In the last issue, we recommended the Spanish suspense thriller movie, which was limited in space and did not write too much, and continues today.
<h1>Pan's labyrinth</h1>
In the desperate years and environment, the girl's desire to escape, everything is a fantasy. Compared to other fairy tales is really cruel a lot. It's the whole movie that's all rubbed together
<h1>Female corpse mystery case</h1>
Commercial thrillers of this kind in Spain that are complete and more stylized than Hollywood will always be eye-catching, and this film is no exception. Thanks to the structure of classical speculative fiction, the film's reasoning process has a strong sense of participation
The film's director and writer are the same person, Oreo Paul, and his other recently popular film is The Invisible Guest.
<h1>My skin</h1>
A heavy taste revenge film, the story is very bizarre, but the bones are very lyrical. The multi-line narrative, art, soundtrack, and fantasy have been played by Almodóvar to the point of fascination, and it is surprising that the film has the flavor of a Hollywood thriller genre in the 40s and 50s
<h1>Julia's eyes</h1>
The second half of the film is excellent, especially the final fierce battle, the picture is shown in the rhythm of flash, the shouting in the dark fully mobilizes the imagination of the audience, the sense of horror is very strong, reminding me of the same tense atmosphere of "The Silence of the Lambs" a few years ago. It can indeed maintain the supremacy of Spanish thrillers
<h1>Fermat's room</h1>
Lots of surprises. In terms of suspense, the degree of excitement is no less than the first part of "Saw". The "puzzle" in the play is more complicated than the "puzzle", because the conditions of the latter are known, while the conditions of the former are hidden by the director
<h1>There is no infernality in the workplace</h1>
Mainly rely on the interaction of several job seekers in the application place to advance, the most important thing to integrate into the plot is that you have to imagine yourself as one of them, and react instinctively in order to get the position. You don't know how to distinguish between true and false and right and wrong, and you can only believe that the workplace competition is the weak and the strong
<h1>Capture the Prison Trap Beast</h1>
The little bit of warmth that flashes through the violence is what I appreciate most about this kind of film
<h1>Sunflower Night</h1>
Segmented narrative, single-line narrative, literary film. Beginning with the avoidable misunderstanding in the middle, the film begins to turn to absurdity and blackness. The narrative unfolds in an orderly manner, with the passage of "old predecessors" being the most exciting. But the real serial killer at the end is at large, leaving the film only in the show and neglecting moral criticism, losing the position of humanity
<h1>Who can kill children</h1>
This film reminds me of a classic game called "Crazy Flat Kids".
The real-life abused child turns into a brutal abuser Innocent smiling faces, singing and laughter make people shudder
Lake Eden should have borrowed from the film
Note: The above pictures and materials are from the Internet