and culture. There are many roads in life, and the destination of each one is to the end, and choosing different roads is equivalent to choosing different lives and landscapes. Huang Gongwang maintained a heart of practicing insight and contemplation in the floating process of the rolling waters of the Yangtze River, tenaciously endowed himself with this beautiful land, and achieved a life story and human legend that has been passed down through the ages...

The riverfront is located in Xin'an Art Boat, Huizhou

2020、5、9