Chen Jiuwei, a famous crane painting master, inspected and investigated the Dongyong Seven Fairy Cultural Park in Dongtai
Xinhua Online Network - When the crane wind blows overhead
@Moth eyebrow e light sweep
Yesterday, Mr. Chen Jiuwei received a call from Li Zhaoyin, chairman of the American Association of Chinese Calligraphers, who was invited to be the executive director of the American Association of Chinese Artists. When the crane wind blew overhead, this famous oriental son of the painting world, known as today's "fashion" synonym, looked up, watched the five-star red flag fluttering high, watched the red-crowned crane spread its wings and flew; he listened carefully, listened to the five-star red flag hunting and hunting, listened to the red-crowned crane chirping and bright; he frowned deeply, thinking about the five-star red flag attracting worldwide attention, and thinking about the eternal life of the dan-crowned crane. The sketched stream of consciousness crosses the sky, and the shape of the flutter is the beautiful crane posture and the spiritual collision between the intervention of the subject and the object, those hidden beautiful emotions, resonating with the pulse of the times, the roar of the moment of the unity of heaven and man, and the free singing of the loving personality for the beloved gods. For a painter, Mr. Chen Jiuwei regards the crane as life, the painting as the voice of the heart, and the acura as his responsibility. "I am born to be useful", the heavy responsibility of history is shouldered, the progress of the trend of the times, the development of the national spirit, he feels the vigor of "the sky is high and the birds fly". The national is the world, and he is bravely and diligently working hard to promote cultural exchanges between China and the world.
The vicissitudes of the sea and the mulberry fields, the years are like a stream. Human evolution and natural change are the inevitable laws of the dao. The progress of civilization goals of human activities directly affects the trajectory of change in nature. The more frequent human activity, the more variables in nature. The selfishness of human activities and the consequences of changes in nature are becoming more and more harmful. That is to say, the beautiful pursuit of human beings unconsciously deviates from or even violates the natural track of the avenue, and the end is to lead to their own cruelty. Science makes human beings feel and awaken, intuitively shocking, their own subjective and wise choices, and produce criticism and praise. Mr. Jiu Wei has been invited to be the executive director of the Chinese Artists Association of the United States under many laurels, such as the vice president of the World Association of Calligraphers and Painters, the honorary chairman of the World Calligraphy and Painting Artists Research Association, the chief artist of the World Educational, Scientific, Cultural and Health Organization, the special consultant of Who's Who in the World, the editorial board, and the honorary president of the National Palace Academy of Calligraphy and Painting in Taipei (honorary tenure for life). The world's attention and praise to Mr. Chen Jiuwei first affirmed his artistic achievements, indicating that the red-crowned crane of the Nine Monsters brand of the auspicious painting school is about to sweep the world! At the same time, it also reveals people's awareness of natural pollution, expresses the unique love for endangered species such as red-crowned cranes, and agrees with Mr. Jiuwei's praise of cranes and the unforgettable indoctrination of human activities sideways.
Mr. Nine Monsters' vision and soul take the experience of life as the starting point, based on patriotism, love for people, and love for cranes. Each of his works, carrying the prayers of the world, examines the macro theme from the details of the unique vision. The so-called image is born from the heart, which seems to depict the crane body of the unit, but it permeates the vision of a special mentality. Whether it is aesthetic taste, world affair cognition, life analysis, or the story of the crane, it inspires people to deepen their philosophy and enrich their imagination, so as to understand the flesh-and-blood connection between themselves and living beings. In order to push the auspicious elements of the crane to the extreme, he can skillfully combine the elements of nature such as the sun, the moon, the clouds, the water, the lotus, the stone, the bamboo, and the plum, which complement each other and complement each other. "Four Gentlemen" is a traditional theme of Chinese painting, Mr. Nine Monsters with the pride of plum bones, lan of the valley of the void, bamboo of the high wind and bright festival, chrysanthemum of the ling han self-fang, and the crane layout composition, virtual and real, dense and measured, complex and simple, harmonious and harmonious. Occupy the spring, summer, autumn and winter, and praise the noble sentiments of the Chinese literati. In terms of technique, he is good at absorbing the strengths of all, freehand, brushwork, oil painting, drawing... Its divine strokes are eclectic and calm. Free and exaggerated but dignified and elegant, simple and frank but not losing vitality. In the work "Gentleman's Virtue Wind", the bamboo lining the crane, the bamboo pole straight crane neck curve; the bamboo desire to quiet the crane wants to move; the bamboo leaf thin crane feather feng; from the visual contradiction and unity - the theme of the soul, raised to both make people feel lucky, but also let people cultivate cultivation. More notably, Tsuru's purity, structure and elegance. In "Lotus Pond Fairy", the pink lotus flowers reflect the charm, pavilion and harmony of a pair of red-crowned cranes. Although the position of the two is not centered, the role of the lotus flower is not noisy, and it undoubtedly lays out a strong atmosphere for the agility of the crane. The theme of the picture is rich, simple and clean. Seemingly inadvertently a few points of light sweeping, it creates a reflection in the water, and the abundance of the crane is more obvious, and it is ready to come out. Let us get noble artistic enjoyment from it when we clap for its outstanding skills, as if happiness and auspiciousness are close to us, so that we are full of beautiful vision and pursuit of life. It is no wonder that Mr. Jiu Wei's works are cherished by the Hong Kong SAR Government, the Macao SAR Government, Tsinghua University, Nanjing University, the 29th Olympic Games, the Central Commission for Discipline Inspection, as well as dignitaries, celebrities and museums, foundations and private individuals at home and abroad. The Ministry of Culture and other units have awarded honorary titles such as "Excellent People's Artist", "Chinese Calligraphy and Painting Famous Artists Charity Contribution Award", "World Famous Calligraphy and Painting Art Celebrity", "Most Collectible Artist in the Contemporary Chinese Calligraphy and Painting Collection Market" and so on.
The modernity of pen and ink art is rooted in the function of social application and realism. At present, there have been two extremes, one is the fault: because of the special facts of Contemporary Chinese history, there is no successor to the traditional painting methods of the older generation. On the other hand, the impact of Western ideological trends has confused the square inches and is at a loss. The second is metaphysical: either it is painted according to the gourd, which is tasteless. Or it's weird and weird. Mr. Jiuwei "prophetic foresight", put his foot on the painting body, cognitive science, hard exploration, steady and steady, from the past only sociology as the yardstick, back to the art as the yardstick of the painting standard. He has a unique and diligent study of the traditional essence of yangzhou's eight monsters, and has embarked on a humanistic-oriented way of crane painting. He combines his thick modeling skills (figuration) with the charm (abstraction) of pen and ink, and integrates diversified painting elements with the true ability of pen and ink, including the delicate and ethereal lines of Chinese painting, the subtlety of ink and dyeing, and the luster of Western oil painting. Like silk, like water, like jade. Gentle as still water undercurrent, clear wild crane clouds, touching the soul. Mr. Nine Strange danced with the crane, reflecting on life, faith and morality, and calling on human beings to advocate natural laws, love the natural environment, transcend the value of life, and inspire spiritual liberation. The art brand created by Mr. Nine Monsters pursues the spiritual enlightenment of Vientiane and draws the meditation of the soul. Considering the novelty of the eight monsters of Yangzhou, it entered the realm of "seeing water or water, seeing mountains or mountains". Painting cranes, painting stones, painting plums, painting bamboo, bamboo characters... Hands for the voice of the heart, induction of the universe, shake the soul!
When the crane wind blows overhead, the agility from the lakeside of the vast plains triggers the acquaintance of the wind and the people. Deterrence from the ends of the earth provokes deep compassion and awe. When the art of the Nine Monsters is perfected day by day, the sublimation of cognition is inevitable. When the golden aura increases day by day, the law of value will also be highlighted to a certain height.
Great art, oriented to the hearts of all mankind. Cognition is a window, and the works of any era are paying attention to and finding themselves, which is a mystery. What is the ego? Of course, the mystery is in the beauty, in the self-feeling. Otherwise, the bamboo stone of the Zhengbanqiao school will not be of great value, and the world will not be surprised by the foresight of the eight monsters of Yangzhou. At present, Mr. Nine Monsters' ink vocabulary is magnificent, vivid, full of passion for life, ranking nine monsters, and more innovative than eight monsters. The enormity of his works and the depth of their meanings enlighten the mind and inspire future generations. His ability to control the art of painting is so magnificent and easy to maneuver, which is uniquely unparalleled in contemporary times. Its love is indulgent, the otherworldly crane style, like stepping into the chinese world, unparalleled, attracting people to pride and pride. Once we resonate with cognition from the meditation, the joy of encounter is the charm of exquisite crane paintings, which is a brand that has reached the international standard of nine monsters. Ancient and modern, Chinese and foreign, thousands of crane painters, all the paintings are all in full view, and the clear-eyed people can also recognize the strange and strange strokes of Mr. Nine Monsters at a glance, which is the special independence of the "strange" of the Nine Monsters. In the vast heavens, the breath of this crane wind, the clear sound reverberating between the valleys, I think, no one does not want to pass on the beauty of the art of the greatest generation forever!
Author: Moth Eyebrow E Light Sweep (Lei Shuya, Moth Eyebrow E Light Sweep, post-70s female writer, CCP member, cultural scholar, famous senior art critic, deputy secretary-general of the China-Thailand Literary Federation, literary consultant of China Banqiao Academy of Calligraphy and Painting, etc. )
Xinhua Online Network - When the crane wind blows overhead
Chen Jiuwei, the first person to paint a crane in China, is a picture book of the red-crowned crane in the National Bird Red-crowned Crane Museum
Beijing Cultural Center, senior producer of political discussion films, editor-in-chief of China Policy Network Zhang Huaxia collects the first person in Chinese painting crane Chen Jiuwei's authentic ink treasure "Fude"