Read history in the morning
Minister and literary scholar during the Northern Song Dynasty
Zhang 耒 (lěi)
(Continued from 12)
The sorrow in the heart of the lyricist is like falling leaves, accumulating more and more, accumulating thicker and thicker, this sadness is full of the lyricist's deep sense of twilight, strong nostalgia, and parting sorrow, when this sadness is blown up by the autumn breeze, all kinds of complex emotions rush to the heart for a while, and the lyricist is completely broken.
"Chu Tian night, the end of the white pine smoke, the red lotus water", roughly means: it is late, the lyricist's gaze has been looking in the direction of the water flow, and where the water and the sky meet, is the white apple with water vapor and the red butterfly blooming by the water.
Chu Tian, the sky of Pan Guide; Erythrophyllum rubrum, born in water, is named Azalea or Aquaticus, with small light red flowers; "White apple", duckweed, a drifting, drifting aquatic plant, so people naturally associate duckweed with wanderers, duckweed is even synonymous with wanderers, the great poet of the Tang Dynasty, Du Fu, wrote in the poem: "Looking at thousands of miles away, the same duckweed." ”
These three sentences have an extremely wide field of view, an extremely vast space, and the lyricist's line of sight is like a movie lens, from the sky to the ground, from high to low, from near to far, from the foothold to the end of the line of sight, successfully cutting a picture of the beautiful scenery of the late autumn season in the south.
This picture of the sunset and evening scene is the visual experience of the lyricist, and it is also the writing method of the lyricist in the scene. Wang Guowei said that "with me to see things, everything is my color", this is the "realm with me" in "Human Words", the lyricist looks at the scene from a foothold, the scene will inevitably be contaminated with the main emotional color of the lyricist, at this time, the scene in the eyes of the lyricist will also become the carrier of feelings.
As the so-called "all scenery is love language", at this time, the late autumn beauty in the eyes of the lyricist has become a carrier of emotions, which reveals the lovesickness of the lyricist everywhere. Therefore, the lyricist looks at the sunset and evening scene in the south, all the way to the end of the white apple with steam, and all the way to the depths of the red butterfly blooming by the water.
The end of the world, the end of the world. The lyricist has been looking into the distance, and at this time, in the face of nostalgia, how he wants his vision to transcend geographical restrictions and look all the way to his hometown.
"The grass has affection, the sunset is speechless, the geese cross Nanpu, and the people lean on the west building", the lyricist leaned on the pavilion and looked into the distance, he saw the grass with affection, cut down the silent sunset, saw the wild geese crossing Nanpu, but did not look at the hometown.
These words and sentences that write scenery have a subtle meaning and a complete picture. "People Leaning on the West Building" points out where the lyricist looks, explains what the lyricist saw and heard in Nanpu, and the feelings triggered by it, so the scene in front of the lyricist is also endowed with human feelings.
"Nanpu" is a polysemy word that generally refers to the waterfront located on the south side of an area, and people in this area are used to calling this place Nanpu; "Nampo" also means the water's edge, the shore, or the place where the river flows into the river and sea. can be called Nanpu.
In any case, "Nanpu", as a water-related location, is naturally contaminated with some water-related characteristics, and when people send them to "Nanpu", they have to stop due to the water barrier, so "Nanpu" has become synonymous with parting.
Gathering and parting is the norm in life, and hurt parting is also a common emotion of people. The Southern Dynasty writer Jiang Yan said in "Befu": "Spring grass is blue, spring water ripples; Since Jiang Yan pinned his parting feelings into Nanpu, "Nanpu" has added a cultural connotation and has become an image in literary and poetic works.
At this time, the lyricist Zhang Yu standing by the water must be splicing and connecting memories of lovesickness and parting, whether it is the parting of relatives, the parting of friends, or the parting of lovers, in short, the lyricist splicing and connecting must be a sad picture related to parting with sorrow.
As the saying goes, "scenery is set for love, words are made for love". The lyricist's longing is the lyrical thread of the whole word, so who is the lyricist missing? Is his thoughts the broad majority? Or is it a specific one?
In the next film, the lyricist begins with a rhetorical question, "Does Yurong know An?" The person who points out what he thinks is his wife, reveals the main theme of the words, and also concretizes and clarifies the various scene descriptions in the previous film, which is exactly the literary expression method of "falling out of the water".
The next four sentences "Fragrant notes and brocade characters, two places leisurely." The air hates the blue clouds clutches, and the blue bird rises and falls", which expresses the lyricist's endless longing for his wife. Incense note and blue bird mean family letter, family letter, because the place where the lyricist works is far from home, even the letters cannot be kept open.
He hadn't been home for a long time, and he didn't know if everything was okay at home. The meaning contained in the words "know whether to be safe or not" is even more profound. The words are both musical and literary works, and if Zhang Yu's words are expressed in the form of music at this time, it must be a song that makes people feel sad after listening to it. (To be continued13)