Skimming and painting are the flexible strokes in a word, as the saying goes: skimming out the tip. Skimming strokes directly determine the temperament of a word, and two strokes in a word often appear together, so is there any intrinsic connection and conventional good way to deal with writing two strokes? In the daily pro pool, the individual summarized the following points of attention:
First, the skimming is all over the sky, and the upward and downward curves are bent.
The long stroke runs through the whole word, the upper part of the skimmer should be straight, the line is fast, the tail should be bent, gradually stretched, light and sharp, and the loop at the beginning of the next stroke echoes:
Second, the double skimming is short and longitudinal, and the lower skimming is to the upper chest.
Next to the double, the upper skim should be short and straight, the lower skim should be slightly curved, and the lower skimmer pen should be aimed at the upper middle position of the upper stroke:
Three, three strokes such as parallel, lower strokes in the middle and upper.
Three apostrophes stacked, the direction of the lower skimming pen should be aligned with the middle position of the upper apostrophe, generally should be used to bend the apostrophe, do not parallel between the apostrophe and the apostrophe, there is a change to show agility and vitality:
Fourth, skimming is like a dress, and it is difficult to mop the ground.
For symmetrical strokes, and separated by the main stroke, the position of the apostrophe and the foot should be higher than the end of the strokes separated, and the whole word will be flexible and not dragging:
Fifth, the skimming is used as a support, and the contact point should be centered.
The bracket of the apostrophe (there is no other main stroke under the apostrophe), the junction of the apostrophe, should be on the central axis of the word:
Sixth, there are crosses in the skimming, and the intersection point is not good.
To undertake the upper part, the stroke on the bottom has a crossed word, and the position of the cross should be located on the heavy vertical line of the upper part:
Seven, flat wave to the side, the root through the right shoulder.
The flat and long starting pen should not be too light, the left bend should be short, the wave is early, the lower edge of the head is generally not lower than the upper edge of the foot, and the heel (where the pen is) should be aimed at the right shoulder of the upper part:
The above is intended to represent Junhe's personal views, for reference only! If there is something wrong, I hope not to hesitate to criticize and correct! I wish you progress and success in your learning of calligraphy.