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Aunt Song: "8 taboos on the mahjong table" The transformation process of mahjong weak hands into masters is stable

author:Hot mom loves to play mahjong

Aunt Song has always been a regular guest at our mahjong table, but she used to be a weak mahjong player. However, after a period of hard work and experience, she successfully transformed into a mahjong master. Along the way, she encountered many challenges and obstacles, but in the end she overcame them and made steady progress. The following are the 8 taboos of Song Damiang's transformation into a mahjong master.

Aunt Song: "8 taboos on the mahjong table" The transformation process of mahjong weak hands into masters is stable

The first taboo is mental instability. In the beginning, Aunt Song was often affected by winning and losing, and her emotions fluctuated. Such a mindset not only affected her judgment, but also cost her the chance to win. As a result, Mrs. Song understood that a stable mindset is a vital part of mahjong games. She has learned to control her emotions, to stay calm when she encounters a good hand, and not to be discouraged when she encounters a bad hand. This stable mindset makes her more relaxed and confident in the game.

The second taboo is the lack of observation. At the beginning, Mrs. Song only focused on her own hand, and ignored the cards of other players and the movements of each family. However, she soon became aware of the problem and began to focus on observation. She learned to carefully observe each player's playing Xi and expression changes to better guess their hands and intentions. This improvement in observation power allows Mrs. Song to better deal with various situations and improve her winning rate.

Aunt Song: "8 taboos on the mahjong table" The transformation process of mahjong weak hands into masters is stable

The third contraindication is not being good at calculation. In the game of mahjong, calculation is a very important skill. In the beginning, Aunt Song often missed some important computer meetings, which led to failure. In order to overcome this problem, Song began to learn Xi addition, subtraction, multiplication and division, and applied these calculations to the game of mahjong. She learned to calculate her own hand and score, as well as those of other players, to make better decisions. This improvement in computing power makes Song Damiang more flexible and accurate in the game.

The fourth taboo is not being good at adjusting strategies. Aunt Song, who often loses money, realizes that her strategy is insufficient. She began to try to change her playing Xi and look for different strategies. She learned to adjust the order and manner of her cards according to her hand and the situation on the field, which led to her winning rate. This flexible strategic adjustment allows Song Damiang to better grasp the initiative in the game and better deal with various crises.

Aunt Song: "8 taboos on the mahjong table" The transformation process of mahjong weak hands into masters is stable

The fifth taboo is to be swayed by luck. In the beginning, Aunt Song often complained about her bad luck and thought that she was always suppressed. However, she soon learns that luck is not the only factor that determines victory or defeat. She gradually freed herself from the shackles of card luck and learned to rely on her own wits and skill to win. This kind of transformation makes Song Damiang more independent and confident in the game.

The sixth taboo is impatience. Mahjong is a game that requires patience and strategic thinking. At first, Mrs. Song was often in a hurry to win and often missed some opportunities. However, she realized that patience and chance are directly proportional. She learned to wait and watch, to wait for the best opportunities to arise, and to seize them. This kind of patient cultivation makes Aunt Song more calm and alert in the game.

The seventh taboo is the lack of communication and Xi. Aunt Song found that her mahjong knowledge and skills were limited, so she took the initiative to ask for help and communication. She joined a mahjong club to mingle and compete with other mahjong masters. Through learning and Xi and communication with them, Mrs. Song has continuously improved her level and increased her knowledge reserves. This attitude of learning Xi has made Mrs. Song a more comprehensive mahjong master.

The last taboo is not paying attention to details. There are many details to pay attention to in mahjong games, but at the beginning, Mrs. Song often overlooked these details. However, she quickly learned that the devil is in the details. She learned to carefully observe the direction of each card and the psychological changes of the discarder, so that she could better predict the next move. This Xi of paying attention to details gives Mrs. Song an advantage in the game.

Among the 8 taboos on the mahjong table, Mrs. Song gradually transformed from a weak mahjong hand to a mahjong master. She stabilized her mentality, improved her observation and calculation skills, adjusted her strategy, got rid of the shackles of card luck, cultivated patience and meticulousness, took the initiative to learn Xi and communicate, and paid attention to details. This series of changes allowed her to move steadily forward in the mahjong game, and continue to win. The transformation process of Song Damiang has brought us many inspirations, and the key to victory on the mahjong table lies in stable mentality, observation and calculation ability, flexible adjustment of strategies, relying on wisdom and skills, patience and so on. I hope we can all learn from Mrs. Song's experience and become better mahjong masters.

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