This series is a record of the daily calligraphy practice of a beginner in calligraphy, not for "drying", and the door is not in the good "sunning". At the same time, it is also used as a fixed lesson, diligently practiced, and integrated into daily life, that is, it is written with comfort and nourishment.
1
Calligraphy and daily writing
It's trying to write on the floor, scrubbing is too much trouble, just experience it. Friends said that it became the road boss also, really like that, it is also very good. The balcony is sunny, so trying this is also a sudden idea. It is also too long to control the epidemic.
Write a little Chu Suiliang's big character Yin Rune Sutra every day, and when you write it, there is a kind of horizontal opening and cross opening.
Shi Chenbei, this time did not write out the feeling, forcefully restrained.
Try writing a stone drum essay.
Ceremonial monument, continue to practice. One piece of paper per day.
Suo Jing's Ode to the Teacher and the Moon Ceremony. The Book of Chapter Grass, a kind of cursive, the predecessor of small cursive.
The neighborhood was empty, and suddenly the poem came to mind. So I wrote it down by hand. Count it as everyday writing.
2
Book study
The Theory of The Pen Essence and interpretation of truth
The pen is no more than six inches long, the grip is not more than three inches, the real line is two grass three, and the fingers are real. Right Junyun: Books are weak and paper is strong, pens are strong and paper is weak. The pen is strong and weak, and the weak are strong. If the wheel is flattened, it is not slow or sick, and it is obtained from the heart, but should be in the hand, and the mouth cannot speak. The breeze is light and heavy, if the floating clouds are covered on a sunny day, and the waves are cut off, like a breeze shaking on the blue sea. Qi is like a galloping horse, but also like a hook, the change is out of the heart, and the magic should be used by the hand. However, the body is about eight points, the same chapter grass, and each interesting, regardless of the size, all are scattered. Its sharpman Hao Fern, according to the transfer of yi also, is the real book one? Seal grass chapter line eight points, etc., when the wrist is grabbed, plundered under the opening, pulled, sharp turned to grass, slightly assisted the finger end hook distance to turn the wrist of the shape.
However, the body is about eight points, the same chapter grass, and each interesting, regardless of the size, all are scattered.
Body, book body. The eight-point book is still in the right body. Source out of the official.
Potential, bookish. Chapter grass, cursive, daily writing. Folk origin.
The body is prescriptive, the potential is natural, and cannot be prescriptive. Both must be taken into account. All have their necessity.
The body is like Confucianism, the potential is like Taoism, and Confucianism and Taoism complement each other.
"Regardless of the size and degree of the word, the writing is of course the size and degree of the law, and the degree of law is strict, which is the basis of calligraphy. What is more basic is that the writer's scattered embrace before writing cannot formalize and objectify the fa, but activate it, returning to the root of the fa as the fa, rather than just imitating it.
When art is fixed, it loses its activity, and this is the end of life, "Fu, its heart to see heaven and earth?" Art must be restored to its original, self-renewal, "its life is renewed", in order to be born.