#Feel the teacher-student relationship hidden in the qingshu painting and calligraphy volume of fast snow #[Liao Changyong Ayunga interprets "Qingshu painting and calligraphy in fast snow", "Poetry and Painting China" shows the love between teachers and students]#Recreating the heroic posture of a generation of legendary figures through poetry and painting #The second phase of the cultural program "Poetry and Painting China" of China Central Radio and Television Corporation will be broadcast on CCTV Comprehensive Channel on September 4.
The second phase will continue the characteristics of "poetry and painting together", bringing five major works such as "Bamboo Stone Diagram", "Jianggan Xueji Diagram", "Gongsun Da Niang Dancing Sword Diagram", "Wanyuan Pine Wind Diagram", "QingShuShu Painting and Calligraphy and Painting Combination Bi" when the snow is fast.
Fan Shaohuang and Yang Dezhan, two open-scrollers, are in the middle of the bamboo forest, interpreting the tenacity and indomitability of Zhushi's "thousands of grinding blows and strong strength, Ren'er's east, west, south, and north winds" with one move and one style, one sword and one fist. The guqin performance carried by Ding, the representative inheritor of the national intangible cultural heritage guqin art project, added a sense of mood to the performance.
"Sprinkle the air and deep alleys quietly, and accumulate the elements of the garden." The opener Xu Song interprets the quiet and long snow scenery and the relaxed state of mind with a song "Snow on Paper", which complements the snow scene with both fireworks and natural wind in "Jianggan XuejiTu". Known as one of the "Three Masterpieces of Song Painting", the "Wind Map of Ten Thousand Valleys" shows the proud bones of Zheng Zheng between the mountains and rivers in the songs and dances of Hu Yanbin and Wei Shenyang.
In the second issue of "Poetry and Painting In China", it not only shows the landscape and the arrogance of the literati, but also reproduces the heroic posture of a generation of legendary figures through poetry and painting. In the form of a dance, the opener Hao Ruoqi interpreted the momentum of "coming like thunder to collect anger, and like the clear light of the river and sea" in the "Gongsun Lady Dance Sword Diagram".
Along with the passionate interpretation of the opening people Liao Changyong and Ayunga, the audience will deeply feel the profound teacher-student relationship between Zhao Mengfu and Huang Gongwang hidden in the volume of "Qing Painting and Calligraphy in the Fast Snow", as well as the culture continuously inherited from Wang Xizhi, Zhao Mengfu, Huang Gongwang, and even countless literati in later generations.
"Poetry and Painting In China" breaks the boundaries of appreciation of different art forms with the unique perspective of "poetry and painting together", and conveys the excellent traditional cultural charm that has been passed down across the river of time in a more vivid and romantic way, so that the audience not only knows the "beauty" of poetry and painting, but also knows its "why is beautiful". (China Youth Daily client)
