Text丨Arapaima
Editor丨Poisonous tongue fish music
Li Yugang, who once caused controversy because of an overconfident remark, compared himself to the Peking Opera Mei School.
However, this move not only drew criticism, but also revealed disrespect for traditional culture. Although Li Yugang's artistic path is bumpy, he seems to lack reverence when confronted with traditional Chinese culture.
"There is Mei Lanfang in the front, and Li Yugang in the back" controversy
In the entertainment world, sometimes a single sentence can cause an uproar and plunge audiences, critics, and artists into heated controversy. This is the story behind an incident that happened in the show that year, a clash between traditional Peking Opera and modern pop music.
The protagonist of this incident is Li Yugang, who caused an uproar in the competition, involving the Peking Opera tradition and the dignity of the Mei School art.
A classic Peking Opera performance and a high-pitched voice are all representatives of traditional Chinese art. And the 2005 show "Super Girl" became a compelling platform for all kinds of musical talent to emerge. It was on this stage that the young Li Yugang walked into the audience's sight. However, it was not his talent that caused controversy, but his words in the game: "There is Mei Lanfang in the front, and Li Yugang in the back." ”
Mei School Peking Opera is an important school in Chinese Peking Opera, represented by Mei Lanfang. Mei Lanfang is known as the king of Peking Opera, and his artistic achievements and influence cannot be ignored.
Therefore, the metaphor of Li Yugang is considered disrespectful and offensive to the traditional Peking Opera and the Mei School arts. The artists of the Mei School expressed great dissatisfaction and anger at this, which they considered to be a desecration of their teacher's culture and an injury to the tradition of Peking Opera.
In the midst of this controversy, Mei Lanfang's great-grandson, Peking Opera performance artist Mei Baojiu, expressed his attitude and evaluation. Mei Baojiu said that Li Yugang's analogy is inappropriate, because Mei Lanfang is a legend of Peking Opera, and his contribution cannot be ignored.
He believes that art should respect tradition and pass it on, rather than be used as a media gimmick. Mei Baojiu expressed strong dissatisfaction with Li Yugang's metaphor and called for respect for the Peking Opera tradition and artists.
After the controversy erupted, Li Yugang tried to defend his statement and explain his original intentions. He said that he had no ill intentions, but just wanted to express his dreams and ambitions in an exaggerated way. He believes that every artist should pursue his or her own goals, but he does not realize that this phrase would cause such a big controversy.
Subsequently, Li Yugang showed some changes in the follow-up show, especially the apology to Mei Baojiu. He dedicated a Peking Opera to Mei Baojiu in a performance to apologize. The move was seen by some viewers as an attempt to repair his image and make up for his mistakes, but others saw it as a sincere apology.
This incident highlights the differences between modern pop music and the traditional Peking Opera Mei School art. Li Yugang represents modern music, focusing on individuality and entertainment, while the Mei School of Peking Opera carries a rich cultural tradition and history. This conflict is not only happening in China, but also around the globe, with contemporary artists trying to find a balance between tradition and modernity.
Mei Lanfang's great-grandson, Mei Baojiu, said that respecting tradition is an important part of preserving cultural heritage. He believes that artists should take responsibility for inheriting and protecting traditional culture, rather than using it as a tool for media hype. Other artists have expressed similar views, arguing that art should strive for a higher realm, rather than simply commercialization.
In short, the controversy between Li Yugang and Mei School art is a collision between tradition and modernity, a conflict between art and culture.
The rise of Li Yugang
Born in a remote mountain village in Gongzhuling City, Jilin Province, Li Yugang had a childhood full of dreams. Since he was a child, he believed that reading could change his fate. However, his family was not wealthy and could not afford the high tuition fees. This family situation made Li Yugang feel extremely heavy, but the desire in his heart was not wiped out.
With a dream, the young Li Yugang decided to leave his hometown and go to the big city to make a living. He came to a bustling city, worked in a cabaret, and saved some meager money. He dreamed of being able to make a living with his talents, so he bravely formed a music group and prepared to break into the entertainment industry.
However, Li Yugang's musical dreams have not been smooth sailing. After one of the performances of the music group, Li Yugang and the group members were waiting to settle the bill, but they were suddenly checked for performance certificates.
They didn't know anything about the badges, so the costumes were confiscated and the performance fees were lost. Years later, Li Yu just understood that this was a trap deliberately set by the boss, and they didn't make a mistake at all. But at that time, he was young and ignorant, so he had to disband the group and reached a low point in his life.
Nineteen-year-old Li Yugang feels hopeless, he once had hope for the future, but now feels hopeless in life. He made the shocking decision to jump off the Liao River in an attempt to end his life. However, fate has an incredible arrangement.
A group of beggars appeared under the bridge in time to save Li Yugang. This moment of redemption became a major turning point in his life. Li Yugang chose to stay in the circle of beggars, and they often went to a place called "Sange Deli" to beg for food. The third brother is a kind boss, not only does not dislike the beggars, but also often chats with them.
In order to thank the third brother for his help, Li Yugang decided to sing in the store. This move changed his fate. The third brother took a fancy to Li Yugang's musical talent and hired him to be the resident singer in the store. Li Yugang bid farewell to the life of a beggar and re-embarked on his own musical path. From then on, no matter what difficulties he encountered, he would never give up easily.
After two years at SanGe Deli, Li Yugang decided to go to Xi'an to seek greater opportunities. However, his performance in the cabaret did not attract much attention, and he realized that he needed to improve his singing skills. But he didn't have the money to go to a professional course, so he found an ingenious solution.
During the day, Li Yugang works in a video store and sings in a dance hall at night. He made the most of his working hours, listened to music for free in the video store, and learned the most trendy singing methods. This perseverance in self-improvement ultimately pays off in the end.
Once, Li Yugang wanted to sing the song "For Whom" with a female singer, but the female singer was unable to attend for some time. Facing the audience, Li Yugang made a surprising decision, he completed the conversion of male and female voices by himself, and won the applause and applause of the audience with his unique performance.
This performance attracted Li Yugang's attention, and the audience came to admire him, but after the novelty gradually faded, he once again faced a cold reception. A friend suggested that he try a reverse performance, wearing a woman's costume and makeup on stage.
Li Yugang accepted this suggestion, focused on learning the persistence and hard work in the entertainment industry, and finally found an opportunity in 2006. Li Yugang participated in the "Avenue of Stars" competition and amazed the audience with the song "Drunken Concubine". His performance in masqueradal costumes not only attracted judges and audiences, but also gained many fans.
Although he finally won the third place, Li Yugang has become an outstanding representative of grassroots stars and has attracted much attention.
However, at this moment, the remark of "Mei Lanfang in front and Li Yugang in the back" has become a shackle that he cannot ignore and will affect his future. This sentence made people question whether Li Yugang should represent the art of the Mei School, which caused dissatisfaction and anger among the artists of the Mei School.
epilogue
There is a clear difference between Li Yugang's music and the art of the Mei School of Peking Opera. Meipai art emphasizes traditional cultural values, performance skills and cultural connotations. However, Lee's music is more modern, incorporating pop elements and fashion styles that appeal to younger audiences.
This conflict affected Li Yugang's career. Although his talent is undeniable, he is labeled as "Mei Lanfang in the front and Li Yugang in the back", which makes him have to shoulder the heavy responsibility of representing traditional art. This expectation and pressure may have placed limits on his creation and development.
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