introduction
Space and time, as fundamental dimensions of human describing and perceiving the world, play an important role in human civilization. Since the 20th century, the social experience of time and space has changed dramatically, and we have begun to re-examine the traditional concept of space. The spatial theories of French philosophers Michel Foucault and Jean-François Sawyer lead us to think deeply about the importance of space and time in contemporary society.
The reproduction of living space
Jia Zhangke and Bong Joon-ho have profoundly influenced the film industry as realistic directors. Through the construction of scene space in the film, they bring the audience into different living spaces. Among them, Hitchcock's influence on them cannot be ignored. Hitchcock created a tense and unsettling atmosphere of space in a unique way, which is carried over in the films of Jia Zhangke and Bong Joon-ho.
Taking Jia Zhangke as an example, the aesthetics of the scene space in "Xiao Wu" are impressive. He vividly contrasts the space of poor rural life with that of the modern city. The audience can feel the huge difference between these two spaces through the film screen, which is not only a representation of social reality, but also a strong impact on the perception of space.
The inheritance of memory space
The films of Jia Zhangke and Bong Joon-ho have a historical-spatial structure, and they retain the memory of the times. Jia Zhangke records the modernization and urbanization of Chinese society through his films. In his work, the viewer can see the transition between the old and the new, as well as the impact of social change.
In "Platform" and "Memories of Murder", the memories of the times are vividly reproduced. The audience is transported into the past and feels the weight and changes of history. This inheritance of historical space allows the audience to better understand the roots and development trajectory of contemporary society.
The interrogation of the spiritual homeland
"Family culture" is the common gene of China and South Korea. Jia Zhangke and Bong Joon-ho's films explore the story that revolves around the family and the relationship between family and social change. In "Mother", Jia Zhangke tells the story of a mother who makes difficult choices for life, for her family, and for her son. The story provokes deep reflections on human nature and ethics.
The family is a micro-society that carries culture, traditions, and emotions. Jia Zhangke and Bong Joon-ho's films explore human relationships, family affection, and love in this micro-society. Through these stories, the audience reflects not only on the importance of family, but also on the complex interaction between family and society.
epilogue
The filmography of Jia Zhangke and Bong Joon-ho is deeply concerned with the issue of modernity. Their works are sharply critical and humanistic, and through the portrayal of space, time and family, they present an experimental answer to the problem of global modernization. The works of these directors inspire audiences to think, leading them into a thought-provoking world of cinema, while also injecting new vitality and depth into contemporary cinema.