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Mao Jian|Chen Sicheng, please stop!

author:o Oh oh East

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The most talked-about film recently is "Disappearing Her". Although it is not recommended for everyone to watch, I will dive into it below. The film's title can't help but be reminiscent of David Fincher's Gone Girl, so it's easy for viewers to connect the two.

In the movie, the male protagonist played by Zhu Yilong discovers his wife mysteriously missing during a wedding trip. He looked around, but unexpectedly encountered a strange woman who claimed to be his wife, with an ID card, passport, etc. Even the husband and wife photo in the male protagonist's mobile phone was replaced with a photo of the strange woman. Zhu Yilong was in a hurry and met the heroine played by Ni Ni in a bar, an outstanding local lawyer. However, the truth is that Ni Ni is the best friend of the male protagonist's wife, a theater director. She organized an international professional team to stage an elaborate drama for Zhu Yilong, which finally forced the male protagonist to admit that he was the murderer behind his wife's disappearance.

Mao Jian|Chen Sicheng, please stop!

The marketing cleverness of this film is impressive. Before the release, word of mouth had exploded, making people full of expectations, but after watching it, many viewers left the scene in a bad mood. Chen Sicheng is undoubtedly a marketing expert, and his ability is reminiscent of Hamlet who might have avoided a tragic end if he had been invited to stage "The Mouse" for his uncle.

A young theater director, after learning of his girlfriend's disappearance, quickly organized a professional team to Southeast Asia to investigate. However, the director seems to be too smart, knowing that his girlfriend may be on the beach, but did not call the police for search and rescue, but chose to subdue the male protagonist first, and then hacked his mobile phone to carry out a series of operations, including forging passports, simulating the life of the male protagonist, preparing various equipment, costumes and venues, making false evidence and videos, and bribing everyone who has a relationship with the male protagonist. All this is done in a day, even the national team struggles to do. Ni Ni is so masterful every step of the way, but her girlfriend is the heir to a billionaire, why has their friendship become so strange?

Mao Jian|Chen Sicheng, please stop!

From "Beijing Love Story" to "The Vanished Her," Chen Sicheng seems to express his admiration for the rich and his contempt for the poor. In "Beijing Love Story", Chen Sicheng himself plays the rich, while Zhang Yi plays the poor. Whatever the rich do is right, the poor are always wrong. In the end, the rich Confucianism and cultivation won the beauty, while the poor suffered humiliation along the way. "Gone Her" sends a similar message. The male protagonist Zhu Yilong married the billionaire family and broke the social rules set by Chen Sicheng, so the plot in the film basically revolves around the disappearance of the poor.

Of course, Chen Sicheng knows that he should not give too much publicity to the rich, because that would cause public indignation. Therefore, they choose marketing scumbags because almost everyone has encountered scumbags at one time or another. This also made "Disappearing Her" a high-profile figure before it was released, attracting a large number of feminist advocates who actively denounced scumbags. Chen Sicheng also put on the feminist cloak to add color to his films. If this is the direction of Chinese feminist films and future suspense dramas, I can only stand on the street and hold up a banner calling on Chen Sicheng to stop.

Mao Jian|Chen Sicheng, please stop!

At the end of the movie, Zhu Yilong is sent to prison, Ni Ni asks him if he regrets it, and he replies that he does not regret it, only regrets not killing her. Ni Ni then handed him a photo showing his wife who he killed was pregnant. The male protagonist began to cry in pain, and the movie ended with the cry of the poor desperate.

Was the film sponsored by Planned Parenthood? All the bad scenes are re-presented in gorgeous coats. The most infuriating thing is that Van Gogh's "Starry Sky" has once again become a highlight in bad films. Zhu Yilong's wife, a rich woman with a top education, fell in love because the male protagonist also liked "Starry Sky". Does Chen Sicheng understand the inner world of rich Chinese women? One piece is printed with a picture of "Starry Sky"

Mao Jian|Chen Sicheng, please stop!

Does the fact that the T-shirts of the case conquer billionaires indicate the narrowness of China's rich culture, or is the film's cultural imagination too naïve? I strongly recommend that the rich unite and boycott "Disappearing Her", otherwise the rich Chinese will once again be represented by the characters in the film and thus become the focus of the conversation.

Zhu Yilong and Ni Ni, as brothers and sisters in the Chinese film industry, may be troubled by the recall that they once starred in this movie full of money in the future. The box office of "Disappearing Her" has exceeded three billion, and I am ashamed that I once contributed fifty yuan to this movie.

Finally, I would like to suggest to our film censors that in the era of box office supremacy, we should not only focus on revolutionary themes, but should pay more attention to the quality and theme of Chinese films. Chinese films need to be more culturally diverse and profound, not just pursuing commercial success. After all, the real main theme is not only reflected in the box office, but also in the connotation and ideas of the film.

Mao Jian|Chen Sicheng, please stop!

In short, although "Gone Her" has aroused widespread discussion and heated discussion, it has also triggered many reflections. Beneath the surface, the film explores the relationship between social class, wealth and love, and the influence of culture. It is hoped that Chinese films can make greater progress in the future, creating more in-depth and diverse works, so that audiences can not only get entertainment, but also think and reflect in the process of watching movies.

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