Lu Shanji (鹿善继), courtesy name Boshun (伯顺), was a native of Dingxing (定興, in modern Baoding, Hebei), and was a powerful subordinate of Sun Chengzong. Zu Jiuzheng was a jinshi in wanli, and was known for his love for the people and outspokenness, and his father was suffering from self-improvement, anxious for people's difficulties, and poured his family at all costs, calling Lu Taigong. Lu Shanji was born in the third year of the Wanli Calendar and has been his mentor since childhood with his grandfather and father. In the forty-first year of the Wanli Dynasty, he became friendly with the Donglin party members Zuo Guangdou, Wei Dazhong, and Zhou Shunchang, and was later appointed as the head of the household department. During the Liaozuo War, the military salary was in a hurry, and Lu Shanji said: "Instead of asking for the money that is not issued, why not leave the gold that has not been entered." "Acting randomly, instead being demoted and out of the way."
Guang Zongli, reinstated official. From Sun Chengzong's view of Yuguan, there are many achievements, "Chengzong relies on the right and left hands", in the four years of Guan, the progressive member wailang lang, Chengzong thanked the deeds, and the good succession also returned. He also raised funds to rescue Zhongliang Wei Xuehuan, Zuo Guangming, and Zhou Shunchang, who were murdered by the castrated party. In the first year of Chongzhen, the rebel party was accused, and Shan succeeded Shang Baoqing to move Taichang Shaoqing to manage Guanglu's affairs, and then asked to return. In July of the ninth year, the Qing army attacked Dingxing, and the officials in the city ended up defending, and his father said: "Oh! Wu'er has always promised the country with his body, and now that he is dead, he regrets what a pity! "Gift to Dali Temple, Yu Zhongjie."
Lu Shanji has a volume of poetry collection "No Desire To Zhai Poetry Banknote", and the "Siku Quanshu Bibliography Series" is included. The Compendium of the General Catalogue of the Four Libraries states that Lu Shanji "became awe-inspiring in his righteousness, and his poetry was also full of vigor, but he was impatient with bitterness and groaning, which was inevitable to lose his rudeness." A considerable part of his poems are written for the needs of socializing, and they are written rashly, cannot be implicit, and do not achieve the poet's own proposal of "history in poetry" ("Back to Xu Hengshan Book"). The so-called "vigorous qi" is mainly embodied in the seven ancient qi through, or a rhyme to the end, or four sentences to change rhymes, such as "Snow Collection Shu Xiao Pavilion Mural Wind Bamboo Moving Plum Reflection This":
Yan Yun roared in the wind one night, and the snow flakes were as big as a hand. The host was hospitable and full of jade bowls of wine. Yin Tun once said that the snow was high, and Qiankun was now Wu Cao. Don't be red in front of the bottle, and love the cold plum rhyme to make trouble. The immortal standard is different from the mortal species, and the katsumi is proud of the snow. Why look back and remember Xiaoxiang, painting bamboo between the walls is even more bizarre. This thing is very different, and a few feet dry and self-righteous. Every laugh just around the fingers, please watch the festival when the wind. Bamboo plums cover up the competition, and the heavenly workers skillfully provide clear words. It is like a bamboo pavilion, and it is also a cold plum like a picture. The scenery can make the lei block disappear, and the encounter is arrogant. Li Yixing forgot about the guests and the host, and searched for good sentences and deliberated.
Writing about the pride of gathering friends, appreciating paintings and drinking, the poems of predecessors are used by hand, such as Li Guangdi's evaluation in the "Rongcun Collection": "The zhongjie lugong poems, like those who practice straight spit, and the song turns to, so that if the reader sees and hears the color of his righteous form and the sound of indignation, he is affectionate and far-reaching, enough to pour out his cowardice in infinity." ”
The middle-aged experience of going out of the plug to defend has also achieved Lu Shanji's side poems, such as "Out of the Plug Two" and "The Middle Right Does Not Sleep", the latter of which "The border city Shuo wants who wants who, and the cold branches of the birds are frightened." Unique su xin to see the cold moon, willing to save the heavenly river from the hero" sentence, vigorous and powerful.
Lu Shanji uses more casual ancient styles, more uses daily poetry colloquialisms, and has a larger random component, and loses the rhythm and rhythm of poetry, that is, there is a so-called "rough rate" disease. In long poems, the author often uses thimble rhetoric, but it is mostly used in the first few sentences of the poem, which highlights the loose structure of the second half. This drawback is less common in relatively shorter near-body poems. For example, in the "Gurudwara Yang Zhongxuan Ancestral Temple" that commemorates the hanging of the former sage, "I want to see the meaning of the buried wheel, I still hear the sound of the sword"; and the sentence "The absolute top of the sky is what is the emperor, and the Dan heart is the cold wind" in the "Hanging Wen Shan Second Song", are all dashing and have a wind god. The disease of insufficient deep vigilance makes "No Desire Sai Poetry Banknote" tend to be typed, and it is easy to get bored by reading more. Sun Qifeng called Lu Shan jiwei a poet and scholar in the "Preface to the Beihai Pavilion", and it can also be seen that the direction of his efforts is not in literature.
Lu Shanji's son Lu Hualin (鹿化麟), the character Shiqing, was the first in the first year of the Apocalypse, and although he rose early in the literary reputation, "Ran Shijin's thoughts were faint" (Sun Qifeng's "Beihai Pavilion Collection" preface), and was not called by the imperial court. After his father's martyrdom, he asked for his father's life. After being slandered, there is the "Beihai Pavilion Collection" passed down. Although born in the Ming Dynasty, Lu Hualin was not contaminated with the retro customs popular in the Ming Dynasty, but pursued the theory of the true color of the ming heart. In the "Preface to the Collection of Fanfang", it was once proposed that today's authors are "based on the natural nature of the best, from the temperament to imitate the teacher's method is high, gradually become the evil way, against the palm of the Ao, the heart of the charity of the people laughingstock", and praised the friend Mi Sheng's poem "the true color is high, and there is no word sent to the fence also".
There are more than 210 poems in the Beihai Pavilion Collection, mainly in the near body, and there are more works such as entertainment, singing and farewell. The excellent chapters are works that originate from emotion, such as the Seven Laws of "Golden Platform": "Alone on the high platform, I feel deep, and where to find gold in the wilderness." At that time, the city jun was discharged from the clouds, and today the dragon entered the night. Half an acre of artemisia, a river of wind and rain and autumn yin. The natives pointed out to the Xiao Temple, and the long roaring empty mountain knocked the sword hammer. "Sighing about the ancient events, the bleak scenery lining the low wandering feelings; "Passing the Tomb of the Female Brother": "Every time a towel is touched here, for eighteen years people in dreams." When it comes to survival and suffering, the feelings of love and flesh are new. Pine catalpa from the dark pigeon original tears, ring Pei empty doubt crane cousin god. □ asked Brother Ah now the boss, Yuan Ting did not raccoon mink dust. "In the deep remembrance, there are also touching points about the sadness and sorrow.
Skilled writing skills have produced more poetry, but it is inevitable that they will appear superficial in genres such as ancient poetry and the seven laws that require momentum support. This point is similar to the Lu father and son. Lu Hualin's last sentence expressed a moment of emotion, and he waved his pen, all of which looked like a wind. as:
Spring breaks and autumn is broken and broken, who pity the guests to stay in Chang'an. The Ming Dynasty returned to Sangganyuan, and the west wind of Mashou was white and cold. ("Will Return home and leave another confidant" Part II)
In the past years, the spring snow was stationed in Zhengyi, and the stars gathered in the river to dry up and repeat the third year. Today's New Year is still snowy, and Sijun is already in the south of the river. ("The New Year Sends The End of Life Like Min Ten Absolute Sentences" of its ten)
The former writes about loneliness after parting, and the latter writes about lovesickness after parting. Others such as "Sunset Fisherman Song Nai, Yu Yu Gull Bird Point Han Ting." ("Watching fish after the rain") "After the bamboo is gone, the window above the shadow is shaken." ("Friends Don't Meet in Books")
Lu Hualin also composed seven poems, all of which are social singing and harmony works, such as "Xijiang Yue, Late Spring, That is, Jian Du Junyi": "The bucket tent dawns at the beginning of sleep, Yu Xiang alone destroys the spring clothes, and the silver and jade le step on the Fangfei, just in the sunny weather." Man beckons to the fans, who is the wine for this dynasty? The peach branches of the heavens have been scattered, and I asked the begonias? "Write the scenery of spring and shan shan, use the meaning of Yi'an words, and express the feelings of spring."
On the whole, Lu Hualin's words are not traditional extravagant or elegant, but more similar to the Song female lyricist Li Qingzhao. The use of the sentences of the predecessors is its common technique, such as "Dongfeng Qi Li Li Zhi Zhi Du Ji Mei", "non-Guanzhong wine, half pity flowers", li Qingzhao's "non-dry and sick wine, not tragic autumn" ("Phoenix Stage Reminiscence Blowing Pipe"), "Partridge Day , Summer" in "Oblique wind and drizzle, the new and Yuan Zhen association." Zhang Zhihe is used in "Oblique Wind and Drizzle Do Not Have to Return" ("Fishing Songzi"), "Nanxiangzi Xu TaishiJuzi" in "Today's Sang Arc Period is not shallow, Yingyou, and the birth of children should be like Sun Zhongmou!" "Directly use the words of Xin to abandon the disease. Lu Hualin had the courage, integrity, and talent, but only died young.
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Liu Wanchuan, male, born in February 1977, a native of Luannan, Hebei Province, is a member of the Communist Party of China. He graduated from the Department of Chinese of Hebei Normal University west campus in 1999 with a bachelor's degree in literature, graduated from the Department of Chinese of Xiamen University with a master's degree in ancient Chinese literature in 2002, and graduated from the Department of History and Philology of the Department of History of Xiamen University in 2010 with a doctorate degree in history. In 2017, he left the postdoctoral mobile station of Chinese Chinese And Speech Literature in Hebei Normal University. In July 2002, he entered the College of Literature of Hebei Normal University and was promoted to professor in December 2020. He is mainly engaged in the study of Tang Dynasty literature and history and overseas sinology, and is a member of the Chinese Wang Wei Research Association and the Chinese Lefu Society.