Stills of Jiao Xiaochun's "Sacrifice Lamp"
The reason why Jiao Xiaochun can become a cultivated drama actor is because she understands the principle of "paying attention to learning everywhere", does not slack off her own learning, humbly learns from the old predecessors of Qin Cavity, pays attention to absorbing the essence of different genres, learns their exquisite performing arts, and learns the strengths of her contemporaries and young actors, and learns from them. As a primary school student and a junior, she learned "The Great Revenge" from Qin Performance Artist Liu Yuzhong, one move at a time, never sloppy. Liu Yuzhong was very happy to see her performance and gave her due evaluation. Li Zhengmin, the "authentic Qin Cavity", and He Zhenzhong, the famous Dan of the Qin Cavity, both paid great attention to the use of the dragging cavity. Jiao Xiaochun imitated the singing methods of two famous artists, and rubbed the better drag cavity into the singing voice of the Xusheng actor, which greatly enhanced her singing voice. When the famous Qin Cavity Xusheng Yan Gengping rehearsed Xu Ce Running City for her, she paid special attention to learning Yan Lao's use of water sleeves and hair, and worked her performance. Jiao Xiaochun is indeed good at learning, and her singing voice and performing arts can reach a high level, which should be said to be the result of her eclectic strengths. (Zhou Xiangrong)
An excerpt from Jiao Xiaochun's "Sima Baitai"
Excerpt from Jiao Xiaochun's "Zhuge Sacrifice Lamp"
Editor/Liu Jun Review/Yang Yao Final Review/He Jun