"Less than comrade, you see me, this person, is an ordinary cross-talker, people look short, not to say, still so dark, the family origin is also very general, and now is still receiving criticism ..."
This "less than comrade" was a little confused when he heard it: "What's going on?"
Other people try to show their strengths the first time they meet, how can he still say that he is not? ”
Who is this "less than comrade"?
Who is the man who dared to blacken himself?
What kind of story happened between them?
01
This "less comrade" named Yu Bo is an authentic northeastern girl who was born in an ordinary family in Harbin.
Yu Bo's growth process does not seem to be anything special.
If anything different, it's that she loves to sing.
When Yu Bo was 4 years old, when he was a doll, there was a 13-year-old teenager in Beijing who had to drop out of school due to the death of his father.
The boy's name was Ma Shuhua.
In order to help his mother earn money to support his family, he was sent to a weaving factory in Shanghai as an apprentice.
That's three years.
It was not until the dissolution of the weaving factory that Ma Shuhuai returned to Beijing and had the opportunity to continue his studies, attending the third year of junior high school at Peide Middle School.
In 1951, at the age of 17, Ma Shuhuai was admitted to the North China Distribution Office of Beijing Xinhua Bookstore through his own efforts.
In addition to his own work, Ma Shuhuai's spare time is all spent studying cross-talk and Peking Opera.
Ma Shuhuai's love of crosstalk is inseparable from his experience in elementary school.
At that time, in his spare time, Ma Shuhuai often carried a basket of rock candy walnuts and walked the streets.
In order to sell more rock candy walnuts, Ma Shuhui often goes to the Qiming Tea House.
The Qiming Tea House is opened by the Chang family, and a relative of Ma Shuhuai and the cross-talk actor Chang Lian'an is a good classmate, so that they have the opportunity to enter and exit the tea house for free.
The cross-talk performance in the tea house deeply attracts the horse tree locust.
These cross-talk performances, which were deeply imprinted in his mind, made him and cross-talk form an indissoluble relationship.
On the road of cross-talk, Ma Shuhuai not only groped on his own, but also participated in the workers' amateur art troupe taught by Liu Baorui and Guo Quanbao, and opened his own formal road of learning art from teachers.
At the beginning of 1956, Ma Shuhuai participated in the Beijing Workers' Amateur Quyi Observation Meeting, and his cross-talk "Looking for an Object" won the first prize.
Since then, as a representative of the Beijing Division, Ma Shuhuai has participated in the performance of the National Observation Meeting and won the national championship with "Don't Complain About Me".
This time winning the championship changed the fate of Ma Shuhuai, who was favored by the famous cross-talk masters Hou Baolin and Liu Baorui.
And transferred to the China Broadcasting Arts troupe rap group, becoming a professional cross-talk actor.
The rap group focused on the cultivation of Ma Shuhuai and arranged for Hou Baolin, Liu Baorui, Guo Qiru, and Guo Quanbao to serve as his teachers.
Among them, Hou Baolin cultivated him as his responsible teacher.
The highly talented Ma Shuhuai did not disappoint the teachers, and in less than a year, he had mastered 6 traditional cross-talk and created 4 new cross-talk.
His debut film, Playing Basketball, was born.
In 1957, Teacher Hou Baolin felt that the name Ma Shuhuai was more difficult to pronounce, and the audience was not easy to remember, and planned to give him a catchy and memorable stage name.
At that time, the comedy movie "Herding Goose Boy Horse Season" was being released, so Ma Ji became the stage name of Ma Shu huai.
Over the next few years, Ma Ji made a big splash in his cross-talk career.
His talent and performance have been recognized by teachers and audiences again and again.
While Ma Ji is thriving, Yu Bo is also growing up day by day, and they don't know that the god of fate is quietly making arrangements for them.
02
The change in Yu Bo's fate stemmed from the appearance of her Bole teacher Jiao Naiji.
At that time, Teacher Jiao Naiji was the leader of the Railway Corps.
That time, Teacher Jiao Naiji overheard Yu Bo's singing.
He was very optimistic about this little girl with great singing talent.
And Yu Bo not only sang well, but also an excellent music editor.
The "Fifteen Moons" she co-produced resounded all over the country.
Teacher Jiao Naiji found Yu Bo and told her that she could go to the Railway Soldiers Literary and Labor Corps to work as a literary and artistic soldier.
Yu Bo, a little girl who had never left home, was overjoyed.
But she couldn't make up her mind.
When she consulted with her family, she replied that she did not agree.
Teacher Jiao Naiji was not dead-hearted, and he personally found Yu Bo's home.
Yu's mother is very worried that her daughter is too far away from home, and it is a problem to find her in-laws when she grows up.
When Teacher Jiao Naiji heard that this was the problem, he said in a big package: "This matter is wrapped up in me!" ”
After listening to the leader's words, Yu's mother was relieved to let her daughter come to Beijing with Teacher Jiao.
After returning to Beijing, Teacher Jiao has never forgotten the promise he made to his mother.
Thinking about it, Teacher Jiao focused his attention on Ma Ji's body.
At that time, Ma Ji was in his early 30s, the young man was positive, his career was smooth, and he was particularly talented.
Yu Bo is a singing actor, and the two people should have a common topic together.
So Teacher Jiao pulled a red line for the two people.
One day in 1967, Teacher Jiao found Yu Bo and told her that he wanted to introduce her friends.
Yu Bo asked curiously who it was.
Teacher Jiao was straightforward: Ma Ji.
Yu Bo's eyes widened as he listened. "Matthi? You're not mistaken, right? I grew up listening to his crosstalk, and he should be an uncle in his forties and fifties! ”
Teacher Jiao smiled: "You, your imagination is still quite rich, you will know when you meet!" ”
Yu Bo was hindered by face, and it was not easy to refuse, so he had to agree to meet.
As soon as he saw Ma Ji's unassuming appearance, Yu Bo had the intention of refusing in his heart.
Ben thought of saying a few words of greeting before quitting and leaving.
Unexpectedly, Ma Ji said that he was fine that day and could accompany her.
Yu Bo could only nod reluctantly.
In Yu Bo's impression, people who say crosstalk should all be playful and slippery.
To her surprise, Ma Ji confessed his shortcomings to her at the first meeting.
Not only did he tell me about my experience from childhood to adulthood, but even the things I had talked about falling in love with were also on the plate.
Ma Ji's sincerity greatly changed Yu Bo's impression of him, and the resistance in his heart slowly decreased.
Before parting, Yu Bo agreed to Ma Ji's request to meet for the second time.
The second time we met was in the powder building of the rap company.
Just arrived at the powder building, you can see the eyes full of large character newspapers.
The big-character newspapers were all exposing Ma Ji's "crimes."
Different people will see the same thing and have different results.
In the eyes of others, the big character newspaper is undoubtedly like a stain on the human body, and in the eyes of Yu Bo, these big character newspapers have become the best proof of Ma Ji's strong will.
After coming and going, the hearts of the two young people slowly warmed up, and the fire of love burned.
On the one hand, he enjoys the sweet horse season of love, on the other hand, he has to face the physical and mental test of reality.
Those years were something that many people didn't want to mention but couldn't forget.
At that time, many masters in the cross-talk industry were "held accountable".
Hou Baolin became the authority of villain art, and Ma Ji was often pulled out to criticize.
The young Ma Ji was assigned to sweep the toilet and brush the placards.
Moreover, Ma Ji, Zhao Lianjia and Tang Jiezhong are known as villains.
Zhao Lianjia was called a bad element, and Tang Jiezhong was called a military master.
Everyone is very nervous, and it is not certain that one day they will be pulled out to fight.
Once, at Hou Baolin's criticism meeting.
Those people said that Hou Baolin's "Difficult to Walk" was speaking for the enemy.
Those people asked Hou Baolin to be honest.
"In 'It's Hard to Walk," why do you want to speak for the enemy?"
Hou Baolin hung his head and whispered into the microphone, "I didn't write that work, it was written by Ma Ji." ”
"Ma Ji, get on stage!"
This was followed by a barrage of criticism.
Denounced him for speaking out for the enemy.
After the approval, a "roll down" sounded and knocked Ma Ji off the stage.
Next, he continued to criticize Hou Baolin.
Criticized him for promoting bourgeois art in Western Music.
When those people asked Hou Baolin to give an honest explanation, Hou Baolin still hung his head and whispered, "That work was not written by me, it was written by Ma Ji." ”
So Ma Ji was called to the stage again, and he was severely criticized.
Such a repetitive scene was staged 4 times.
A criticism meeting came down, and Ma Ji was severely criticized 4 times.
So were these works written by Ma Ji? It really is.
However, at that time, students published works, and in order to show respect for the instructor, they would put the teacher's name in front of their own name.
A work usually has the names of both teachers and students.
From this point of view, Hou Baolin is also telling the truth.
It's just that in that context, the relationship between people and people has become very complicated.
It is also under such circumstances that the love between Yu Bo and Ma Ji is not optimistic about many people.
Many of Yu Bo's colleagues and friends advised her.
Let her be clear about her position, do not make a wrong choice because of emotional things, affecting her future.
Yu Bo certainly understood what they meant.
But Yu Bo didn't pay any attention to what others said, and the things she believed would be done without hesitation.
It didn't take long for Yu Bo and Ma Ji to register their marriage.
03
After marriage, although the life of the younger two is difficult, the two people still love each other and support each other.
After not getting married for a long time, Yu Bo became pregnant.
In order not to let Yu Bo and the child be implicated, Ma Ji asked Yu Bo to return to his hometown to give birth to a child, and he stayed in Beijing to accept various criticisms.
In 1968, their son Ma Dong was born.
Although the couple is separated by two places, their feelings are still the same, and their hearts are imprinted.
It is said that suffering sees the truth, and the same is true between husband and wife.
Having experienced hardships together, each other's feelings will be more sincere.
Fortunately, this kind of hard life did not last long, and in 1971, Ma Ji returned to Beijing from the countryside, and the family of three was reunited.
The days are ordinary and fulfilling, and Ma Ji's cross-talk career has developed greatly.
Since 1983, he has organized and participated in the Spring Festival Gala of CCTV.
Ma Ji's cross-talk has also become an indispensable program for the Spring Festival Gala every year.
In his new works, Yu Bo is the first audience, and she will make suggestions for the works from the perspective of the audience.
And always hit the iron while it is hot, once the work comes out, it will immediately let Yu Bo listen to it first and give some advice.
Sometimes Yu Bo was afraid that he was too tired and wanted him to sleep a little longer, so he pretended to sleep by himself.
At this time, Ma Ji will grind hard bubbles softly, and he must call Yu Bo up.
While helping her husband, Yu Bo did not give up his career.
After the dissolution of the Railway Soldiers Literary troupe, Yu Bo was transferred to the Chinese record company as a music editor.
In 1985, when "Fifteen Moons" was popular all over the country, everyone remembered only Dong Wenhua, but few people knew that the music editor of this song was Yu Bo!
Later, the sister article "Looking at the Starry Sky", the music editor was also from the hand of Yu Bo.
Just when the two people's careers were booming, Ma Ji's body had problems.
In 1987, Matthi was admitted to the hospital for a heart attack.
Three months later, Ma Ji was discharged from the hospital.
The doctor told Yu Bo that Ma Ji was coronary heart disease, diabetes, and cholesterol was also high, so he should pay attention to a good rest and never be tired.
Ma Ji himself did not take it seriously, but Yu Bo took these words to heart.
Yu Bo carefully prepared recipes for Ma Ji, did not let him eat sugar, gave him a regular work and rest time, and urged him to strictly abide by them.
And every day after dinner, I would accompany him out for a walk.
Such companionship, a persistence is 19 years.
The best interpretation of love is not to hang love on the lips, but to accompany silently.
In December 2006, Ma Ji was admitted to the hospital with another heart attack.
Unfortunately, this time, even the doctors could not save Ma Ji's life.
Ma Ji's departure immersed Yu Bo in endless pain.
For a long time, Yu Bo could not get out of the pain of losing his lover.
She often stayed alone in the house, looking at Ma Ji's photos in a daze, and her mind kept thinking about the ups and downs of the two people walking together.
Involuntarily, tears poured out of the eye sockets again and again.
She would also take out Ma Ji's disc and play it over and over again.
Listening to his voice, it was as if he were asking himself for advice again.
Listening and listening, Yu Bo would burst into tears again.
The son Ma Dong is very filial and knows that his mother will be sad to stay at home alone, so he wants to take his mother to his home to live with him.
However, Yu Bo was unwilling to leave the old house where he and Ma Ji lived.
Ma Dong understands his mother, who is not reluctant to the old house, but the part of her father who constantly misses her father.
Therefore, Ma Dong called his mother every day at noon and at night to say hello.
Every three to five, he also took his wife and children to accompany his mother.
If you are traveling on business, you should also ask your wife to visit your mother.
The elderly Yu Bo likes to watch TV and also likes to watch TV shopping programs.
Once, she was induced by a TV shopping show to see a 20,000 yuan bag that sold for only 998 yuan.
She couldn't help but be impressed, so she called and ordered one.
When Yu Bo was happy to share this matter with his son, Ma Dongqua's mother had a vision and bought this bag for a great value.
In fact, Ma Dong knows very well in his heart that this is just a routine of business marketing.
But he didn't want to tell the truth because he wanted to make his mother happy.
Looking back at Ma Ji's life, he is worthy of the title of People's Artist, and he is also worthy of being a milestone figure in the history of the development of cross-talk.
His contribution to the cross-talk community is obvious to all.
As a wife, Yu Bo chose to accompany Ma Ji when he was at his lowest, becoming Ma Ji's strong spiritual support.
As the old saying goes, men are afraid of entering the wrong line, and women are afraid of marrying the wrong man.
As a woman, being able to marry a ruyi langjun and support him to succeed is the success of a woman in this life.
In this sense, Yu Bo is undoubtedly successful.
Now Yu Bo is 79 years old, and her son's filial piety makes her very happy.
Here, let us bless Yu Bo together: a healthy old age and enjoy the heavens!