Watching "Mountains and Rivers moonlight", two things are the most enjoyable:
One is to "review" the history of Ming with the plot; the other is to "open the blind box" and wait for every historical figure vs the appearance of the old drama bone:
Zhang Fengyi, who played Cao Cao and Ji Zongbu, played Xu Da.
And Xu Da (brave + cautious, chivalrous + good planning) is just the "combination" of Ji Zongbu + Cao Cao.
Chen Baoguo plays Zhu Yuanzhang. He is recognized as a combination of great man +, and the domineering, bandit and bone qi on the body are three in one.
This temperament plays the role of Ming Taizu, who was born in a peasant uprising and is the only one in ancient China who does not cut the land, does not pay compensation, and does not make peace, which is too suitable!
He Shengming vs Prince Zhu Biao.
This "brother" who was born in "Yu Zheng Opera" and played the "Prince" in the main drama this time cannot but turn around gorgeously.
Zhang Guangbei (Lü Bu) plays wang Baobao, the "god general of the Yuan Dynasty";
Du Yuan (Captain Pan in Yuguanyin) plays Hu Weiyong...
Why watch these old actors appear on the scene is so enjoyable, we come together [a flash of inspiration].
Zhang Fengyi and Xu Da are similar, and Chen Baoguo performs Zhu Yuanzhang's Yizhuang Yi evil
It is said that Chen Baoguo and Zhang Fengyi are both "imperial professional households", why did Chen Baoguo play Zhu Yuanzhang and Zhang Fengyi play Xu Da?
The answer is "more fit"! Zhang Fengyi has a "military face," while Chen Baoguo's temperament is more like a wild leopard; Zhang Fengyi is good at playing "elites," while Chen Baoguo can play small characters more authentically.
"Mountains and Rivers and Moon Ming" writes about the unique perspective of royal life, which requires the emperor to "have the temperament of a small person" and have flesh and blood.
For example, Zhu Yuanzhang loves to eat the small stove made by his wife, he eats here, and Empress Ma takes the soles of her shoes over there, and what she wants is the feeling of "Zhu Family Courtyard".
"Tell the big lady of the Xu family to enter the palace, prepare more good things, and let your mother reward her!" To express the joy of marrying a daughter-in-law, the most simple language is used;
Occasionally, a little bit of the loneliness of the "self-made" overlord will be revealed.
"Lao Tzu is asking his sons to be generals who lead soldiers, not to let them do the business of white knives entering and red knives coming out!"
When he was distressed about his son, he was in a hurry, and the words of scolding Xu Da were difficult to hide;
I heard that Xu Miaoyun put the gifts that hundred officials gave to Xu Da into the old Zhu family's warehouse, and Zhu Yuanzhang showed a naughty face of "digging the foot of the wall"...
This kind of taste of both solemnity and evil, only Chen Baoguo can perform the meaning.
Let's talk about Zhang Fengyi. People who know the history of the Ming Dynasty can feel the "god-likeness" of Zhang Fengyi and Xu Da.
"Born from a peasant family, with a clean face, slightly tall cheekbones, and a large figure..." Xu Da's appearance in the history books is according to Zhang Fengyi's good looks.
Hearing that Zhu Yuanzhang was going to marry the eldest daughter to the fourth elder, Xu Da stood up urgently:
"I said old brother, what are you doing here?" My eldest daughter is like a flower, but your fourth elder..."
The cute and straight lines and body movements instantly explained the true friendship between the two.
Unwilling to return unhappy, I turned my head and properly arranged the old fourth... Not only did he save face for his son-in-law and himself, but he also solved the problem for zhu Yuanzhang, the "elder brother".
While leading the Northern Expedition to Mongolia and turning the tide, while lightly handling the relationship between monarchs and family ethics, it cannot be said that it is exquisite.
With only one branch line and two sets of plots, the character characteristics of the general are clearly explained -- Zhang Fengyi's Xu Da is loyal and courageous and highly intelligent, which can be described as "god-like"!
From the sweet pet brother to the prince of the main drama, the 47-year-old He Shengming successfully transformed
In just 6 episodes, "Young Old Actor" He Shengming was also widely acclaimed:
He Shengming's Zhu Biao is not only good in the image, but also in his different identities of the characters, targeted small design:
To his younger brother Zhu, Zhu Biao was considerate and kind. In the "Fengyang case," he asked Zhu Di to withdraw because he was "reluctant" to be his brother.
To the daughter-in-law, Zhu Biao is a bit of machismo, and the princess intercedes for Lan Yu, and he scolds "The benevolence of the woman, what do you know?" Xiao Ci doesn't care about it, then chaos big mercy! ”
In front of the "father", he is a loyal subject, a filial piety, a body self, a staff officer, a student... As long as Chen Baoguo and He Chenming are in the same frame, you can feel the subtle "flow" of father and son, and there is a "sense of family property" in which father and son conspire together to conspire with the world.
Of course, when his brother disobeyed, Zhu Biao also had the majesty of a crown prince:
"Two ways, either, to the land of Jiangnan anointed to be a runaway prince." Or marry Xu Miaoyun, stay behind as the right arm of the eldest brother, and be a King of Sai who guards the frontier for Daming. ”
At this time, Zhu Biao's eyes were firm, his heart was strategic, and he looked like a Confucian and Mingjun! It is conceivable that if it were not for his untimely death, Zhu Di might not have been able to reach the side of the emperor. The "style of the first prince of Ming", which is often ignored by Ye Shi, can be regarded as letting He Shengming give him a "correct name"!
12 years ago, He Shengming was the "post-70s traffic" praised by Yu Zhengli, and after the fire of the "Palace" and "Beauty" series, he became synonymous with the first batch of "small fresh meat".
But after 2016, he almost disappeared from the screen. Because he wanted to take another actor route, he had a violent conflict with Yu Zheng's "playing style".
After bidding farewell to the past, He Chenming transformed into a realistic drama and a positive drama and reshaped his actor line.
From a few years of no drama to receive a number of plays as a supporting role, today's He Shengming finally jumped out of the circle of "traffic actors" and became a stable supporting role in the main drama.
A traffic actor, who goes to the middle age to be a "match" in the main drama, this two-way choice is "one out of a hundred". And walking into the circle of positive drama, and can act well, it is a "one in a hundred", which is called transformation success.
He Shengming himself expressed his mental journey:
"When you really calm down, the noise will disappear, and you will talk to yourself and you will know more clearly what you want and what to do." The ideas that arise after the dust settles are actually very simple and grounded. ”
He Shengming after the "dust settled" is also a blockbuster [Like]
Zhang Guangbei and Du Yuan: From the "first brave professional household" and "public security bureau chief professional household"
There are also two veteran actor professionals who have to be mentioned: Zhang Guangbei and Du Yuan, who play Wang Baobao and Hu Weiyong.
In "Mountains and Rivers and Moonlight", these are two important villains: one supports the main line of "internal troubles" and the other is responsible for the main line of "external troubles".
They were all military generals and courtiers whom Zhu Yuanzhang liked very much, but "could not ask for" but could not be asked for.
Historically, in order to recruit Wang Baobao (Expanding Timur), Zhu Yuanzhang wrote letters seven times to persuade him to surrender, and also praised him as a "strange man" in front of officials of this dynasty. In the play, the King of Qin marries Wang Baobao's sister, also to recruit.
Wang Baobao's status as the "First Brave General" resembles Lü Bu of the Three Kingdoms and Chu Yunfei in "Bright Sword". So, let Zhang Guangbei play Wang Baobao, just right!
Zhang Guangbei was born in a military family, joined the navy at the age of 17, and his military career made him feel handy in the future.
Remember Lü Bu at that time: his eyes were as fierce as a falcon, his temper was like a tiger and leopard, he walked back and forth, pressed his sword and gritted his teeth, and he was about to explode at every turn, but when he encountered a mink cicada, he was instantly "numbing his claws", and he was too impressed [cover his face]
In "Mountains and Rivers And Moons", Wang Baobao's daughter Princess Fu Li was arrested, and he instead shouted "Good"!
"How can one of her lives be compared to the lives of thousands of people?!" At this time, Zhang Guangbei reproduced the decisive "Lü Bu Wind" of killing.
Wang Baobao was not as brave and fierce as Lü Bu, but he was more scheming. "Zhang Guangbei" is no longer "the courage of a puppeteer", but has a terrible city government... Looking at Zhang Guangbei's face, there was a sudden sense of "upgrading" of the game character [covering his face].
The actor who plays Hu Weiyong, many people look at the face and can't remember the name - yes! He is Du Yuan, a "professional household director of the Public Security Bureau".
In "Jade Guanyin", Captain Pan of the anti-drug brigade played by Du Yuan understands, loves and maintains peace of mind, positioning the "white moonlight level leader" in my heart.
Du Yuan of life is also "white moonlight": he and his wife met at the age of 4, shared the same table from primary school to junior high school, married at the age of 25, and in 40 years, raised eyebrows.
The actors who are "decent" to the extreme inside and outside the play, this time they played the "anti-minister" Hu Weiyong in "Mountains and Rivers Moon Ming".
Du Yuan played Hu Weiyong, and there are two scenes that are unforgettable:
First, Li Shanchang broke the sky, saying that it was not Liu Bowen who was promoted this time, but he Hu Weiyong.
When Du Yuan listened to the news, the whole person leaned forward, and the heart of devotion and eagerness was about to come out.
Knowing that "Zuo Xiang was actually myself", he happily stepped back, shook his hands, smiled and immediately closed it, and gave Li a long wave, pretending to be trembling: Only the old Xiang Guoma is the head of the horse.
In the second scene, Zhu Yuanzhang asked him about the Fengyang case, Du Yuan seemed to be respectful, but in fact he raised his eyes to peep while answering, originally saying that "it is not appropriate to suddenly rise to the prison"...
But looking at the emperor's eyes a little harshly, he changed his mouth: Can't do it;
Pondering the emperor's thoughts, he added: "We cannot be strict, we cannot be too strict, especially not by the emperor." ”
This "favored courtier" who "looks at the eyes and acts" and expresses the sense of proportion of the character's mentality (this is the early stage of Hu Weiyong's acquisition of Zhu Yuanzhang's favor, and he has not yet been overwhelmed), which can only be described by the shooting!
When Du Yuan was young, he was limited by his appearance, the dragon set acted for a lifetime, and the good man acted for a lifetime, but at the age of 65, he challenged the "anti-subject" of a historical drama.
Generally supporting actors reach this age, I am afraid that there is no drama to take on for a long time, Du Yuan instead went against the current, the older the rice bowl is more secure, ", this is also a "miracle".
The popularity of the old actor "professional household" should make the young actors reflect
The veteran actors who raised the average score of "Mountains and Rivers and Moons" are all "professional households" and "internal skills" specialized in certain role types.
Zhang Guangbei played a brave general all his life and was firmly rooted in a role type; Du Yuan played a role into a role, relying on word of mouth to win the transformation opportunity in his later years;
Maybe the industry atmosphere in that era was better: there was no traffic, no talk about appearance, only "grades": every time they acted in a play, the actors were like a test, humbly waiting for the audience and the director to "score".
Therefore, actors are also more willing to plunge into a type of role and become an "expert actor", commonly known as a "professional household".
Now the industry is based on commercial value, natural young actors also follow the "general direction", "professional households" face faults.
In addition, he Shengming's transformation is also worthy of reflection by young actors.
At the time of the He Shengming fire, the traffic drama just happened to be popular, but He Shengming retreated bravely, pondered the "road he wants to take", and through 12 years of thinking and transformation, he was upgraded to a full-time actor.
He may realize that the "net red script" manipulated by capital can only be popular in the short term, and the industry's demand for "fresh meat" is also a whim. Therefore, if you want to accumulate deeper, you must transform.
After all, the awakened people in an industry are a minority. Stubble after stubble of young actors planing "youth rice", few people are willing to become professional households.
Let me ask, when one day the industry is clean and high-quality scripts are popular, how many actors can turn around like Du Yuan and He Shengming?