Wei Zhuang once wrote a poem: "Everyone says that Jiangnan is good, tourists only meet Jiangnan old", mentioning Jiangnan, that is, green water reflects the white wall and black tiles, the eaves are connected, the painting beams are connected, as if the painter's brushstrokes flow freely, from a stroke of ink to a piece of artistic conception, people can't help but be fascinated, so that grace and tenderness can accommodate into the city at the same time, only Jiangnan. Today, let us walk into the inheritor and disseminator of Jiangnan culture, the pioneer of the new Jiangnan micro-film and television aesthetics, the famous director Wang Guoping, and look for the poetry of Jiangnan cultural aesthetics under his lens.
Photo: Wang Guoping
The first person in China's micro-film and television, director Wang Guoping, former head of the children's student section of Shanghai Television Station and producer of music programs, was born in the old city of Shanghai, where Jiangnan culture was nurtured, and his father was born in Huzhou, the hometown of fish and rice. Since he was a child, he often listened to lectures and studied in the nearby Temple of Literature, often went to the nearby City God Temple and Yu Garden to play, under the deep influence and infiltration of Jiangnan culture, he had a special love for Jiangnan culture, and had a natural sense of mission and responsibility for excavating Jiangnan culture, publicizing Jiangnan culture, and promoting Jiangnan culture.
In 1985, Wang Guoping's directorial debut was indissoluble with Jiangnan culture, and when he filmed the pioneering work of the Chinese MV "Golden Melody", he focused the lens on the shore of Qingpu Dianshan Lake with strong Jiangnan water town characteristics, and extended the location to Songjiang, the birthplace of Guangfulin culture and known as the "root of Shanghai".
In 1988, Wang Guoping was the first to break through the provincial and municipal barriers in the Yangtze River Delta, planned and held the "Casio Shanghai Good Neighbor City Family Singing Grand Prix", the preliminary round was held simultaneously in Nanjing, Wuxi, Hangzhou, Ningbo and Shanghai five cities, and the final was held in Shanghai, which set off a boom in the Yangtze River Delta national K song, and the ratings of the talent show in the past six months ranked first in various television stations.
It is no exaggeration to say that Wang Guoping was the director with the most Jiangnan feelings in the early days of reform and opening up, and the earliest director with the awareness of the integration of the Yangtze River Delta, he constantly broke the geographical boundaries of the Yangtze River Delta, and has cooperated with Nanjing Television, Wuxi Television, Huzhou Television, Ningbo Television, Shaoxing Television and other brother stations for many times, and launched a number of micro-film and television masterpieces such as MV "Taihu Beauty" that reflects Jiangnan culture.
Many of the micro-film and television works directed by Wang Guoping have a wide influence, and some of them have become the image symbols of Jiangnan culture, or become household names in the country, or are regarded as Guigao by experts, or become the classics and benchmarks of micro-film and television.
For example, Zhou Yanhong's MV "See Jasmine Again", which won the first prize of the Third National Music and Television Competition, is known as "the MV with the most Chinese Jiangnan flavor", which has been broadcast on mainstream television stations in the United States and Europe, and has also been nominated for the American Grammy Award and the Austrian Musicians Big Stage Award.
For example, "Pocket Qiankun" (sung by Jiang Yan), which won the first prize of the "Hundred Awards" of the China Radio and Television Association, is known as "the most magical MV that expresses Jiangnan culture", and the media and experts praise it as a Chinese MV god work!
For example, the theme song MV of the Third National Agricultural Games, "Children of the Earth", was broadcast on all channels of Shanghai Television for one month, and was praised as "the most poetic MV reflecting Jiangnan culture".
For example, "Poetry Rhyme Songjiang", which won the first prize of the "Hundred Awards" of the China Radio and Television Association, is known as "China's first most beautiful and beautiful Jiangnan short video", which is more than ten years before the ancient style short video of Li Ziqi.
For example, the micro-film "Eight Immortals Nantong Root-Seeking" that won the first prize of the Global Tourism Video Competition has been widely broadcast on tv stations in Shanghai, Nanjing, Suzhou, Hangzhou, Ningbo and other cities in the Yangtze River Delta, and is known as "China's first tourism micro-film".
There is also "Sheshan Great Realm, Qinggen Guangfulin", which won the Best Video Award of the Global Tourism Video Competition, which is known as "a Jiangnan image film masterpiece comparable to Hollywood blockbusters".
There are also MVs such as MV "Taihu Beauty", "Wuxi is a Good Place", "Flying True Feelings", "Ode to lake pen", "Taihu Lake State" and so on, which have been broadcast on various channels such as Wuxi TV and Huzhou TV for many years, with great influence.
So far, director Wang Guoping has filmed more than 100 jiangnan cultural micro-film and television works, including 40 MVs, 24 short videos, 10 micro-films, 16 promotional films, 3 image films, 3 scenery films, 10 advertising films, and 1 music film.
Over the past 35 years, Wang Guoping, a local director in Shanghai cultivated by red culture, Shanghai culture and Jiangnan culture, has long been spontaneous and unremitting in excavating the elements of Jiangnan culture, discovering new attractions of Jiangnan culture, shooting a number of beautiful Jiangnan cultural micro-film and television works, and creating a new Jiangnan micro-film and television aesthetic with a distinct personal style, that is,: painting the finishing touch, going to heaven and earth; turning stones into gold and poetic feelings. He has played an active role in promoting and disseminating and carrying forward the Culture of Jiangnan in the whole country and even in the world.
There is no doubt that Wang Guoping is the first person in the country to spontaneously and consciously direct Jiangnan culture micro-film and television, and also the earliest and most popular director to shoot Jiangnan cultural micro-film. Of course, this is also the result of wang's predecessors' learning and tribute, he has repeatedly studied Jiangnan cultural films such as "Stage Sisters" and "A Q Zheng biography", and has asked for advice from xie jin, Cen Fan and other big directors in person.
Wang Guoping's pioneering contribution to the creation of Jiangnan culture micro-film and television and the aesthetics of the first original and original aesthetic and perfect new Jiangnan micro-film and television are mainly reflected in the following four aspects:
Discover the artistic conception of Jiangnan culture with a new perspective
Jiangnan culture is vast and profound, jiangnan land there are many undiscovered and excavated new attractions, especially in the 1980s and 1990s, when the Chinese people's tourism consciousness has not yet awakened and the curtain of tourism development has not yet opened, the first time to discover the beauty of Jiangnan and use television to spread the beauty of Jiangnan, which requires a bold spirit of adventure, just like Xu Xiake bravely broke into the world with his life body 400 years ago.
Wang Guoping, who has admired Xu Xiake since childhood, loves to travel, and is full of infinite curiosity about the beauty of Jiangnan, has taken the lead in focusing the lens on the Landscape of Jiangnan since becoming a television director in 1985, and borrowed the aesthetics of Chinese painting and Tang poetry and Song Ci to show the subtle beauty, hazy beauty, gentle beauty, and spiritual beauty of Jiangnan's artistic conception...
In the 1990s, Wang Guoping led a film crew to many places in Jiangsu and Zhejiang, and immediately found a number of popular tourist attractions that became Internet celebrities, such as the theme song of the Third Agricultural Games "Children of the Earth" and the Xiandu in the MV of Junjun MV "Red Dust Past", the Shanghai boutique commercial building advertising film and Zhou Yanhong's "Dawn Don't Wake Me Up" in Lin'an Qingshan Lake, these successful cases are overlooked.
At the end of the 1990s, in order to declare a world cultural heritage before developing tourism, Anhui Hongcun specially invited Wang Guoping to direct the scenery film "Dreaming of Peach Blossom Origin", and Wang Dao photographed the Huipai architecture and natural landscapes like the countryside in Chinese paintings, which was fascinating.
In 1992, in order to promote World Environment Day, Wang Guoping directed China's first environmental protection music film "Youth Dream Brigade", he designed a group of young people to travel to Jiangsu and Zhejiang by bicycle, thus also showing the natural beauty of Jiangnan landscapes, "Youth Dream Brigade" was broadcast and won the first place in the weekly ratings of Shanghai Television. The original ecological scenery such as Zhouzhuang, Jiulong Mountain, and Tianmu Mountain, which appear in the film, was still in the natural state of undeveloped tourism. If Zhou Zhuang was a hit because of Chen Yifei's oil painting "Double Bridge", then the first tv film to promote it to the world was Wang Guoping, which was brought to the World Environmental Protection Conference held in Rio de Janeiro, Brazil and was well received after being broadcast, and Zhou Zhuang was famous on the international stage.
Many ancient towns in Jiangnan, such as Nanxiang Ancient Town and Zhujiajiao Ancient Town in Shanghai, also invited Wang Dao to shoot scenery films before developing tourism, which triggered a boom in tourism development afterwards.
When Wang Guoping directed the Shanghai New Eight Scenes MV "Love Shanghai", he also filmed Fengjing Ancient Town; when shooting the Pudong image film, he also filmed xinchang Ancient Town; when shooting the Jiading image film, he also filmed the Confucius Temple, Qiuxia Garden, Huilongtan Park, Zhouqiao Old Street and other Cultural Relics in Jiangnan; when directing the Shanghai Tourism Image Film, he paid special attention to the Cultural Relics and Tourist Attractions such as the City God Temple and Yu Garden that can represent jiangnan culture. Wang Guoping has been immersed in the study of Jiangnan culture, excavating Jiangnan culture, and disseminating Jiangnan culture.
Tap the soul of Jiangnan culture with new stories
Jiangnan landscape is spiritual, Jiangnan culture is soul, 400 years ago Xu Xiake is an outstanding representative of Jiangnan culture, today's Wang Guoping is also a director with the soul of Jiangnan culture, he is good at using kit kat confusing stories to explore the soul of Jiangnan culture, to excavate the essence of Jiangnan culture, which makes people resonate with it, and fascinatingly let the audience enter the spiritual world of Jiangnan culture.
In 1994, Zhou Yanhong's MV "See Jasmine Again", directed by him and creative by Xu Xiangdong, can be called a commanding height of the MV of Jiangnan culture, and no one has surpassed it so far. The film cleverly uses the small story of a small pottery artist who secretly envies the girls in the drama class, constructs a broad and profound aesthetic context of Jiangnan culture, the symbols of Jiangnan culture such as stone arch bridge, black canopy boat, social drama stage, purple sand teapot and so on are given a vivid soul, the small bridge flowing water, love and hate intertwining, Yue opera and pot art, complement each other, and the beauty of Jiangnan culture is sprinkled with ink to the fullest. Later, the MV sister story "Spring Warm Blossoms" sung by Zhou Yanhong also has the same magic.
Pictured: See Jasmine Again
Wang Guoping in Fang Qiong's MV "Fulu Human World" original interpretation of the "Qianlong under the Jiangnan" story of the new bridge section, the whole film through Qianlong with the royal jade carving craftsmen to Suzhou Microfu private visit to the West Mountain Taihu Lake, accidentally found an old fisherman has a piece of excellent stone, Qianlong ordered the jade smith to collect the aura of heaven and earth, on the spot to carve the jade seal. Inspired by the improvised dance of the granddaughter of the old fisherman, the jade smith was inspired and carefully crafted. After the Qianlong Emperor returned to the dynasty, whenever he used the jade seal, he saw things and thought about things, as if he had returned to the smoke and rain of Jiangnan, which was full of aura and immortality... The film integrates the scenery of Jiangnan landscape with the craftsmanship of jade carving creation, and shows the ancient and magical beauty of Jiangnan jade culture, and the soul of Jiangnan culture is ready to come out.
The MV of "Zhujiajiao in Jiangnan Ancient Town" directed by Wang Guoping created a unique love story of ancient talents and beauties, and its ancient and modern crossing techniques also prove that Jiangnan culture is in the same vein and has a long history, and the soul of Jiangnan culture is eternal and coexists with heaven and earth.
In addition to creating ancient and modern Jiangnan stories, Wang Guoping can also describe the new stories of contemporary Jiangnan. For example, the MV of "Villagers in the Countryside" sung by Lu Xiumei, directed by him, not only shows the humanistic and historical background of the largest archway group in Anhui, but also shows the fresh nature of the South Anhui Mountains through the true story of the heroine who has become a singer and returns to her hometown to find primary school teachers and several female classmates, thus showing the Jiangnan soul cast by the hometown, teacher-student and classmate feelings vividly and vividly.
The theme song of the Third National Agricultural Games directed by Wang Guoping, "Vegetable Basket Fragrant", through the comedy story of the driver of the Shanghai Vegetable Basket Project Transport Truck and the Zhejiang Mountain Girl from encounter to love and good marriage, the pure love and sincerity of the young people and the spotless beauty of Jiangnan are intertwined and blended, depicting a good and beautiful picture of Jiangnan.
In recent years, Wang Guoping's "Wugufeng Dengsongjiang" micro-film narrates a romantic love story of young people searching for their roots and visiting their ancestors, fully showing the folk customs, folk customs, folk sentiments and intangible heritage inheritance of Jiangnan culture, and the whole film is full of strong Jiangnan local atmosphere.
Use new aesthetics to express the charm of Jiangnan culture
As early as the 1990s, Wang Guoping fantasized about being able to make a fantasy Jiangnan MV blockbuster that went to heaven and earth and turned stones into gold, so Wang Dao tried something in the Junjun MV "Flowers Fall colorful", imagining that a fairy bid farewell to several other fairies who first went down to the mortal world, and then met several other fairies in the human world many times, but these jiangnan little sisters may have drunk Meng Po soup, or she and these little fairies are no longer in the same dimension, so this fairy has never been able to communicate with other fairies in the human world. She was deeply sorry. The story of this MV is whimsical and full of imagination, but due to the constraints and limitations of TV technology and TV stunts at that time, Wang Dao can only shoot all the locations in the early stage, and does not use post-special effects, so the effect presented by the MV is a bit unsatisfactory.
In the twenty-first century, with the impact of digital technology, TV special effects have advanced by leaps and bounds, which has provided technical support for the realization of Wang Guoping's new Jiangnan aesthetic dream, and the era of finishing touches and soaring images has finally arrived.
Kung Fu pays off. In 2002, Wang Guoping's MV "Pocket Qiankun" directed by Wang Guoping with the theme of Jiangnan pot art culture came out, which was praised by experts and the media as "this is the best MTV seen so far, which contains elements of three Hollywood blockbusters", "Just by relying on this pinnacle of work, Wang Guoping can use it as a pillow", "With a small view, showing the profound and profound masterpiece of Chinese culture", "The novelty of the technique and the clever combination of fashion and traditional Chinese cultural symbols, It has pushed China's MTV to a new realm", "MTV can achieve a broad and profound cultural sense, and the whole country is unique."
In the past, film and television works with Jiangnan themes were generally filmed with flat and direct narration and documentary realism, and tried their best to depict the poetic Jiangnan and create a hazy and beautiful artistic conception.
But Wang Guoping opened his mind in the MV "Pocket Qiankun", using new special effects, new technologies to create new images, new visions, people are suddenly enlightened, it shows us a new Jiangnan new world, it creates a new Jiangnan new aesthetics.
Wang Guoping thus took advantage of the victory to pursue, under the guidance of his own original new Jiangnan micro-film and television aesthetics, and successively launched the "stunts plus art" of the new Jiangnan MV "Taihu Beauty", "Flying True Feelings", "Lake Pen Ode", "Taihu Zhou", "Wuxi is a Good Place", "Gao Fei Nanxiang", "Jiangnan Ancient Town Zhujiajiao", etc. Wang Guoping's new Jiangnan MV has conquered countless audiences with its wild creativity, rapidly changing special effects, and magical and wonderful pictures.
For example, the MV "Flying True Feelings" uses the three primary colors of red, green and blue TV to create, through computer stunts, the colors of the three girls wearing red, green and blue long skirts are filtered out, and the background is made of special effects to produce an ink painting effect, thus strengthening the red, green and blue three primary colors, which has a unique charm. In the film, the hero holds a brush, one moment points to the sky, the rainbow is the flying blue sky; the next point to the drawing board, the painting of the person from the quiet change. The clever use of special effects makes the idea more immediate and immediate.
The MV "Ode to the Lake Pen" mobilizes all technical and artistic elements, using blue screen keying and computer synthesis to create a calligraphy world where dragons fly and phoenix dance and the pen is like a god. The dancers throw their sleeves in the ancient paintings, the dancers rotate in the lake pen, and the dancers seem to be the spirits and avatars of the lake pen. The pen walks the dragon and snake, which is the shape of the dancer; the force penetrates the back of the paper, which is the burst of the dancer's strength. The dresses specially designed for dancers full of calligraphy suddenly flutter in front of the cliffs and suddenly stretch in front of the waterfall, metaphorically illustrating the true meaning of calligraphy originating from nature and integrating into the landscape.
When Wang Guoping created the MV of "Taihu Beauty", he ingeniously used the myth and legend of "Nuwa Patching Heaven" to take the lead, the flood world of three-dimensional animation production, the instant resurrection of the human body bronze statue, and the joyful fish jumping in the water... It opened a beautiful and charming ink painting scroll for the audience, and even sang a Wuxi full of spirit, beauty and atmosphere.
In the MV of Huzhou's city song "Taihu Lake State", Wang Guoping creatively quotes the Chinese legend of "Divine Pen Ma Liang", and through computer stunts, Yan Weiwen plays "Ma Liang" and draws a leaf shenzhou with a brush, carrying Yan Weiwen flying over Huzhou. The film is full of interest, but also does not lose the humanistic connotation, is a set of special effects beauty, artistic beauty, humanistic beauty in one of the novel MV.
In the MV of The Wuxi Tourism Song "Wuxi is a Good Place", Wang Guoping, through the dialogue between "You Shengxiake" and female college students through historical time and space, runs the Wuxi City Emblem "Yufei Phoenix" throughout the film, and thus interprets the symbols of Wuxi's historical humanities, natural landscapes, leisure and fashion. The divine stroke at the end of the film is Xu Xiake's apparition, writing seven big characters of "Wuxi is a good place" with a stroke of the pen, which makes the audience shoot the case and is still unfinished.
Tourism that markets Jiangnan culture with new thinking
The Jiangnan culture developed with Wuyue culture as the origin is unique in Chinese culture, which is completely different from the northwest culture of "desert and smoke", and is also far from the Central Plains culture. It is the silent moisturizing of the flowing water of the small bridge, it is the elegance and euphemism of the Kunqu opera singing, it is the ingenious work of the Jiangnan garden... Jiangnan culture has a very high artistic value, today, it has great commercial value, excavation of Jiangnan culture, the development of Yangtze River Delta tourism, more need new thinking to market, more need new styles to promote.
As the inventor of Chinese television style, Wang Guoping has never been complacent and picked up people's teeth to complete the shooting task step by step, but has bold innovation, the courage to make breakthroughs, the use of new thinking, the invention of new styles to market the tourist cities in the Yangtze River Delta, promote the tourist attractions of Jiangnan culture, and achieve pioneering and leading innovation results.
"Eight Immortals Nantong Roots" is Wang Guoping's first national tourism micro-film, this film breaks through the traditional tourism scenery film limited to scenic spot plane shooting and monotonous, formal narrative mode, it cleverly integrates scenic spots in the storyline, with time and space to interpret human history, set the humor of Shanghai burlesque, the absurdity of American soap operas, and the funny "nonsense" style of Hong Kong movies, so that the audience can travel to Nantong in a relaxed and pleasant atmosphere.
"China Tourism News" on June and 19, 2009 published an article said: "Nowadays, tourism marketing is gradually entering a new era of experience economy and industrial chain economy, experiencing a gradual transformation from product-centric to consumer-centric, from product marketing to brand marketing, from tourist attraction marketing to overall marketing of tourist destinations, from extensive marketing to refined marketing, from traditional marketing to network marketing, from domestic marketing to international marketing." With its unique and creative production mode, the micro-film "Eight Immortals Nantong Root-Seeking" enriches the ways and means of tourism marketing, and provides a new practice for tourism marketing and planning. ”
Director Wang Guoping's first short tourism video in China, "Poetry Rhyme Songjiang", can be called an innovative work that uses television means to package traditional cultural elements and promote tourist attractions, and it is also a TV art film that perfectly combines creativity and pictures, and reflects the visual and auditory senses. This 45-minute TV film consists of a total of 24 short and concise poems with different styles, one scene and one poem, which can be divided and combined, together forming a Songjiang tourism picture scroll that complements tradition and fashion, which integrates MV, movies, advertisements, sketches, dance, scene reproduction and other artistic expression techniques, creating a new TV style - original poetry tourism short video, it also dissolves modern and traditional arts such as TV poetry, recitation, music, painting, calligraphy, seal carving, binding and so on. A new model of tourism promotion and marketing has been pioneered.
In order to market the Hangzhou Leisure Expo and establish a new image of Hangzhou as a leisure capital, Wang Guoping was invited to direct the Hangzhou leisure image film, which caused a sensation after it was launched at the World Leisure Congress in Brisbane, Australia. Its success is that Wang Dao fully explores the elements of Jiangnan culture and shows the picturesque beauty of Jiangnan culture. Through the superposition of a series of mobile and long shots, the whole film organically combines leisure with garden culture, food culture and tea culture that reflects the characteristics of Jiangnan, so that the unique charm of Jiangnan culture shines.
In order to build Shanghai into a world-famous tourist city at an early date, Shanghai is creating a new tourism pattern of "Disney in the east and Guangfulin in the west", and Wang Guoping's Songjiang tourism image film "Sheshan Great Realm, Asking Roots Guangfulin" directed by Wang Guoping uses the aesthetics of new Jiangnan micro-film and television to make it a masterpiece of "painting in poetry, poetry in painting". On September 25, 2017, the film won the Best Work Award at the 10th "China Tourism Television Week" hosted by the China Television Association, and a series of stunning and wonderful visual pictures in the film played a role in marketing Songjiang tourism and excavating Jiangnan culture.
In 2020, in order to declare a national demonstration area for global tourism, Qingpu District of Shanghai specially invited Wang Guoping to direct the image film "Qingpu, From the Source of Shanghai to the Gate of Shanghai", which played a decisive role in promoting Qingpu global tourism. Water is the soul of Jiangnan culture, Wang Dao closely follows the theme of water, does enough water articles, and uses water throughout the film, through the mobilization and use of various artistic means and forms of expression, to fully display the majesty of the water and the softness and agility of the water and the style of water, thus making Qingpu into a "water to canal, water and sky, water and milk blending, water drops and stones through, water song head" of the Jiangnan beauty.
From the early days of reform and opening up, the debut work was the earliest insight to photograph the Qingpu and Songjiang rivers of jiangnan landscapes, to today's Yangtze River Delta integration has risen to a national strategy, Wang Guoping is still filming the Songjiang and Qingpu of Jiangnan culture as always, in the past 40 years, Jiangnan is Wang Guoping's favorite, and Wang Guoping is the most loved Jiangnan.
On November 26, 2009, Jiangnan Travel News published a full-page interview with Wang Guoping, which wrote: "The beautiful Jiangnan landscape in the Yangtze River Delta has bred Wang Guoping's creative wisdom, and the deep Jiangnan culture of the Yangtze River Delta has infiltrated Wang Guoping's advanced consciousness, Wang Guoping has opened up in the emerging Yangtze River Delta tourism field, which can be called the 'day-by-day boasting' of contemporary tourism communication, and he prides himself on being xu Xiake, the 'tourist saint' of today, and wants to use TV lenses to shoot all over the world."
At present, director Wang Guoping is following the suggestions of Professor Wang Zhan, chairman of the Shanghai Municipal Federation of Social Societies, planning to prepare for the film feature film "After the Wave Cloud Tour of Saint Xiake".
The Jiangnan cultural documentaries that Wang Guoping planned as early as before the World Expo but did not start filming include: 100 episodes of China's large-scale aesthetic documentary "Jiangnan Good", including "Top Ten Famous Cities in Jiangnan, China Jiangnan", "Top Ten Gardens in Jiangnan of China", "Top Ten Famous Mountains in Jiangnan of China", "Top Ten Ancient Bridges in Jiangnan of China", "Top Ten Intangible Cultural Heritages of Jiangnan in China", "Top Ten Operas in Jiangnan of China", "Top Ten Cuisines in Jiangnan of China" and so on.
There are also long-brewed and ready-to-go micro-films "Yangzhou Eight Monsters Tour Yangzhou", "Jinling Dream Picking" and MV "Zheng He Goes to the West" (original song), "Jasmine" (Jiangsu folk song), "Tea Picking Dance Song" (Zhejiang folk song), "Chinese Rice Paper" (original song), "Hui Mo Sheyan" (original song) and so on.
The violin concerto "Liang Zhu", which has not been filmed after several twists and turns, is the most Jiangnan dream in Wang Guoping's heart, and Wang Dao said that he must make this masterpiece into a classic MV of Liufang Hundred Centuries, he said that the MV of "Liang Zhu" will be the greatest cultural masterpiece in Jiangnan, China.
Yes, China's Jiangnan has endless beauty, Jiangnan culture has more endless films and televisions, and Wang Guoping has more endless Jiangnan dreams.
Gangnam Dream, Dream Gangnam...