Shi Jianjun's painting "East View of Yanyuan Garden" Courtesy of the painter
Beijing, April 16 (China News Network) (Reporter Ying Ni) "Remembrance of the Realm - Shi Jianjun Painting Exhibition" opened at the National Art Museum of China on the 16th.
The exhibition is sponsored by the Federation of Literary and Art Circles of Hengyang City, Hunan Province.
The exhibition exhibits more than 50 of his works, and the painting language of the works is constructed on the Western visual system, and the Eastern context is continued, creating a Chinese artistic conception at multiple levels such as shape, composition, narrative mode, and spiritual expression, which has unique contemporary significance.
"Compared with the natural landscape in reality, I prefer the landscape of the humanistic context." Shi Jianjun said that after hundreds of years of evolution, Chinese painting embodies the spiritual appeal of Chinese literati to natural landscapes and carries all the spiritual ideals of Chinese.
Shi Jianjun's painting "Qingying of Lakes and Mountains" Courtesy of the painter
"I pay more and more attention to the Chinese experience in my paintings, the so-called Chinese experience such as Chinese modeling, China's unique composition methods, and even the traditional narrative methods and the creation of spiritual artistic conceptions." Shi Jianjun said.
Shang Hui, director of the Art Theory Committee of the China Artists Association and editor-in-chief of Fine Arts, said that the oil paints of Shi Jianjun on display this time repeatedly sketched these curved scenes that constantly gave people reverie with simple and thick pigments and brushstrokes.
The commentary pointed out that Shi Jianjun's oil paint Jiangnan wrote the parting through a strong expressiveness, which showed composure, coldness, psychedelic, melancholy and bitter melancholy.
"He used the language of oil painting to interpret more deeply the deep meaning of 'the sound of the willow flute in the evening wind, the mountains outside the sunset'." Shang Hui said that the realm of remembrance has become the spiritual core of the painter's artistic language transformation of oil painting, and has extended the reader from his brushstrokes and colors to a deeper place.
Shi Jianjun's painting "Spring River Water is As Green as Blue" Courtesy of the painter
Shi Jianjun, born in 1969 in Shaodong, Hunan, graduated from the second studio graduate class of the Oil Painting Department of the Central Academy of Fine Arts, and is now a member of the China Artists Association and the China Oil Painting Society. Shi Jianjun's paintings are committed to exploring the transformation of traditional elements in a new context, so that traditional images can be revitalized.
It is reported that the exhibition will last until April 27. (End)