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Afterthought
The success of the two films "In the Octagon" and "Disappearing Her" left a deep impression on the audience, but the stories behind them and the road to success are completely different, which has sparked heated discussions.
Chen Sicheng and Wang Baoqiang are high-profile directors in the Chinese film industry today, and their films "Disappearing Her" and "In the Octagon Cage" respectively were box office sales in the summer and became the biggest winners. However, their path to success is very different.
As a director with a big business, Chen Sicheng has accumulated a lot of investment capital with the success of the "Detective Chinatown" series and the "Manslaughter" series. Therefore, when filming "Disappearing Her", there were not too many difficulties. He can rely on investment to ensure the quality of production and publicity of the film. In this case, the success of the film can almost be said to be natural.
On the contrary, Wang Baoqiang is a director who has achieved success entirely by his own efforts and talents. When filming "In the Octagon Cage", he chose to fight back, and did not hesitate to empty his personal wealth, even bank loans and borrow money from friends, to barely complete the film. Despite facing severe financial difficulties, he persevered in filming and eventually achieved great success. The film has already topped 2.1 billion at the box office, while only four companies have invested in the film, three of which belong to Wang Baoqiang himself. This spirit of personal struggle and success story is admirable.
In stark contrast, Wanda Films has encountered an unprecedented crisis. Its net profit in the first half of the year turned out to be less than the box office revenue of a movie, which is shocking. At one time, Wang Jianlin, the founder of Wanda Films, was very optimistic about the development of the Chinese film market, and even expected that the box office of Chinese films would surpass the North American market. However, the reality was very different from his expectations. Four consecutive years of losses have raised questions about the future of Wanda films.
The success of "In the Octagon" made Wang Baoqiang a director with both fame and fortune, and it also sparked a profound discussion about film art and market competition. Some people believe that this is the respect and pursuit of film art, and others believe that this is only the result of market competition and should not be simply explained by "individuals defeating capital".
In any case, the success of Chen Sicheng and Wang Baoqiang proves that their talent and efforts have been recognized by the market. For Wanda Films, they need to reflect on how to remain competitive in the fierce market competition and better meet the needs of audiences in order to regain their strength and get out of the predicament.
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