In the world of Peking Opera, each character carries the weight of history and the exquisiteness of art. Mei Lanfang, this name is like a living history of Peking Opera, and his son Mei Baojiu is also the inheritor of this history. However, in the collision of tradition and modernity, the story between Mei Baojiu and the new artist Li Yugang seems to have become a realistic version of "Taoyuan Knot" in the Peking Opera industry.
Mei Baojiu, the veteran artist who has guarded the flame of Peking Opera all her life, can't stand the remarks that compare Li Yugang to her father, Mei Lanfang. Such a comparison, in Mei Baojiu's view, is undoubtedly a blasphemy against the art of Peking Opera and her family's honor. Mei Baojiu's dissatisfaction is like a cold wind in winter, cold and direct.
Li Yugang's response was full of confidence, and he used his own artistic practice to exacerbate the conflict with Mei Baojiu. As a halfway monk Peking Opera performer, his self-confidence stems from his awe for art and his love for traditional culture.
Through the joint performance, Li Yugang showed the world his respect for traditional arts. At the same time, he did not forget to carry out innovative explorations, trying to push Peking Opera to a broader stage. It was a bold attempt at art.
When Li Yugang tried to reconcile with Mei Baojiu, he found that the initial efforts did not yield the desired results. The road to reconciliation seems to be far away, like an old script that has been opened, and the ending is unpredictable.
The TV talent show once made Li Yugang popular overnight, but this way of becoming famous has caused a lot of waves in the Peking Opera industry. Some voices began to question his artistic roots and development prospects.
At an artists' gathering, Mei expressed frustration with Mr. Li's conceited attitude. In his eyes, Li Yugang lacks the humility and awe that a Peking Opera actor should have.
Faced with such a situation, Li Yugang did not give up and decided to try to communicate with Mei Baojiu again. Every dialogue is a sign of his respect for the inheritance of Peking Opera art.
Mei Baojiu has always adhered to the essence of traditional Peking Opera, and he has made sharp criticisms of the blind pursuit of modern pop culture and the phenomenon of Peking Opera.
The face-to-face communication allowed Mei Baojiu and Li Yugang to have more understanding and discussion. The two shared a common concern with the inheritance and innovation of Peking Opera, and in this regard, they found a common language.
Li Yugang realized that he needed to Xi study Peking Opera more deeply. Over time, his efforts gradually gained more recognition.
Mr. Wang Kun, a veteran Peking Opera artist, also tried to intervene in this conflict, hoping to mediate the conflict between the two artists.
At a symposium in the Peking Opera industry, Li Yugang showed a humble attitude, and he sincerely sought the understanding and support of his predecessors and peers in the Peking Opera industry. His change seems to herald the easing of the conflict.
In this way, the generation gap and conflict between Li Yugang and Mei Baojiu were slowly resolved under the sky of art. Their story has become an unforgettable experience in the Peking Opera industry. On the stage, joys and sorrows continue to be staged, but in reality, the understanding and tolerance of the two generations have woven a more colorful picture of the world of Peking Opera.