Wong Kar-wai is imitating Wong Kar-wai again, and many of the pictures in "Flowers" are typical Wong Kar-wai style at first glance. For example, in this group portrait of Tokyo at night, the overall atmosphere and the standing positions of the characters are very good

Wong Kar-wai is imitating Wong Kar-wai again, and many of the pictures in "Flowers" are typical Wong Kar-wai style at first glance. For example, in this group portrait of Tokyo at night, the overall atmosphere and the standing of the characters are very similar to "East Evil and West Poison".

It is true that a group of people in "Flowers" did have dinner in Tokyo at night, but Li Li did not come in, she knew that she was not welcome. And the relationship between these people in "East Evil and West Poison" is complicated, and it is impossible to stay in the same room well, not to mention that Wang Zuxian's scenes have been cut out and do not appear in the movie at all.

The scene where Hu Ge combs his hair in the room in "Flowers" is also very similar to Tony Leung in "The True Story of A Fei". In "The True Story of A Fei", Tony Leung combed his hair, danced, hummed songs, and smoked in the room alone, as if preparing for a date, like waiting for another person, like happy and like pretending to be relaxed, in fact, Tony Leung didn't have a script at all, but he just played it on the spot and played a classic scene.

Hu Ge also has a scene of 'dressing up' in "Flowers", taking off his identity as a boy and becoming a man, from A Bao to Mr. Bao, at this time it is a man's solitude, which is the highest pause.

Xin Zhilei, who was the most photographed, can also see Maggie Cheung's shadow on her body, Maggie Cheung wearing a high-necked cheongsam in "In the Mood for Love". The stills of the two have the same sense of atmosphere, the mysterious and thoughtful woman, leaning against the window and looking into the distance. Xin Zhilei's clothing shows the high-end luxury of the 90s, and Maggie Cheung's cheongsam also interprets oriental beauty.

Sure enough, people's aesthetics will not change, Wong Kar-wai has always been Wong Kar-wai, his lens, his picture is full of comfort, worthy of a masterpiece. What other shadows of Wong Kar-wai do you see in "Flowers"?#Flowers##Wong Kar-wai##Hu Ge, Tony Leung##繁花阿飞正传#