In a talk show, Hong Jiantao said that he almost played Jia Baoyu in the 87 version of the Dream of the Red Chamber, and after listening to it, the host and the audience were stunned. It is difficult for the audience to associate the impression of fat Hong, who is slightly fat and speaks a Cantonese plastic Mandarin, with Jia Baoyu.
However, after seeing the image of Hong Jiantao when he was young, we have to admit that Hong Jiantao's appearance and innocent temperament can really control the image of Jia Baoyu.
The Great Wall of the South China Sea
Hong Jiantao, born in 1965, is an authentic Beijinger. In 1976, 11-year-old Hong Jiantao participated in the movie "The Great Wall of the South China Sea", and the heroine was Liu Xiaoqing. Director Li Jun later directed the famous "Armageddon" series of films.
Please leave the letter
In 1984, the 18-year-old Hong Jiantao played the leading role in the movie "Please Leave the Letter", in which Hong Jiantao was still not free from innocence and childishness, and his face was full of collagen. Because of his fresh and unworldly image in the movie, Hong Jiantao was photographed by the 87 version of the Dream of the Red Chamber crew and asked him to audition.
Hong Jiantao was filming in other places at this time, and deliberately rushed back from the field to try on makeup, and the crew was very satisfied after trying makeup. Everyone thought that Jia Baoyu was none other than him, and the costumes were customized for him.
However, because Hong Jiantao had a more obvious scar on his head, the crew planned to let him go for plastic surgery, but the time was relatively tight, and later Ouyang Fenqiang appeared, and Hong Jiantao missed the role of playing Jia Baoyu, a childhood male god.
After that, Hong Jiantao and the idol characters gradually drifted apart and slowly embarked on the road of no return to comedy.
After graduating from High School in 1985, Hong Jiantao joined the army and joined the army to Chinese the Drama Troupe of the Political Department of the People's Liberation Army Air Force.
In 1991, Hong Jiantao was admitted to the People's Liberation Army Academy of Arts with excellent results, and was in the same class as Gao Yalin. With his clean appearance in the early days, Hong Jiantao, together with Sha Yi, Shen Teng, and Yang Yang, was called the fourth generation of military art school grass by netizens.
The size and comedy cells of the first three generations of military art school grass have already let go of themselves, and it is inevitable that some people will ridicule Yang Yang's future worries.
Turning back, Hong Jiantao and Gao Yalin were classmates of the 91-level acting department. Before being admitted to the military arts, Hong Jiantao already had several representative works, and at that time he also had his own company, no shortage of money, and generous shots.
Hong Jiantao often wore a leather jacket of several thousand yuan, and once Hong Jiantao put tens of thousands of yuan in cash in a shoe box, threw it under the bed for the head of the same dormitory to take care of, and ran out to have fun.
When he came back, the squad leader complained that in order to help him see the money, he did not dare to go to the toilet. Gao Yalin complained that he loved to show off.
Hong Jiantao has money but is not stingy and is willing to share it with everyone. When the classmates went out to play together, the classmates said that they were going to pay, and he had already finished the bill.
In 1991, the drama "Bring a Body of Yellow Clay to Be a Soldier" in which he participated won the first prize of the Sixth All-Army Literary and Art Conference.
In 1994, after graduating from the military arts, Hong Jiantao and Gao Yalin were assigned to work in the Air Politics Repertory Theatre together, and the pair became colleagues again.
In the interview, Gao Yalin was full of good intentions to Hong Jiantao, witnessing their brotherhood of loving and killing each other. However, in 1998, Gao Yalin attended a directing class, and the two slowly went down different paths, but this is a later story.
As mentioned earlier, Hong Jiantao missed the role of Jia Baoyu in the dream of the Red Chamber, lost the Mulberry Yu in the East Corner, and the 96 version of "Water Margin" extended an olive branch to him.
He received the important role of Gao Yannei in the Water Margin, and at this time it has been more than ten years since he interviewed the 87 version of the Dream of the Red Chamber.
Hong Jiantao has grown from that dancing teenager to the appearance of a middle-aged uncle, and the director in the play let him play freely. In the scene of flirting with Lin Chong's wife, Hong Jiantao vividly expressed the impatient monkey urgency. It wasn't until later that Gao Yanei carelessly lost his roots, and I was young and relieved.
The wonderful performance in Water Margin is just a ox knife test after Hong Jiantao's graduation, and what really makes Hong Jiantao come to the public eye is "The Story of the Cooking Class" and the sequel in 2002.
The background of the story is the story of several living treasures in the cooking class of a grass-roots company of the Air Force, Hong Jiantao's long-term participation in the army, and the unit is also an air politics drama troupe.
Very close to real life, so it is light to master and hold the image of the character very well. In order to be closer to life, Hong Jiantao plays a cooking class leader who speaks Cantonese plastic Mandarin, is timid and afraid of things, but is also the antidote to the cooking class and the main backbone of the cooking class.
In the play, Fat Hong is always thinking about the honor of the class and the physical and mental health of the soldiers, and often does some things that are cute. The wisdom of the mind coupled with the often slurred Guangpu made the audience laugh.
In the play, it is rare to see that the first generation of military art school grass Hong Jiantao and the second generation of school grass Sha Yi met in the play, sha yi in the play is called Shuai Hu, but unfortunately the new person is better than the old man, And Hong Jiantao is no longer the appearance of bao brother.
After Shang Jing finished filming "The Story of the Cooking Class 2", he and Ning Caishen planned to shoot a costume martial arts sitcom, which is the future domestic comedy industry's earth-shattering work "Wulin Waichuan".
In the play, the actors are still the old guys in the cooking class, Hong Jiantao threw off the plastic Mandarin, put on the hat, put on the coat, turned into a wife-afraid and miserly money manager.
After being beaten, when he was angry, he went to the Tongfu Inn to hide, and this role brought us no less joy. In the play, Hong Jiantao has a famous pantomime performance, without any lines, but we can still guess the lines of the money manager from the gestures, which is the charm of successful character building.
This role made Hong Jiantao popular again, and the later "Story of the Cooking Class 3" often spoofed the martial arts story, and in terms of funny, I often thought that Fat Hong was actually a person with the money manager, but just changed the costume.
After filming the wulin sequel, he continued to participate in "The Story of the Cooking Class 3" in 2007. In the play, he changed into a different military uniform, and Fat Hong is still the little fat man with a sly smile, who is sometimes troubled by coordinating this team, and sometimes troubled by blind dates.
However, there is no feast in the world, the Tongfu Inn will be dispersed, the cooking class will also be dispersed, and although Hong Jiantao later participated in some other sitcoms, the grand situation is no longer there.
The Great Song Ti Criminal Officer
In addition to these comedies, in 2005, Hong Jiantao also made a cameo appearance in "The Great Song Ti Criminal Officer", which is known as the most humane case in the play, the nameless case of Mao Zhuwu, played by Hong Jiantao, an honest man He Lao'er, who accidentally killed the burglar.
In the play, Hong Jiantao played the image of a cautious and honest person, and could not see any shadow of the past.
Over the years, Hong Jiantao has not stopped filming, although there is no big red role, but each role has been interpreted very well.
Go outside the play and get back to life. Hong Jiantao's marriage is not as suffocating as in the play, and he is the dominant party in the marriage. He and his wife fell in love in the play in 1984, and the two belonged to the sister-brother relationship, and the wife once served as the female number two in the Sino-US co-production film "Beijing Story".
The wife would have had a better star path, but after marriage, for the development of her husband, Sheying took care of the family, so that Hong Jiantao could work hard in the front without worries. After marriage, the two have a son, Hong Yang, and now Hong Yang has also entered the show business circle and participated in some film and television dramas.
In addition to film and television, Hong Jiantao likes to ride a motorcycle, and has a Harley who participates in the modification of his own. This may be the last decency he has maintained as a teenager. One day, we will eventually lose the face of our youth, but we will not lose the heart of that teenager.