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#Hongdeng Poetry ##Poets Controversy ##Poetry # Today recommends the poetry appreciation of the three Lu Prize winners. These three works have actually been read by many poets, come, read and read again. [Than heart] [

author:Macro Lamp Poetry

#Hong lantern poetry # #poet controversy # #poetry #

Today I recommend the poetry appreciation of the three Lu Prize winners. These three works have actually been read by many poets, come, read and read again. [Than heart] [Rose]

▋ Wildflowers on the plateau

Zhang Zhihao

I am willing to raise so many little beauties for any life

I am willing to relocate my home country to

Here, here, I do

Be a never cynical person

Like that creek of unknown origin

I am willing to shed tears all day long to express this

I really do

Be an old father in a shawl

Reading:

The title is the eye of the whole poem, around which all the words and phrases are organized and arranged.

On the surface, the words in the poem are not next to "wildflowers". But in fact, "wildflowers on the plateau" is a big metaphor that is placed outside the main text of the poem. "Plateau" refers to the noble spiritual land.

The poet uses "so many little beauties" as a metaphor for the countless wildflowers on the plateau, and is willing to "give birth", not only for themselves, but also "for anyone", the first sentence is open and lofty.

The metaphor of "motherland" refers to the spiritual homeland of the poet.

The poet pursues, and finally finds an ideal place "here", the word "relocation", showing that the poet wants to rebuild his spiritual world. The poet is a cynical person, but when he comes to the ideal situation, he is willing to be poor and happy, "never" hate, be a happy and peaceful person, enjoy the real life, "tears flowing", free expression. "Unknown origin", referring to the unknown identity, enhances the mystery of the poem.

The last sentence of the poem echoes the opening sentence, how can so many "little beauties" not have a "father"?

"The old father with the shawl" is not only a metaphor for the vicissitudes of the world, but also a spiritual symbol of noble and refined, elegant and distinctive.

The reader seems to see that under the repeated polishing of time, a cynical person has been trained into a celebrity, "not to be happy with things, not to be sad with oneself", with a big heart and walk the world.

Zhang Zhihao is a master of metaphor, with wisdom and rich innovation in the language of poetry, often stacking habitual words into a context, replacing their connotations and extensions, which makes people feel refreshed.

▋ Earth bowl

Tian He

The earthen bowl is filled with rice

The farmer holds it in his hand

Life comes with a bowl of rice

And continue

There is no rice in the earthen bowl

People who eat

I'll never eat again

The earthen bowl buckles upside down

It just becomes

A farmer's mound

Reading:

His vernacular poems are like the blue cooking smoke on the eaves of a farmhouse, real and romantic, simple and heavy.

The poem "Earth Bowl" is concise and concise.

The first verse of the poem is both a figurative description and a high degree of generalization. The peasant's life is simple, so simple that all he has to eat is to eat. For thousands of years, Chinese farmers have been hungry and afraid, and eating has always been a big problem. But as long as there is rice in the bowl, the peasants can survive, day by day, year by year, generation by generation.

The poet's description, refined to some extent desolate; The poet's generalization is profound in its simplicity.

The next verse of the poem unfolds along the fate of the peasants, if you have rice to eat, you can live, and if you don't eat rice, you will die, and the fate of the peasants is so real and simple.

The "earthen bowl" of a lifetime is empty, and it is the "earthen tomb" upside down, and the bowl and the tomb should be irrelevant to each other, but in the poet's pen, the use of figurative metaphors establishes a special relationship, a relationship between life and death. The combination of these two ordinary images has the meaning of the philosophy of life, giving the reader a sense of abruptness visually, thus producing a strong impact on the mind.

"Soil bowl" is made of mud, different from the iron rice bowl, golden rice bowl, it is the Bowl of Chinese farmers to eat, simple, cheap, easy to crisp; "Earthen graves" rise up in the wilderness, different from tombs, ordinary, lonely, desolate.

The organic connection between the two things is actually an image portrayal of the fate of Chinese peasants.

▋ Brilliance

Lei Pingyang

Birds fall from the sky, when in the air

Already dead. They died flying? In the forest

There were a lot of trees, not growing tall and straight, and also dead

Do they die growing? There are some voles underground

Died quietly, without burial

They died of lack of light? World

There are many people who die inexplicably

Like them

Reading:

The power of poetry is by no means in the length of the poem, and a short poem written well can be thought-provoking and shocking.

The poem has only eight lines and can be divided into four small layers. The first three layers of writing, the fourth layer turning to writing people. The last layer can be described as a stroke of god, which not only excavates the depth of the poem, but also enhances the height of the poem, and plays a role in drawing the finishing touches and showing the spirit of the chapter.

The first three floors are the necessary preparations for the last layer, which is to build momentum; The last layer is the inevitable end of the first three layers, which is sublimation.

This is an incomparable lament for the impermanence of life, but also a great compassion for human beings themselves. This light of compassion reaches the heart and stings at the heart.

The title of the poem, "Brilliance", seems to be "the wrong title", but in fact, it leaves a lot of imagination space for the reader, which is of great significance.

The bird dies in flight, is this the "brilliance" of death, or the death of the "brilliance"?

The "brilliance" of life is sometimes so dazzling, sometimes so faint. People die like lights go out, and the cruel thing is that sometimes a small wind can extinguish the "brilliance" of life in the oil cup.

The "brilliance" of life is more often short-lived, false, and superficial, and the death of "unclear and unclear" erases this "brilliance" as well.

How cruel this is to life; And for the reader, how painful it is!

#Hongdeng Poetry ##Poets Controversy ##Poetry # Today recommends the poetry appreciation of the three Lu Prize winners. These three works have actually been read by many poets, come, read and read again. [Than heart] [
#Hongdeng Poetry ##Poets Controversy ##Poetry # Today recommends the poetry appreciation of the three Lu Prize winners. These three works have actually been read by many poets, come, read and read again. [Than heart] [
#Hongdeng Poetry ##Poets Controversy ##Poetry # Today recommends the poetry appreciation of the three Lu Prize winners. These three works have actually been read by many poets, come, read and read again. [Than heart] [

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