Don't talk about gossip.
The fifth generation of directors, mostly young directors who graduated from the Beijing Film Academy in the 1980s, such as Zhang Yimou, Chen Kaige, Tian Zhuangzhuang, etc., in the special context of the times, their creations look back at history while looking into the future. The gorgeous and rough scenery of the northwest and the beautiful scenery of the grassland with abundant grass are all the romance that belonged to the literary and artistic youth at that time.
▲"Red Sorghum"
▲ "Horse Thief"
Later, the director is no longer only academic can do, the Chinese opera to learn to perform the Jiang diploma "sunny days" "debut", the army out of The Feng Xiaogang from the art assistant to become the king of the New Year film. Their presence confirms the phrase "heroes do not ask for provenance".
Then again, no matter where the graduate school is and what the growth environment is, the five generations of directors seem to have reached a consensus in the dark: love to shoot their wives.
In 1994, Feng Xiaogang directed his film debut "Never Lose My Love", and his relationship with his wife Xu Fan originated from this.
Xu Fan was born with a green-clad appearance, a slender body, a beautiful face, and compared with her peers, she was more stable and imposing. When I was young, my full cheeks were paired with watery apricot eyes, and I looked left and right as a spiritual word.
▲ "Not Seen, Not Scattered"
From the first cooperation, Xu Fan and Feng Xiaogang always appeared in the binding. Feng Xiaogang, who has done film art, is not the same as your boyfriend who shakes his hands as soon as he takes a picture, she knows too well how to make people look good, Xu Fan in Feng Xiaogang's works from a young girl all the way to a middle-aged mother, although the drama path is changing, but people are always beautiful.
▲ Tang Lijun, the big star in "Party A and Party B", held the Golden Rooster Award and shed tears
For many years, when Feng Xiaogang directed "Only Yun Knows", he arranged such a role for Xu Fan to wear a cheongsam - the landlord Mrs. Lin. Elegant, intelligent, and straight.
Many shooting angles are almost the same as in "Party A and Party B" that year.
At Gu Changwei's 32nd birthday party, he met Jiang Wenli, who accompanied his friends to the scene, fell in love at first sight, and after his birthday, he launched a fierce pursuit, sending gifts and writing love letters... In 1992, Chen Kaige filmed "Farewell to the Overlord", Gu Changwei was in charge, and the role of the prostitute in the movie became a "promise of love" between the two people.
There are not many shots, but they are played by Jiang Wenli as a textbook level. Over the years, if someone wants to talk about "Farewell to the Overlord" at length, it will definitely start from Jiang Wenli's posture when she kneels and the look in her eyes when she looks up.
▲ "If you take him, you can do whatever it takes." ”
Who looked at it without sighing, Jiang Wenli at that time, but really water spirit.
Later, Gu Changwei himself became a director, or filmed Jiang Wenli, but the style was very different,
▲"Li Chun"
Compared with the above two, the two of them shoot their wives more often
The soul of Jiang Wen's directorial work is his wife, Zhou Yun.
Jiang Wen always left the most glorious role to Zhou Yun, and her beauty was displayed vividly under the lens, no longer just "the lover's eyes out of Xi Shi", the audience's eyes were also firmly hooked by Zhou Yun.
In "The Sun Also Rises", she is a crazy mother who dares to love and dare to hate.
In "Let the Bullets Fly", she is pregnant with drumming skills and follows Huang Silang's Fengyue girl Flower Sister.
In Zhou Yun's temperament, elegant with calm, gentle with nobility, she does not often use gorgeous clothing and makeup to embellish herself, but it gives people the feeling of shining.
In "One Step Away", Zhou Yun incarnated as a royal sister Wu Liu, who was true in temperament and sensible, which was perhaps the most in line with Zhou Yun's own role in Jiang Wen's works.
Her demeanor was clean and self-assured, and there was a natural clarity and complete purity in her bones.
When the sexy red lips and neat hairstyle outline the calm and calm face, it is another cold sense of heroism, calm and atmospheric.
"Evil does not pressure the righteous" She is the first tailor in Beiping, Haojie Guan Qiaohong, and her every move exudes charm and fascination.
"Jiang Wen is the most beautiful of all Chinese directors who like to take their wives in movies – there is no one." Some netizens praised.
Some people say that Jiang Wen's film is like recording his growth, a boy gradually becomes a man, in the middle of which he hesitates and makes mistakes, and finally understands responsibility and responsibility.
Growing up in this boy, of course, he will meet all kinds of different women, some are red roses - passionate, unrestrained, feminine, let you lose your mind in the gentle country, and some are white roses - pure, stable, and can be assured of repentance in front of her.
▲The source of the picture comes from: Sina Weibo @MMoEE
The white rose is not a small white rabbit, simple and immaculate to understand nothing, but "I understand, but do not say" . You see, isn't this Boss Zhou?
At the press conference of "Evil Does Not Pressure Justice", Jiang Wen was asked why Zhou Yun was the producer, and Jiang Wen laughed and said, "Wenzhou people, people must be the boss." ”
Whether it is the promotion and distribution of the film, or just the selection of the film poster, it is the personal supervision of Boss Zhou.
And when Zhou Yun was asked, "How did you tie up Jiang Wen's heart?" ”
She replied, "Why do you want to tie it up, he still has to tie my heart?" "
Chen Kaige is not unable to shoot a beautiful wife, although the shape in "Wuji" is not understood by ordinary people, but if you look at this one, it is also from Chen Kaige's hand.
Chen Hong and Chen Kaige first met in the crew of "Farewell to the Overlord", when Chen Hong was not the first beauty in the mainland, but only came with friends to see the big star Zhang Guorong.
Recalling the scene of the meeting that day, Chen Kaige said: "It is very beautiful, I learned to compose, she is like an oil painting. ”
Chen Hong was born with a kind of rich beauty, her face was like a silver basin, and her eyes were like water apricots. The square circle face of the atmosphere has a dignified sense of being able to suppress the array. The lines of the facial features are also exquisitely shaped, adding a gorgeous beauty to the face.
Even if you dress coolly, you will not look frivolous.
In "Wuji", Chen Hong plays a full god, with a flowing hairstyle with aperture, an excessively high hairline exposing a broad forehead, the smudge at the end of the eye extending outward, and the lip color is almost concentrated on the lip beads. Such a shape, but also her flower appearance can hold up.
In "Search", Chen Hong is dignified and exquisite, her face is round and full, and the low pill head is slightly curled up, with atmospheric jewelry accessories, showing the image of peony-like wealth and wealth.
Over the years, Chen Hong mostly appeared as a producer, "The Legend of the Demon Cat" is a work she and her husband Chen Kaige completed together, when Chen Kaige, who was rumored to be "Jiang Lang's talent", wanted to restore the magnificent atmosphere of the Tang Dynasty, chen Hong worked hard to promote. When Chen Kaige was worried about the casting of Chunqin, Chen Hong recommended Zhang Yuqi. The five generations of directors may not be fake overlords, but the women behind them are all real Yu Ji. In this way, the spring qin in the original work was able to jump on the screen, vivid and full of spirit.
The reason why the fifth generation of directors has become a legendary generation is not only to see their growth background, but also to see the people who stay in their lenses and accompany them.
Image source
Sina Weibo / Douban
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