This series is a record of the daily calligraphy practice of a beginner in calligraphy, not for "drying", and the door is not in the good "sunning". At the same time, it is also used as a fixed lesson, diligently practiced, and integrated into daily life, that is, it is written with comfort and nourishment.
1
Large character Yin Rune Sutra
2
Ode to the Stone Gate
3
Ceremonial monument
4
Book study
The Theory of The Pen Essence and interpretation of truth
The pen is no more than six inches long, the grip is not more than three inches, the real line is two grass three, and the fingers are real. Right Junyun: Books are weak and paper is strong, pens are strong and paper is weak. The pen is strong and weak, and the weak are strong. If the wheel is flattened, it is not slow or sick, and it is obtained from the heart, but should be in the hand, and the mouth cannot speak. The breeze is light and heavy, if the floating clouds are covered on a sunny day, and the waves are cut off, like a breeze shaking on the blue sea. Qi is like a galloping horse, but also like a hook, the change is out of the heart, and the magic should be used by the hand. However, the body is about eight points, the same chapter grass, and each interesting, regardless of the size, all are scattered. Its sharpman Hao Fern, according to the transfer of yi also, is the real book one? Seal grass chapter line eight points, etc., when the wrist is grabbed, plundered under the opening, pulled, sharp turned to grass, slightly assisted the finger end hook distance to turn the wrist of the shape.
Right Junyun: Books are weak and paper is strong, pens are strong and paper is weak. The pen is strong and weak, and the weak are strong.
Here is mainly the softness and hardness of the pen, and the softness and firmness of the paper. The simple analogy is that the soft sheep is the same as the cooked xuan, and the hard wolf is the sheng xuan. An important point here is the contact between the pen end and the paper surface, in the process of writing, there will be a feeling of astringency and slippery, writing can not be slippery, to carry a little astringency, this is tension, this tension, pen and paper should be mutually harmonious. Paper and pen, which is fixed, may face the situation of strong to strong, weak to weak, then when writing, this press, the speed of the pen, the rhythm of the pen, the amount of ink dipped must be adjusted, to find the astringency, in a proper tension in the pen, that is, the state of rigidity and softness. "There is a true meaning in this, and the desire to discern what has been forgotten" is not knowledge, but the actual experience at the time of writing, the practice of awareness in the adjustment of strength and weakness.