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Text | Some old atlases
Edit | Some old atlases
Li Yugang, a person from a poor background, has become a dazzling star on the stage with his dedication to art and fighting spirit.
His artistic career was full of ups and downs and struggles, and step by step, he conquered the audience with his efforts and talents.
Li Yugang was born in an extremely ordinary small mountain village in Gongzhuling City, Jilin Province, and his family conditions were not well-off.
After graduating from high school, due to his family's financial difficulties, he had no choice but to give up the precious opportunity to go to university and began to work outside the home to earn a living.
At the age of 19, Li Yugang came to a foreign land.
He has worked as a waiter in a restaurant, a bar handyman and many other jobs, but his pursuit of music has never been erased.
Sometimes, he will continue to chase his musical dreams by singing on the roadside.
In 2006, Li Yugang participated in the talent show "Avenue of Stars".
On this stage, his unique performance style, which skillfully combines opera and pop music, made him instantly famous, and he successfully won the third place that year.
After that, he officially entered the entertainment industry and began to gradually emerge in the field of music.
In 2009, Li Yugang was selected for the China Opera and Dance Theater and became a national-level actor.
His performance style, which integrates opera and pop music, has been well recognized and welcomed by the industry and the audience, injecting new vitality into traditional Chinese opera culture.
In the same year, Li Yugang released his solo single "New Concubine Drunk", which perfectly combines traditional ethnic elements with pop music, and quickly became popular on the Internet as soon as it was released, and countless music lovers sang it one after another.
Even, among the people, there is still a reputation of "Mei Lanfang in the front, and Li Yugang in the back".
Li Yugang's road to fame is actually not a smooth road.
He once angered Mei Baojiu, the son of Mei Lanfang, because of his frequent singing of his masterpiece "The New Concubine Drunk" on stage, and claiming to represent the "Mei School Art".
Mei Baojiu, as the successor of the Mei School, shoulders the heavy pressure and great responsibility of family art.
On the road to inheritance, he faced many difficult challenges.
With his indomitable will, he has consistently adhered to the essence of the art of the Mei School.
There was a conflict between Li Yugang and Mei Baojiu.
This conflict does not stem from personal grievances, but from differences in artistic concepts and the issue of personal identity.
This antagonism between the two sides profoundly reflects the contradictions that exist between tradition and modernity, between the individual and the collective.
The root of the conflict essentially lies in the divergence of artistic identity.
Li Yugang's artistic style skillfully integrates modern elements, and makes bold innovations and adaptations of traditional opera.
His unique approach to performance has attracted a large audience, but this innovation has raised questions from traditional artists such as Mei Baojiu.
As a representative of the family tradition, Mei Baojiu emphasizes the pure inheritance of the Mei School of art, and may have certain reservations about Li Yugang's innovative approach.
In this process, we can see that the collision between tradition and modernity is not a simple opposition.
Traditional art carries the accumulation of history and the inheritance of culture, while modern innovation injects new vitality and possibilities into art.
This conflict is both a commitment to tradition and the pursuit of innovation.
Mei Baojiu's responsibility is not only to inherit the family art, but also to protect the treasures of traditional culture.
Li Yugang's innovative attempts demonstrate the diversity and transformation of modern art.
The conflict between them prompts us to think about how to find a balance between tradition and modernity, and how to encourage innovation while preserving tradition.
On the other hand, self-proclaimed is also one of the factors that lead to conflict.
In the process of becoming famous, Li Yugang gradually established his own artistic image, and this image may have a certain conflict with the Mei School tradition.
His personal identity collided with that of the Mei faction, further exacerbating the antagonism between the two sides.
This conflict has triggered us to reflect on the character and position of the artist.
Should artists respect tradition while pursuing innovation and personal style, and how can traditional art find space for survival and development in modern society? These questions deserve our in-depth consideration.
As we look to the future, we must strike a balance between tradition and modernity.
Respect for tradition does not mean resting on one's laurels, but rather passing on and carrying forward the essence of it, and the pursuit of innovation should not abandon tradition, but rather build on its foundation to carry out valuable and meaningful exploration.
The future of art and culture requires the synergy of tradition and modernity.
Artists should be open-minded, learn from each other and learn from each other's experiences.
Traditional art can draw creative inspiration from modern art, so as to enrich its own forms of expression, making them more diverse and innovative;
Modern art can also take deep roots in the fertile soil of tradition, absorb deeper cultural heritage, and make its works more connotative and deep.
In this era of rapid change, we must cherish the treasures of traditional culture as the cornerstone of our spirit.
Traditional culture carries the memory of history and the wisdom of the nation, and is an important source of our sense of identity.
By passing on and carrying forward traditions, we can connect with the wisdom of our ancestors and feel the charm of history.
At the same time, we must also be brave in the pursuit of innovation.
Innovation is a key force for social progress, and it can give new vitality and charm to art and culture.
In modern society, artists have a broader creative space and diverse forms of expression.
In doing so, we call for respect for tradition and for individual efforts.
Every artist has his own pursuit and dedication, whether he is the inheritor of the traditional genre or the innovator, he should be respected and understood.
The conflict between Li Yugang and Mei Baojiu allows us to see the diversity and contradictions in the art world.
But it is precisely this kind of collision and exchange that promotes the development and progress of art.
Let us all hope that in the blend of tradition and modernity, art and culture can bloom more brilliantly.
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